Well,
1. I agree being succesful is not necessarily about big sales. While it's true U2 always had the ambition to be big - on their own terms, another goal which they seem to be after perhaps even more now is relevance. I guess we'll never know if ATYCLB was a "record for the public/damage control for POP album" - I'd like to think U2 makes albums for themselves first and foremost. I don't know about you, but I don't mind them being U2 again after 10 (actually more if you include Rattle and Hum) years.
2. Yes, but going more and more to experimentation can affect your fanbase size, and lessen your relevance, and you can get lost in obscurity. I don't think ATYCLB was intentionally like it is just to sell more - like some claim. It just so happens majority of U2's fanbase knows - and likes - the "classic" sound more - that's why it was a hit with the fans. The critics on the other hand probably liked the focus back on the songs. With that said ATYCLB still features some new ground for U2. (with soulish Stuck, pop on Wild honey, r&b on IALW, ambiental music on Grace, kind of goth-rock influence on New York)
3. On second thought, for a band its status, I think U2 is actually not that much played on the radio. (as opposed to more mainstream pop/rock a la Bon Jovi)
I'm guessing the next album will be someting like ES or Always. More guitars, again emphasis on the songs, and possibly more organic - guitar/bass/drums only sound.
1. I agree being succesful is not necessarily about big sales. While it's true U2 always had the ambition to be big - on their own terms, another goal which they seem to be after perhaps even more now is relevance. I guess we'll never know if ATYCLB was a "record for the public/damage control for POP album" - I'd like to think U2 makes albums for themselves first and foremost. I don't know about you, but I don't mind them being U2 again after 10 (actually more if you include Rattle and Hum) years.
2. Yes, but going more and more to experimentation can affect your fanbase size, and lessen your relevance, and you can get lost in obscurity. I don't think ATYCLB was intentionally like it is just to sell more - like some claim. It just so happens majority of U2's fanbase knows - and likes - the "classic" sound more - that's why it was a hit with the fans. The critics on the other hand probably liked the focus back on the songs. With that said ATYCLB still features some new ground for U2. (with soulish Stuck, pop on Wild honey, r&b on IALW, ambiental music on Grace, kind of goth-rock influence on New York)
3. On second thought, for a band its status, I think U2 is actually not that much played on the radio. (as opposed to more mainstream pop/rock a la Bon Jovi)
I'm guessing the next album will be someting like ES or Always. More guitars, again emphasis on the songs, and possibly more organic - guitar/bass/drums only sound.