Zoocoustic
War Child
I don't see it ever happening for the following reasons:
1) The complete re-invention of Running To Stand Still. The version of this song that was created for ZooTV was leaps and bounds ahead of any version up to that point. True, they dropped the piano, but made up for it and more with the strings arrangement and amazing guitar work.
2) Bono's "shooting up" act during RTSS. This just heightens the experience...watching Bono and at first wondering what he is doing, only to realize as soon as he mentions "the needle chill" that he is the addict.
3) Harmonica solo during smokescreen. This is just beautiful. The harmonica sounds great all by itself, but when Bono stands there, the smoke and lights swallowing up his sillhouette, it is chilling. As he turns to walk off stage, the strings still going - there's never been a moment like it sense.
4) ZooTV being "tuned out". If you notice as Bono walks off from the b-stage in the dark, you can hear over the strings, the sounds of a channel surfing. Almost as if ZooTV is trying to still break through the one moment in the show when U2 tunes it out.
5) The Streets intro. As the channel surfing fades out, the familiar intro to streets kicks in with the organ. It's etremely long, drawn out, and the screens trun on the familiar red color that has come to symbolize this song. This is the pinnacle - the most adrenalyne-pumping moment in the history of U2 shows.
6) Where The Streets Have No Name. Brilliant performance. No Fly, no helicopter pilot, no MacPhisto or Mirrorball Man. Just U2 being U2, calling up images of the JT photo shoots on screen and giving Bono enough time to catch himself on screen and call out "Hey you! I remember you!"
Gotta' go watch Sydney again...
1) The complete re-invention of Running To Stand Still. The version of this song that was created for ZooTV was leaps and bounds ahead of any version up to that point. True, they dropped the piano, but made up for it and more with the strings arrangement and amazing guitar work.
2) Bono's "shooting up" act during RTSS. This just heightens the experience...watching Bono and at first wondering what he is doing, only to realize as soon as he mentions "the needle chill" that he is the addict.
3) Harmonica solo during smokescreen. This is just beautiful. The harmonica sounds great all by itself, but when Bono stands there, the smoke and lights swallowing up his sillhouette, it is chilling. As he turns to walk off stage, the strings still going - there's never been a moment like it sense.
4) ZooTV being "tuned out". If you notice as Bono walks off from the b-stage in the dark, you can hear over the strings, the sounds of a channel surfing. Almost as if ZooTV is trying to still break through the one moment in the show when U2 tunes it out.
5) The Streets intro. As the channel surfing fades out, the familiar intro to streets kicks in with the organ. It's etremely long, drawn out, and the screens trun on the familiar red color that has come to symbolize this song. This is the pinnacle - the most adrenalyne-pumping moment in the history of U2 shows.
6) Where The Streets Have No Name. Brilliant performance. No Fly, no helicopter pilot, no MacPhisto or Mirrorball Man. Just U2 being U2, calling up images of the JT photo shoots on screen and giving Bono enough time to catch himself on screen and call out "Hey you! I remember you!"
Gotta' go watch Sydney again...