Product (RED) project in Mali!

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sulawesigirl4

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Ok, I'm seriously thrilled about this. Several of the volunteers that I worked with while a volunteer in Mali ended up staying in Africa and working on various projects with other groups. One of them just forwarded this press release to me this morning.

It’s in the bag: Hallmark ships record order from Mali

By Leah Quin

Mali’s handcrafts industry is abuzz this year, as artisans across the country prepare thousands of handbags for Hallmark, the largest greeting-card company in the U.S. The bags, made from traditional Malian mudcloth called bogolan, will debut this month at Hallmark’s Gold Crown stores under the PRODUCT (RED) label, part of a widespread commercial initiative launched by Bono and Bobby Shriver to raise money for The Global Fund, providing AIDS relief in Africa. But for more than 200 producers, mostly tailors and cloth dyers, the benefits are already real: months of steady work earning more than twice or three times Mali’s minimum wage.

The sheer size of the order – a total of 120,430 bags and 126,000 bead strands for greeting cards, sent in weekly installments – makes it one of the largest single handcrafts purchases ever made in Mali. But the order is groundbreaking in other ways too. It’s the first export Mali has shipped under a provision of the U.S. African Growth and Opportunities Act aimed at handmade textiles, which gives the order duty-free status in the U.S (see related story). It’s also the first time Hallmark has done business in Africa – getting assistance along the way from a unique group of organizations, including the West Africa Trade Hub, USAID, the U.S. Peace Corps, MBAs Without Borders and Africa Now.

“Without the technical assistance and on-the-ground support, this project would not have been possible,” said Frank Masterson, capacity resource manager for Hallmark. “It was important to us to find an authentic item to sell, to not only give money back from our other items but help in economic development along the way.”

Bogolan designs – which have shown up recently on Converse sneakers and Givenchy dresses in Paris – fit the bill, said Hallmark’s art director, Erin Dennis. The handmade traditional cloth has a contemporary feel, she said, and black-and-white versions complimented the color palette for Hallmark’s (RED) line. In May 2007, Hallmark contacted the Trade Hub for potential sources of bogolan bags. WATH’s Vanessa Adams and Elitza Barzakova, both former Peace Corps Mali volunteers, provided information, photo samples and financial quotes from three countries in West Africa before Hallmark selected Mali Chic and Farafina Tigne, both Hub clients with extensive exporting experience. The deal was sealed in June, when a team from Hallmark traveled with Adams and Barzakova to workshops in four Malian cities, where the hand-woven cloth – made from 100% Malian cotton – would be dyed, cut and sewn into casual handbags.

Team effort

To help the businesses handle the order, including tight deadlines and strict quality control criteria, the Hub worked with the Peace Corps Mali Small Enterprise Development program director to place two current volunteers, Vina Verman with Mali Chic and Sara Rosen with Farafina Tigne. The two helped bridge the inevitable language and cultural gaps between Hallmark and the Malian businesses, while providing business education and on-going assistance to the Malian owners and staff. On a hot afternoon in late June, for example, Verman explained to Mali Chic workers in Bambara the importance of ensuring all the bags’ handles are the same length, and reported potential problems to Mali Chic’s owner, Fatim Bouare. During a conference call with Hallmark later that day, she relayed the steps taken to reduce inconsistencies in bags already shipped.

The Hub also placed a short-term MBAs Without Borders volunteer, Amy Donahue, with Mali Chic at the beginning of this process to assess production capacity, assist with costing, accounting procedures and bank loan applications. Hub staff provided cultural context during a July evaluation by Africa Now, which Hallmark hired to determine if the bags were being produced under ethical working conditions, i.e. no child labor or withheld wages – with fully satisfactory results. Throughout, the Hub stepped in where needed: for instance, to broker compromises on make-or-break decisions like pricing and payment terms.

Lasting improvements

The learning curve was steep on both sides. To manage the unprecedented demand, Mali Chic and Farafina Tigne boosted their production capacity, adding workforce, night shifts and more sources for bogolan fabric production. They trained quality control agents and tracked error rates for tailors and dyers. New accounting systems allowed both companies to pay workers by output on a regular, usually weekly basis. Workers have responded positively: In July, Bouare said tailors asked her to find similarly sized orders so they can plan on continued income.

“If I’d known how hard it would be, I might not have done it,” Bouare said. “But now I know we can handle large orders like this. It has given me confidence for the next time.”

As the quality of weekly shipments improved, Hallmark placed more orders for bags and added beaded strands to decorate greeting cards, assembled by Farafina Tigne. The final shipments should go out by November, though Hallmark is already looking for their next African (RED) product. The experience is one Masterson and Dennis said they would recommend to others wanting to do business in Africa.

“You’ve got to be patient: It’s not easy, with everything already laid out – the logistics, design and quality control,” Masterson said. “You develop a close working relationship with people and communicate a lot, even over-communicate if you want to be successful.”

“It’s been so rewarding, being able to talk directly to producers instead of dealing with some factory,” Dennis said. “It gives you a real awareness of what people are going through, how this can affect their lives.”

I can't really describe how happy and proud I am. Not only because Elitza, Vanessa and Leah were co-volunteers during my two years and I'm so glad to see them continuing to do such cool things. But also because I worked with these very artisans when I was a volunteer. The whole time I was there, there was a lot of discussion about taking advantage of AGOA and it's so exciting to see it finally bearing fruit. You can be skeptical about "development" work, but this is the kind of real-life change that truly makes a difference. This is the kind of thing that I want to go back and do when I finish my MBA.

And now I have to go find out how to buy these bogolan bags so I can support the artisans in Mali. :up:
 
there's a hallmark store here ya know :shifty:

i t hink it is really awesome that they are doing th is. when i saw the new hallmark products i was really excited about the bag the most, because i love crafts from other places. :hi5: to your friends!
 
Is this it?

hp_3_bag.jpg


The links won't post for some reason but you can go to hallmark.com, they have a whole page about the bags and other info about all the (RED) products they will have
 
It is pretty, I wonder how much they will be. They also have (RED) musical cards, I LOVE those musical cards. They have one with a version of Over The Rainbow that I love, I have to get that.

Haha, they have Let's Get It On too
 
Yep, that is it. :)

From the website: "Bogolan (or mud cloth), a traditional fabric art form, is handmade by artisans in Mali, West Africa. Cloth is handwoven into strips from 100% unbleached Malaian cotton, hand-tinted using clay from the Niger River and then laid out in the hot West African sun.  By choosing this bag, you're helping artisans provide for their famlies, carry on a centuries-old craft and boost Mali's developing economy. This is the first export to use Mali's African Growth and Opportunities Act textile visa."

As I was just explaining to one of my coworkers, there are so many people involved in the production chain. Subsistence famers grow the cotton, often poor women (widows, single mothers, etc) in cooperatives card the raw cotton and make it into thread. Then it is woven by hand on a traditional loom into strips of cloth. Then the cloth is dyed with traditional techniques using mud and plants. Then it is sewn by tailors into a finished product. Then the product is purchased by a local handcraft export group who then sells it to a company like Hallmark. Basically, when you buy one, you are indirectly supporting every person involved in that chain, not to mention the families that their income provides for.

*sigh* This is making me homesick for Mali. lol.
 
Perfect example for a value added approach to GDP. :nerd:


:D

Great idea. I wish they will eventually discover Germany as a market for Product (Red).
 
sulawesigirl4 said:
Yep, that is it. :)

From the website: "Bogolan (or mud cloth), a traditional fabric art form, is handmade by artisans in Mali, West Africa. Cloth is handwoven into strips from 100% unbleached Malaian cotton, hand-tinted using clay from the Niger River and then laid out in the hot West African sun.  By choosing this bag, you're helping artisans provide for their famlies, carry on a centuries-old craft and boost Mali's developing economy. This is the first export to use Mali's African Growth and Opportunities Act textile visa."

As I was just explaining to one of my coworkers, there are so many people involved in the production chain. Subsistence famers grow the cotton, often poor women (widows, single mothers, etc) in cooperatives card the raw cotton and make it into thread. Then it is woven by hand on a traditional loom into strips of cloth. Then the cloth is dyed with traditional techniques using mud and plants. Then it is sewn by tailors into a finished product. Then the product is purchased by a local handcraft export group who then sells it to a company like Hallmark. Basically, when you buy one, you are indirectly supporting every person involved in that chain, not to mention the families that their income provides for.

*sigh* This is making me homesick for Mali. lol.

So fabulous!!! How did you get started going over there?
 
On the website it says they are $19.99. Which I can tell you from experience is definitely more than fair considering the amount of hand-labor that goes into making one of them.
 
I got my bag today! I got the Kalikali bag
 
Wow, only $19.99? That's definitely more than fair. I will look for one hopefully today, it seems like this could actually make a difference there. Not as much as sulawesigirl and other people have done, but it makes me feel like I can do some small thing.
 
I got 3 rolls of the paper and one of the music cards. I was very excited and part of me wanted to clean out the display! :lol: I'll be going back for the ornament when it comes out and buying several for gifts. I did see one of the bags there too. this is great :up:
 
The store I was in today already had the ornament, I wish I could have bought that too. I got a bag, the one called the finkumba. That was the one my friend and I liked best, I liked all of them though. She gave me a great idea, she thought that would be a good secret Santa/office gift.
 
taken from the (RED) blog

From Daydream to Reality: The Making of the Hallmark (PRODUCT) RED mudcloth bag


Our friends at Hallmark visited Mali twice this year to work with bogolan (mudcloth) artisans to create the Hallmark (PRODUCT) RED Mali mudcloth bag (available at Hallmark Gold Crown stores).

Erin Dennis, an art director at Hallmark who went on these trips, shared her stories and photos with us to let us know how the bag was created and sent over here from Africa. Many thanks to Erin!

To see more of the Hallmark (PRODUCT) RED collection, go to HALLMARK.COM/RED. --bn


There’s so much to say about the two trips to Mali that I was part of... I hardly know where to start. This field might be as good a place as any:
01dryland.jpg


This field was as close to a desert as I’ve been. It was acres of finely raked rows, and I was told it would be full of green as soon as the rains came in a few weeks. I couldn’t really imagine it as a farmer’s field, on a dry 100-degree day in June!

In September’s rainy season, the transformation was amazing:
02greencountry.jpg


Beautiful, green grasses and crops everywhere. They grew – like so many parts of our project have – quickly and in surprising and beautiful ways.

We met many warm friends and wonderful souls while in Mali. We told each of them along the way that they were going to be introduced to Americans through their hard work and beautiful craftsmanship.
03babagroup.jpg


04fatim.jpg



Here are some pictures of people we worked with and some that just smiled and said hello. I know that’s not enough to really introduce you, so we’re doing the next best thing. We have made Mali mudcloth bags together, handmade by some of these fantastic people, and telling you the story of how they came to be.
05twoladies.jpg


07peeking.jpg


08mamacarryingbaby.jpg


Bogolan, or mudcloth, is a time-honored craft that started simply as a way to decorate a hunter’s garment. Women, already powerful in their roles within the village, created a visual language through the patterns. Each element has a meaning, and tells a story –usually about connection and family or village life… and isn’t that what Hallmark is about too?

A highlight was to meet Boubacar Doumbia, a well-known bogolan artist and expert. He was one of many who taught us about meanings in the patterns, which you see on our packaging.

One thing I thought was unique is how each one has a positive twist that is very Mali. For example, the crossroads – an X – where you and I might bump into each other, is a place to meet and have a conversation, and a place to honor spirits. The one that represents an alligator is surprisingly defined as “good neighbors,” because when you build your village next to a river, you need to figure out how to get along with your new neighbors!
09boubacar.jpg


10symbols.jpg



Another expert was Samuel Sidibé from the National Museum of Mali, in Bamako. An elegant man, whose fabulous display of textiles at the museum is worth a trip!
11samuel.jpg
 
grr picture limits...

I could go on for days about all I learned about the production steps. Here’s the quick notes: Each and every bag was:

woven of Malian cotton, one of Mali’s major exports,
12tradeweaving.jpg


dyed with n’galama leaves to a yellow ochre,
13ngalama.jpg


stenciled with a bleach mixture to create the designs,
14stenciling.jpg


stained with clay from the Niger River,
15hands.jpg
 
last one i hope!

THEN:
cut,
16precutting.jpg


sewn,
17sewing.jpg

18sewingpiles.jpg


finished with labels,
19redtags.jpg

20redtags.jpg



and quality checked.
21measuring.jpg

22bagscheck.jpg

23finalbags.jpg



…all by Malian people proudly growing their businesses. We had a ton of help from the West Africa Trade Hub in Ghana, and local Peace Corps volunteers in Bamako and Mopti; this project would never have been successful without them. Lots and lots of discussion in English, French and Bambara had to take place to clarify and communicate ideas. It was a learning process all the way round. The artisans and entrepreneurs we worked with developed new ways of working and gained experience and confidence to potentially do more with other companies.

Above and beyond the work, they were also proud and excited to be participating in an important movement like (RED). They know that this project means good things for Africa, and for their communities and families. We also learned a lot about the resourcefulness of the Malian people – did you notice in the photo they re-use old x-ray films as stencils! Their inventiveness and artisanal craft is one key to joining in the global economy, and making the elimination of AIDS a reality.

And we were continually astounded by this group’s ability to pool resources and tackle a challenge like creating bags for Hallmark (PRODUCT) RED. I’d say I spent half the time, in spite of the heat, covered in goose bumps – proud of our team, our new relationships, and proud of the benefits of this work. Over the course of this adventure we made friends, shared many smiles, and are all proud – together – to bring a project with so many possibilities from daydream to reality.

Like one of our new cards says: “Believe in a thousand impossible things you never believed before!”



Source
 
holy crap, yeah, I recognize some of those people. :ohmy: Since my whole time in Mali was dedicated to working with people in this sector, I would run into a lot of people at different things like trade shows or at training events sponsored by Peace Corps or the Malian gov't. Not to mention that I actually got to try my hand at making bogolan a couple of times (it was so fun!).

I had the honor of meeting Samuel Sidibe on a few occasions when I lived in Bamako. Very knowlegeable about the history and culture of Mali. The exhibit he's sitting in front of is in the National Museum, which incidentally is where my bf took me on our first official "date". :cute:

All those pictures are making me homesick. :(
 
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