Also, All I Want Is You somehow beating Bad.
Obviously, the ranking formula (averaging scores) is wrong if it renders this.
Also, All I Want Is You somehow beating Bad.
Tyagu_Anaykus said:One had 3 zeros?
And Ultra Violet in second... Axver must be angry
YBORCITYOBL said:digitize thks for doing this, being a bean counter I really enjoy looking at these rankings in a more statistical context
Possibly, but I would think that Even Better Than the Real Thing would be higher on the list if that were the case.Mysterious Ways 9th and Ultraviolet 2nd? I love both those songs... but still, 360 live versions bias much?
I'd be interested in reading anyone who can articulate their love for "Zooropa". I do enjoy the song, but I can't hear it as anything more than interesting and worthy. It's one of those ones where my enjoyment of it will vary with my mood, but something like "With or Without You" is eternally brilliant.
Uhh... actually, I quite like it. But thanks for your comments!I'm perfectly okay with you not liking Zooropa.
Original Soundtracks 1 results, sorted by mean:
1) Your Blue Room
2) Miss Sarajevo
3) Slug
4) Always Forever Now
5) Theme From Let's Go Native
6) Beach Sequence
7) One Minute Warning
8) United Colours
9) Plot 180
10) Corpse (These Chains Are Way Too Long)
11) A Different Kind of Blue
12) Theme From The Swan
13) Ito Okashi
14) Elvis Ate America
And rises again for Elvis Ate America.Love how the number of votes plummets below Miss Sarajevo.
And rises again for Elvis Ate America.
The fact that Zooropa is my favorite U2 song is actually a curious thing; it's not a songwriter's dream, it can't be played on an acoustic guitar and retain its power, and it isn't really possible to cover it with any success. But therein lies its power: the song embodies literally everything great about the recording process. There are so many lovely, haunting textures contained within the song that can't be properly captured live because the production enraptures you so thoroughly as you listen.
But that isn't to say that it's some heartless museum piece with no soul. It isn't progressive rock; it doesn't make you follow some shaggy dog story to a pretentious dead end. Rather, it grabs you by the ear in a way that the best pop music does through its brilliant arrangement, which is all the doing of Edge and Flood. The pieces of the song flow like mercury but then ricochet off of one another right as you're beginning to drift, which is precisely how you make a 6 1/2 minute song interesting.
I could write 1,000 words on the final portion alone, but suffice it to say that it makes modern day isolation sound invigorating. Or, rather, it finds something invigorating about the future, which may sound bleak over the course of the album proper, but here is pitched as enticing and forward-thinking. But, right as you're about to take a few seconds to think about what's being said, the song takes you on a light-speed trip through the overground. I've seldom heard such an appealing view of the human condition in a rock song. Hell, it doesn't even see it as a "condition." The biggest problem on our plate is that we have too much potential. Get your head out of the mud, baby. Dream out loud. I'll take that advice over any of the self-help musings scattered over the 00s U2 albums. And the way it merges pure rock and roll force with fresh electronic beats is sublime. Unmatched. A perfect pairing of music and lyrics to convey a feeling of enthusiasm for the future.
Basically, asking me what's so great about Zooropa is like asking me what's so great about the Abbey Road medley. "They have better individual songs. Why do you want a bunch of scattered ideas when you could have something complete like Hey Jude?" Ultimately, those songs collectively capture my imagination to a degree that pretty much all others by the Beatles fail to reach. They make me happy, they make me think, they inspire me. In the same way, Zooropa may not seem like the eternally great and complete song WOWY and One are considered to be, but it is the most fulfilling musical experience U2 has to offer, IMO.