Lila64
Blue Crack Distributor
And so they come out of hiding.
LOL!
PM'd to kelly, catman, misterboo
And so they come out of hiding.
Rules are rules, so that is ok. I just want to point out that it says on the page INTRODUCING (RED)WIRE. LAUNCHING 12.1.08. - What is RED Wire
All your (RED)WIRE music is yours to keep - they are unprotected digital files. Play them as you'd like, burn them to a CD...enjoy.
yes, play them as YOU like, on your computer, on a cd, on your ipod, etc...
dont upload them on the internet for thousands of people to download.
yes, play them as YOU like, on your computer, on a cd, on your ipod, etc...
dont upload them on the internet for thousands of people to download.
Well that says all your (RED)WIRE music is yours to keep. Assuming you already paid for it. Sounds more like you can do what you want with the file for yourself, i.e. burn it to a disk, but it doesn't say its ok to pass it around a large internet forum to people who haven't paid for it, etc. I'd just rather be safe than sorry, in any case.
I'm going to be in the minority on this one and say that I still dislike Bono's vocals here. He sounds tired and out of breath for the entire song.
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Well that says all your (RED)WIRE music is yours to keep. Assuming you already paid for it. Sounds more like you can do what you want with the file for yourself, i.e. burn it to a disk, but it doesn't say its ok to pass it around a large internet forum to people who haven't paid for it, etc. I'd just rather be safe than sorry, in any case.
3. Use of Content and Proprietary Notices
3.1 Certain content of (RED)WIRE, including, but not limited to, text, design, photographic images, audio material, video clips, illustrations, artwork, articles, reference information, menus and all other protectable elements of (RED)WIRE, which is not "Subscriber Content" as defined below (collectively, the "(RED)WIRE Content"), remains the sole and exclusive property of us or the owners or authors, as applicable, including, but not limited to, all copyright, trademarks and all other proprietary rights. To the extent that you become a Subscriber to (RED)WIRE, you are granted a limited, non-transferable license or sublicense to the (RED)WIRE Content subject to these Terms of Use. You agree not to duplicate, or otherwise extract, any of the (RED)WIRE Content for any purpose other than for your own personal use, unless otherwise specifically authorized by us in writing. You also agree not to sell or modify (RED)WIRE Content, display, publicly perform, distribute or otherwise use any (RED)WIRE Content, in whole or in part, for any public or commercial purposes without our specific prior written consent. All use of the (RED)WIRE Content shall inure to the benefit of us.
since i'm at work i can't listen right now. but i'm wondering if there's anything noticibly new about the production or sound.
not sure if it's even something to look at because we don't know if the Xmas song is in any way tied to their other recording sessions.
No, there's nothing innovative about this track, and I doubt that was the intention.
yeah, that's kind of what i figured. i guess it's hard to go all experimental on a xmas song, haha!
Interesting. I think Bono's voice is what does the song. I feel the rest is quite boring. Might grow, though.
since i'm at work i can't listen right now. but i'm wondering if there's anything noticibly new about the production or sound.
not sure if it's even something to look at because we don't know if the Xmas song is in any way tied to their other recording sessions.
No, there's nothing innovative about this track, and I doubt that was the intention.
Larry is shaking some bells, though.
The production is almost retro-JT style. It sounds more like JT than anything they've done since (the delay guitars remind me of Rise up or something like that). However, the song and the lyric emphasis are not JT-like at all, so it's a funny contrast.
I'm sure the album will sound different, but it's nice how bare and confident the production is, compared to other U2 tribute productions (Tower of song, the wanderer Johnny Cash tribute version). No overbearing synths or multi-programming madness.
Santiago
Santiago
The production is almost retro-JT style. It sounds more like JT than anything they've done since (the delay guitars remind me of Rise up or something like that). However, the song and the lyric emphasis are not JT-like at all, so it's a funny contrast.
I'm sure the album will sound different, but it's nice how bare and confident the production is, compared to other U2 tribute productions (Tower of song, the wanderer Johnny Cash tribute version). No overbearing synths or multi-programming madness.
Santiago
Santiago
I'll qualify this by saying that I don't expect much innovation and never really did. I don't believe the bullshit hyperbole artists who try to sell fans who already know better.
That said, I love the tone of Edge's guitar.
It's not unlike at least two dozen songs he's already recorded but that's his money spot IMO.
And actually, I think it sounds okay in terms of production (realizing it was a quick song for a cause).
It sounds better than the Neon Lights cover, which might be pretty comparable in some respect. Then again, the mp3 I have of Neon Lights might be a shit rip.
The important thing is there was no cheating involved...
This is a cover right? so why the hell are people questioning why its not innovative :S
Because it's interference...
This is a cover right? so why the hell are people questioning why its not innovative :S