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#41 |
ONE
love, blood, life Join Date: Sep 2004
Location: Kettering, Ohio
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It depends on what kind of risk we're talking about. If we're talking about the risk concerning selling records, making money, etc, then Zootlesque is right, there is NO risk. The risk that U2 are taking, imo, has to do with the RESPECT that they command or used to command from the RADIO and from CRITICS.
__________________In the 90s, as late is 1998 and 1999, I would hear U2 songs - as old as SBS and as recent as Sweetest Thing(Single Mix) with UF/JT/AB stuff in between - on the radio ALL the friggen' time. The radio stations I speak of were of course local Alternative Rock radio stations. Now? Not only do MANY of these stations shy away from the newer material, they don't even play the OLDER stuff much anymore either. I really think that the radio industry have lost that certain amount of respect that they used to have for U2. I think that's a big part of why U2's singles don't do so well anymore. And critically? To tell the truth I'm surprised that Rolling Stone gave ATYCLB the glowing reviews it did back in 2000. But, as we all know, Rolling Stone is no longer the great music magazine it once was. I don't think the RS of 1993 would speak kindly of the U2 of 2005. What this all comes down to is that while U2 aren't risking record sales or money, they are risking RESPECT. The way I like to put it is this: In America, we have a network called the Bravo Network. The Bravo Network, when it's not airing 'Queer Eye For The Straigth Guy' episodes, focuses on the Fine Arts. Three and Four star movies, 'Inside The Actor's Studio' where the best actors and actresses in the world(well, for the first 7 or 8 years of it anyway) are interviewed in front of acting/directing students, and the exploration of the most renouned acts of Pop and Rock music, among other thigns - that kind of thing. And there are other TV networks here and there that focus on the Fine Arts as well. If U2 had retired in 1999(or continued to be the band they were up until then), I think they'd be an automatic for this and other networks that focus on the Fine Arts, but now? Now I don't feel like U2 is so focused on the 'Fine Art' or even just the 'art' aspect of it anymore. And if they're not focused on it, why should networks dedicated to Fine Arts be focused on U2? What I'm trying to say is, U2 can sell 10 million copies, but so can Britany Spears and Usher. But in the past U2 would be regarded in MUCH higher esteem, because they were ARTISTS, not just pop stars(or in their case, rock stars). Now? Having THAT kind of respect from so many people isn't something you should take for granted, yet U2 are risking that respect in their desperation to stay in the Top 40. Ironically, the kind of music they're making to get in the Top 40 is the same music that is causing so many of the aforementioned Alternative Rock radio stations to lose respect for U2 and NOT play their music. I hope what I've said made some sense. |
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#42 | |
Blue Crack Supplier
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Quote:
But what do you mean.. 1984? With UF? War was a monster hit.. wasn't it? |
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#43 | |
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Quote:
![]() You put it better than I did.... They used to be artists, not top 40 rock stars! |
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#44 | |
ONE
love, blood, life Join Date: Mar 2005
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Quote:
Considering making albums....I do think U2 nowadays - especially Bono, perhaps - is more afraid of not staying famous, popular etc., than previously. Their goal seems to have changed a little. In the past they seemed to always want to explore new musical territory, now it seems their objective is to stay on the charts and still be thought of as a great rock band. Not that there's anything wrong with that, though, it just seems pretty obvious ![]() |
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#45 | |
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![]() why do you think pearl jam, radiohead and REM are so religiously avoiding the charts? |
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#46 |
Rock n' Roll Doggie
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First off, there is nothing wrong with a band wanting to make money and be in the charts. Any band that tells you they want neither is bullshitting you.
Once again, I refer back to this wonderful interview with Bono from earlier this year: http://www.interference.com/u2128132/index.html Second, knowing that shooting for money or the charts in the midst of making music is not evil, please don't think that this is somehow magically new to post-90s U2: 1. From the day they signed Paul McGuinness, the U2 organization has been carefully and decisively run in all matters, both business-wise and musically. 2. All four members have said at one time or another that when they formed the band 29 years ago, they formed it with the punk goal of taking down "mainstream music" by getting on the mainstream charts. 3. Read any story on the creation of JT that mentions the millions of B-sides & unreleased songs from that era and you will find that they were looking for singles even then. Sure, they were also looking for theme--but there are themes to these last two albums, as well (and if you don't see them, you're not looking). 4. U2 were ecstatic when they finally got their first #1 US single via JT. They were also ecstatic to be on the cover of Time. 5. For all the artsiness and experimentation of the 90s, U2 were still very business-oriented. The Flanagan book clearly outlines and foreshadows U2's iPod deal, ten years early, describing how U2 recognized the importance of owning/partnering with the best hardware that would play their software (their music). If you believe in "selling out," then U2 were thinking about it even in the midst of their "anti-sell-out"/experimental phase. This money thing is not new. And it's not bad or wrong. Bands that talk about "selling out" are lame-ass bands that simply haven't made it yet. As for the "mainstream" debate, I know several people who listened to ATYCLB and HDAAB and said that there were only one or two songs on each that were radio-worthy. Lo and behold, there are several from each. These albums are only slightly more mainstream than JT was in the 80s (in the wake of Madonna, Michael Jackson, and other crap), and much less so than Boy or War were in their day. The reason so many of their songs get on the radio and become mainstream is because it's U2, and they make good music that sticks with people and defines its own corner of mainstream. That's one of the many, many things that makes U2 great.
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#47 | |
ONE
love, blood, life Join Date: Mar 2005
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Quote:
My guess is that if R.E.M. could make another "Losing My Religion" or "Everybody Hurts" today, they would do it. ![]() |
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#48 | |
Refugee
Join Date: Nov 2002
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http://www.metacritic.com/music/arti...cbomb/#critics http://www.metacritic.com/music/arti...antleavebehind It seems that U2 is still held in very high esteem, probably higher than when Pop was released (although I also love this album). |
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#49 | |
Rock n' Roll Doggie
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#50 |
ONE
love, blood, life Join Date: Mar 2005
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Utoo, are you a boy or a girl?
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#51 |
Rock n' Roll Doggie
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A guy.
Porque?
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#52 |
Rock n' Roll Doggie
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I did call Madonna crap....that should be a clue..
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#53 | |
ONE
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If you were a girl, I would have been in ![]() ![]() |
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#54 | |
Rock n' Roll Doggie
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![]() Aw, shucks! It's because I gave you the thumbs-up smilie, isn't it? ![]() |
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#55 | |
ONE
love, blood, life Join Date: Mar 2005
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Quote:
![]() ![]() and no, no, no....it's not just because of one thumbs-up smiley. I'm not that cheap. ![]() |
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#56 | |
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I really think the idea that rock bands should avoid popularity like the plague is silly, least of all the kind with a strong populist trait like U2. Don't be in your own niche, as they said. The thing that happened is that it's gotten hard for a gang of 40+ year olds to keep the popularity in the ageist society in US, with the arrival of urban music and the attention of music labels at the MTV/TRL generation. Only in US though, and the band is doing beter on airplay charts than it does in sales - I'd take being the most played artist over best selling anytime. If you're not out there on the radio, not keeping touch with the younger audiences and the new music influences, you're a dinosaur. That's what they're trying to prevent, and I think Bono is right on in his views on rock music in that infamous Kot interview. I don't think there's any "street cred" to keep, not after you've been no.1 with your album and had two no.1 singles in US and have the biggest tour of the year. There is no comparison with a band like rem, radiohead or pearl jam, who do things their own way. (all of whom were and are popular anyway) As for top 40 - always been there, what with their soaring melodies and big choruses. Promoting your music, as they always did, of course also helps. Ironic though, the "alternative" U2 of the 90s had bigger hits than the "pop" U2 of this decade. |
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#57 | |
Rock n' Roll Doggie
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#58 | |
ONE
love, blood, life Join Date: Mar 2005
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#59 |
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With enough money and consent....
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#60 |
Rock n' Roll Doggie
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