Ok, here's my Sgt. Pepper/MMT re-working. I basically tried to stay relatively conservative with Sgt. Pepper, adding only the tracks that were recorded in those sessions(Strawberry Fields Forever and Penny Lane) as well as Only A Northern Star while keeping as much of the original running order as I could, also from those sessions. With MMT, having removed two tracks from it altogether, I went for a more wholesale restructuring.
Sgt. Pepper
Side A
1. Sgt. Pepper's Lonely Hearts Club Band
2. With A Little Help From My Friends
3. Lucy In The Sky With Diamonds
4. Getting Better
5. Penny Lane
6. Fixing A Hole
7. When I'm Sixty-Four
8. She's Leaving Home
22:50
Side B
1. Strawberry Fields Forever
2. Being For The Benefit Of Mr. Kite
3. Only A Northern Song
4. Within You Without You
5. Lovely Rita
6. Good Morning Good Morning
7. Sgt. Pepper's Lonely Hearts Club Band(Reprise)
8. A Day In The Life
27:31
Ok, first let's get the elephant out of the room - yes, side A is absurdly McCartney-heavy, with all but Lucy being his. But to be fair, this is the way Sgt. Pepper is, anyway - of the six tracks on its Side A, five are Macca. I could've endeavored to fix that, but my Side B works too well, imo.
Ok, so, from the top. I can never break the opening three tracks up. They belong together.
Getting Better and Penny Lane fit very well together, the latter sounds totally natural coming after the former.
I've moved When I'm Sixty-Four to Side A to bring the two sides closer in terms of running time(otherwise they would've been like ten minutes apart), and also because I feel it fits better there. I never really liked the Within You Without You-When I'm Sixty-Four Segue. It should be noted that I've moved it back and forth from being after Fixing A Hole to being in between Penny Lane and Fixing A Hole(keeping Fixing A Hole/She's Leaving Home in-tact). I think it works a little better where it is, but could still go either way.
Strawberry Fields is an absolute killer opener for Side B and transitions smoothly into Mr. Kite.
Only A Norther Star works very well and smooths the transition to WYWY, creating a nice one-two Harrison punch.
From Lovely Rita onward, it's the regular order, which I couldn't possibly break up either.
Magical Mystery Tour
This is a more dramatic re-working. I felt that with Strawberry Fields and Penny Lane gone, and with Your Mother Should Know being in a terrible place in the running order anyway, I needed to take more drastic action.
I've also added two Yellow Submarine tracks, It's All Too Much and Hey Bulldog. For the former, I've seen it written both that it was recorded during and soon after the Sgt. Pepper sessions, but Wikipedia says it was recorded a month after Sgt. Pepper, and it fits much better sonically here. The latter was recorded after MMT, but it fits better here imo than any where else.
I've elected not to include All Together Now, despite the fact that it was recorded during the MMT sessions, because I don't think it's very good.
Side A
1. Magical Mystery Tour
2. The Fool On The Hill
3. Your Mother Should Know
4. Hello Goodbye
5. Hey Bulldog
6. Baby You're A Rich Man
7. All You Need Is Love
21:47
Side B
1. It's All Too Much
2. Flying
3. Blue Jay Way
4. I Am The Walrus
17:10
Ok, so first off, again, side A is McCartney heavy, with the first four tracks in a row being him. In this case, I do it this way because I simply think those tracks sound the most natural together. In particular, I always though putting Your Mother Should Know between Flying/Blue Jay Way and I Am The Walrus was an egregious disruption of flow. I don't dislike the song itself the way some do, but I think its placement was bad. I think it sounds much more in place coming between Fool and Hello Goodbye.
Anyway, I kept the opening duo of MMT/Fool in tact because I always loved that opening. After Mother and Hello Goodbye, I use Hey Bulldog to transition into the Baby You're A Rich Man/All You Need Is Love duo that originally closed the album. All You Need Is Love is a closer through and through, so it had to be at the end of the side.
Side B contains fewer, but longer tracks, and is less poppy in nature. Flying/Blue Jay Way can't be broken up, and the latter flows so well into Walrus that I can't believe that's not the way it was on the album. Walrus is epic, and I love the notion of the ascending strings at the end being the end of the album. It's All Too Much is a great kick-off to Side B, before mellowing out for Flying/Blue Jay Way. I think this Side B works really, really well together.
It's hard for me to mess with MMT because I associate Strawberry Fields and Penny Lane with it so much, but I think these running orders are very enjoyable(at least for me) while staying true to when things were recorded, fitting things together well, and re-incorporating the Yellow Submarine tracks.