namkcuR
ONE love, blood, life
This is lifted from an Amazon.com fan review of ATYCLB, and I was just curious if anyone thinks there's any truth to it...I have also included the bit where the guy states that he's a huge U2 fan, just so there's no speculation about him being a 'hater'.
"Before you click away, you need to know that I am a huge U2 fan -- I've spent most of my adolescence and early adulthood hunting down rarities and bootlegs; I have a very extensive U2 collection, and it's still what I listen to most today. I've also been listening to this album for nearly five years, now... "
"BONO HAS TURNED INTO U2'S WEAKEST LINK. This album (and its successor even more) is about Bono, not really about the band. He dictates the tone of the album, he dictates its delivery (again, screeching in most cases), the album also contains inside references (i.e. to his wife Ali on "In A Little While"). This is not an album made by a band, but made by Bono with a backing band. Clearly, the music-making is still the result of long hours of studio jamming between the four members, but where is Larry's "voice" (e.g. the opening riff of "Sunday Bloody Sunday", or the shifting rhythms of "Miami"), where is Adam's creatively minimalist basswork ("With or Without You", "Lemon"), where's Edge's edge ("Pride", "With or Without You", "Mofo", "Until The End of the World")???? All three of them have developed into highly competent and creative musicians, but where are they?
I'm sorry, but I'm looking for a music album made by musicians, and this is not it. I feel increasingly that the band is being hampered by Bono. Yes, he's always been the grand-standing frontman, but with this album, he's started to eclipse the other bandmembers. This is even clearer in "How To Dismantle An Atomic Bomb". To be honest, when I listen to a U2 album, I don't care what Bono's political aspirations are, whether he's saintly or not, or how ubiquitous he is in touting humanitarian causes. I want to hear the interaction between the four musicians, period. I'm not hearing it here -- Larry's drums are drawn from a single template, the most creative Edge gets on this album is when he breaks out his bottleneck (and for pretty paltry solos), and Adam has completely vanished into thin air.
This album is about Bono's religion, about Bono's convictions, about Bono's view of the world. It is not an album which feels like it was born out of the magic that these four musicians can create. Worst of all, it's an album centered on Bono's voice, or what little is left of it. If he could have lived up to the bar he's set (and he set it very high), this album could have been fantastic, but I can't help feeling that he's fallen short, and that an army of yes-men are too scared to contradict him.
There's no magic here. There's Bono trying hard to conjure up magic, and settling for well-worn sleight of hand. Sadly, the rest of the band don't seem to have been given much choice other than to follow suit.
Don't buy it."
"Before you click away, you need to know that I am a huge U2 fan -- I've spent most of my adolescence and early adulthood hunting down rarities and bootlegs; I have a very extensive U2 collection, and it's still what I listen to most today. I've also been listening to this album for nearly five years, now... "
"BONO HAS TURNED INTO U2'S WEAKEST LINK. This album (and its successor even more) is about Bono, not really about the band. He dictates the tone of the album, he dictates its delivery (again, screeching in most cases), the album also contains inside references (i.e. to his wife Ali on "In A Little While"). This is not an album made by a band, but made by Bono with a backing band. Clearly, the music-making is still the result of long hours of studio jamming between the four members, but where is Larry's "voice" (e.g. the opening riff of "Sunday Bloody Sunday", or the shifting rhythms of "Miami"), where is Adam's creatively minimalist basswork ("With or Without You", "Lemon"), where's Edge's edge ("Pride", "With or Without You", "Mofo", "Until The End of the World")???? All three of them have developed into highly competent and creative musicians, but where are they?
I'm sorry, but I'm looking for a music album made by musicians, and this is not it. I feel increasingly that the band is being hampered by Bono. Yes, he's always been the grand-standing frontman, but with this album, he's started to eclipse the other bandmembers. This is even clearer in "How To Dismantle An Atomic Bomb". To be honest, when I listen to a U2 album, I don't care what Bono's political aspirations are, whether he's saintly or not, or how ubiquitous he is in touting humanitarian causes. I want to hear the interaction between the four musicians, period. I'm not hearing it here -- Larry's drums are drawn from a single template, the most creative Edge gets on this album is when he breaks out his bottleneck (and for pretty paltry solos), and Adam has completely vanished into thin air.
This album is about Bono's religion, about Bono's convictions, about Bono's view of the world. It is not an album which feels like it was born out of the magic that these four musicians can create. Worst of all, it's an album centered on Bono's voice, or what little is left of it. If he could have lived up to the bar he's set (and he set it very high), this album could have been fantastic, but I can't help feeling that he's fallen short, and that an army of yes-men are too scared to contradict him.
There's no magic here. There's Bono trying hard to conjure up magic, and settling for well-worn sleight of hand. Sadly, the rest of the band don't seem to have been given much choice other than to follow suit.
Don't buy it."