Jackass Number 2
Well you pretty much know what to expect going into this. Personally I haven’t laughed at a film as much as I did during this for a loooong time. When the promotional materials appeared I thought it was just so that everyone not called Johnny Knoxville could get a payday and that the stunts would be lacklustre, but they came up with some gems here. Sure, some fall flat (Spike Jonze as an old naked lady was rubbish) but so many of them had my brother and I in stitches. Right from the start, when the gang were coaxing a large snake to bite Chris Pontious’ penis dressed up like a mouse, we loved it. But it’s even the small sketches that work, mainly due to the sheer stupidity of the performers. Case in point: Bam Margara walks up to the camera with a skateboard, rolls his eyes, climbs up a ramp facing it, then skates down and slams right into a plexiglass sheet we didn’t realise was there. Priceless.
Happiness
Bit of a U-turn here, with an ensemble drama based around the lives and relationships of three sisters (and their parents). Banish all thoughts of Woody Allen’s Hannah and Her Sisters from your mind though, this film look at the sad, lonely, seedy and despicably perverse sexual needs of its characters. It has more in common with the style of some of Robert Altman’s famous films, particularly Short Cuts. Interestingly it never focuses on just one class of people, such as the jaded, well-off family units that Wes Anderson favours, instead placing each sister into a different social position. The film strips all of the characters bare and allows all of them scenes where they can truly open up to each other and it’s to its credit that the film never sags in any of the plotlines.
I don't know how widely this will be promoted or even released in America, but keep an eye out for it.
Son of Rambow
Charming British comedy drama that reminded me of last year’s This Is England with the early 80s setting and sense of belonging, but also invokes the whimsical spirit of Gregory’s Girl. Two schoolboys, one from a pious and conservative family, the other a bullied tearaway from a broken home, strike up an unlikely friendship in order to film one’s entry for a competition that turns into an unofficial sequel to First Blood after their imaginations are ripped open. Directed by those behind The Hitchhiker’s Guide to the Galaxy, their follow up (originally meant to be their debut) sheds the flashy special effects in favour hand-drawn animation and DIY props. Not that it is anything like Be Kind Rewind though. Both of the child leads are great and feel very natural in their roles, and the kid playing Lee Carter is cocky and brash enough to take on TIE’s Thomas Turgoose in a movie scrap. The period (lol) setting also feels natural and realistic, working by simply serving as the backdrop and never calling attention to itself. But not that I’d know for sure, I’m glad to say I’m just too young to remember those fashion disasters firsthand.
The Sea Inside
Touching and very compassionate true-life story on a very tricky subject, euthanasia. Javiar Bardem is excellent as quadriplegic Ramon Sampedro who, after being confined to a bed for 28 years following a diving accident, is actively seeking the legal authority with which to end his life. Whilst the film invariably ends up siding with Ramon it does give both sides of the debate a decent amount of time both to state their cases and square off against one another, with Ramon occasionally speechless when confronted with a rebuttal he can’t argue against. However, the film mostly fails in the depiction of those opposing Ramon outside his family in his ‘right to die’ quest as narrow-minded preachers and politicians. But such heavy handedness can be overlooked with such beautiful cinematography; an impressive feat given much of the film takes place in a bedroom. Ramon’s flights of fantasy are lovingly realised and never come off as cheesy or cheap ways of tugging at the heartstrings. In fact they allow us to get into Ramon’s head more than he allows most people and along with the story behind his paralysis lets us see just what his life means to him. Overall, it seems like one of those films where personal opinions will shape the viewer’s thoughts on the outcome for the two main characters.