Hmmm...am I the only one here who doesn't analyze, dissect, write manifestos, analyze again, dissect again, etc etc regarding the technical aspects of the drumming, Adam's bass, Edge's guitar, and the like? For me, it's pretty simple: does the song have a good melody, chorus, and make my spirit move.
Personally, I could care less if Larry is syncopating, martial arting, lazily pounding the kick drum, or picking his nose when he's behind the kit, same goes for the rest of the band. As long as the songs have the essential elements (melody, chorus, & beat) than I'm thrilled.
As for Pop...the band acknowledges it's not some of their best work and it is certainly a controversial album amongst U2 fans. As the digital booklet that accompanies The Complete U2 on iTunes states "...one can argue that the twelve songs do not hang together sonically-the contrast from track to track can be jarring..."
As a hardcore U2 fan since the War album I'm not overly enamored with Pop and it ranks near the bottom of my list of overall U2 albums...a sentiment shared by many other fans as well. That said, I realize many fans enjoy Pop and that U2 actually earned some new fans with that album. Of course, I find the whole notion of the Pop album and endless club remixes nothing short of stunning given Bono's comments during the opening night of the Zoo TV tour in Lakeland, FL when he responded to a CNN reporter (about the tour and the album) that "...the pop kids might not like it, but we don't need them!" Apparently, Bono and the band must of had a change of heart because 5 or so years after that statement they make Pop...an album that imo was clearly calculated to appeal to and attract a much younger generation of fans...and I honestly don't have a problem with them doing that...in fact I think that where they failed with Pop (as far as it's commercial appeal and pop music desire) they have actually perfected with ATYCLB and HTDAAB.
Just my 2 cents.
LSTB