One thing I do remember regarding Magnificent is that the playlist data, released by Mediabase twice a month, always baffled me. Other than Triple A, where it was the #1 song played for some 7-8 weeks and #2 for another 8 weeks, it was either charting really high, i.e., Top 5, on a given playlist...or not at all.
When Magnificent was charting around the Top 20 on Alternative and Adult Top 40 formats, in looking at the playlists for all the radio stations around the country, it was the same for both formats. I remember seeing Magnificent at #1 in Las Vegas, Milwaukee, Seattle, etc., on major radio stations within that format. Then you'd see a number of radio stations in major markets, like Boston, New York, etc., within those same formats, where Magnificent was not even on their playlist at all.
At the time, I blamed it all on a poor singles release strategy, late video, etc., as it seemed the song would peak on one format, like Triple A, yet just get released on another format, and the total airplay peak was never realized with the song not ever fully "crossing over" on multiple formats simultaneously.
But the blacklist information certainly makes sense with respect to how Magnificent did on select radio stations across the U.S. Even thought it's overall position might have been 18 on BB's Modern Rock, it was more "all or nothing" with respect to all the radio stations within that format...like in the Top 3 on a certain radio station or nowhere to be found at all on another.
Who knows, but with downloads being such a big part of the equation, U2 would have been better off releasing an EP from the start that included the live b-sides and the top 3 remixes for a 7-track single/EP complete with promotion and adverstisements on i-tunes and Amazon. That's not exactly rocket science...so it's hard not to conclude that U2 don't really care how the singles from NLOTH do on the physical charts....just so long as they get decent airplay and potentially result in a few more albums sales. It would be really hard for me to believe that their management could be as bad as it has been IF U2 were trying to make a big splash on singles charts.
When Magnificent was charting around the Top 20 on Alternative and Adult Top 40 formats, in looking at the playlists for all the radio stations around the country, it was the same for both formats. I remember seeing Magnificent at #1 in Las Vegas, Milwaukee, Seattle, etc., on major radio stations within that format. Then you'd see a number of radio stations in major markets, like Boston, New York, etc., within those same formats, where Magnificent was not even on their playlist at all.
At the time, I blamed it all on a poor singles release strategy, late video, etc., as it seemed the song would peak on one format, like Triple A, yet just get released on another format, and the total airplay peak was never realized with the song not ever fully "crossing over" on multiple formats simultaneously.
But the blacklist information certainly makes sense with respect to how Magnificent did on select radio stations across the U.S. Even thought it's overall position might have been 18 on BB's Modern Rock, it was more "all or nothing" with respect to all the radio stations within that format...like in the Top 3 on a certain radio station or nowhere to be found at all on another.
Who knows, but with downloads being such a big part of the equation, U2 would have been better off releasing an EP from the start that included the live b-sides and the top 3 remixes for a 7-track single/EP complete with promotion and adverstisements on i-tunes and Amazon. That's not exactly rocket science...so it's hard not to conclude that U2 don't really care how the singles from NLOTH do on the physical charts....just so long as they get decent airplay and potentially result in a few more albums sales. It would be really hard for me to believe that their management could be as bad as it has been IF U2 were trying to make a big splash on singles charts.