Dawn is coming, Larry Mullen is sitting in the TV room idly channel surfing. He appears to have remained ageless for 20 years. Mullen only seems to really relax when the tape is switched off. He says that most of this friends are "builders and plumbers". When, in 1997, U2 released a high-camp video to accompany their Discotheque single, the regulars in Larry Mullen's local pub put the drummer's scene as a disco-dancing cowboy on a tape loop on the video jukebox. He is not mourning the fact that U2 have stopped trying to make us smile.
"I was always concerned that the further we moved from what we knew, the greater the danger that we'd disappear up our own arses," he says. "I couldn't cope with being called a pretentious prat."
Mullen says he is yet to form an objective opinion of the new album. He is surprised the band have come through another one.
"There were some heated debates as usual," he says. "But the party line is, If you don't have a better idea, shut the fuck up. It usually does the trick."
Bono enters to bid us goodnight. It is still dark outside but he is wearing sunglasses. "Did Edge play you his version?" he asks. "Did you prefer his or mine?"
"You see what we have to put up with?" asks Mullen with a long, weary sigh.