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Old 07-12-2016, 10:43 PM   #201
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I'll throw out an unpopular opinion: Crazy Tonight would be a perfectly OK song if it weren't for that falsetto Bono attempts in the verses.

What in the fuck was he thinking with that?


It didn't fit on the album at all. It would have been a good stand alone single for maybe a movie or a charity. I love the chorus and the live version they played on Letterman was great.


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Old 07-12-2016, 10:44 PM   #202
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Well, you're certainly entitled to your opinion.



Force quit and move to trash



Come on ye people, stand up and sit down for your love



Where is the love, love and peace?



The air is heavy, heavy as a truck





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Old 07-12-2016, 11:08 PM   #203
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I didn't realize you were talking about in interference specifically.




That line has never bothered me. Makes perfect sense to me, not exactly well phrased but it's no "mole diggin up a hole", "intellectual tortoise", or as bad as some of the clunkers on Pop.
Well yeah, it was in response to LM's post, but I didn't quote it, so my bad, I see the confusion!

Would love to hear what you think are the clunkers on Pop. Bonus points if you can do so without immediately jumping to lines from Miami or The Playboy Mansion, both of which contain silly, ironic lyrics.

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Well, you're certainly entitled to your opinion.

Force quit and move to trash

Come on ye people, stand up and sit down for your love

Where is the love, love and peace?

The air is heavy, heavy as a truck
All of these lines at least fit in a sentence. What makes the Miracle line worse is how badly it's constructed and how bad it sounds.

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I can't think of a Pop lyric I like less than that line from The Miracle.
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Old 07-12-2016, 11:22 PM   #204
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There are some nonsensical lines on Pop, but they have a poetic quality to them and at least sound good.

For a rock song, The Miracle is dreadfully overwritten; cramming far too many syllables into each line has been a problem plaguing Bono's writing for a while now and that song is one of the prime examples of it.
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Old 07-12-2016, 11:45 PM   #205
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Would love to hear what you think are the clunkers on Pop. Bonus points if you can do so without immediately jumping to lines from Miami or The Playboy Mansion, both of which contain silly, ironic lyrics.





Keep in mind I was in college when Pop came out; I was there when R&H came out and my first midnight album release was AB. But Pop was the first time I had cringe moments as a fan(with the exception of a few lines from Some Days).

I won't mention Playboy, they aren't silly or ironic just were too dated even by the time it was released. Still love the song. I will mention Miami, not a single line, but the entire song. Musically had huge potential, but lyrically it was shit. I get his attempt to do some beat poet postcard from the city, but the city had absolutely nothing to do with U2's lexicon. It wasn't like the poets or Lou Reed talking about NY. It was too throw away.

Straw in the lemonade

Most of IGWSHA

The referee line in Sun

And Wake Up is a mess





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Old 07-12-2016, 11:49 PM   #206
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I'll say this about Wake Up Dead Man: "Your father made the world in seven; he's in charge of heaven" is probably the laziest thing Bono has ever written.
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Old 07-12-2016, 11:53 PM   #207
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For a rock song, The Miracle is dreadfully overwritten; cramming far too many syllables into each line has been a problem plaguing Bono's writing for a while now and that song is one of the prime examples of it.

See I get this in a sense, moreso than it being one of the worst lines. But do you think it's overwritten or it's just not the delivery you're used to for Bono? I mean there are many artist; I.e. Stipe or Morrissey that made a career out of "too many syllables" in their song writing.


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Old 07-12-2016, 11:53 PM   #208
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WUDM was written from a humble, childlike vantage point. I interpret it as simplistic, not lazy.
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Old 07-13-2016, 12:01 AM   #209
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See I get this in a sense, moreso than it being one of the worst lines. But do you think it's overwritten or it's just not the delivery you're used to for Bono? I mean there are many artist; I.e. Stipe or Morrissey that made a career out of "too many syllables" in their song writing.


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For a straightforward, ideally singalong rock song about awakening to what life and music has to offer, I think it's too wordy. Bono got caught up in conveying the details and lost the efficiency and precision a good rock song needs. Elevation has the subtlety of a brick to the face, but audiences get into it in part because it communicates its message efficiently.

There is a time and a place for syllable overdose, but I don't think The Miracle was it.
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Old 07-13-2016, 12:01 AM   #210
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WUDM was written from a humble, childlike vantage point. I interpret it as simplistic, not lazy.

Except the opening stanza comes from a very disillusioned adult pov; which is one of the reasons I've always felt that song was never completely hashed out.


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Old 07-13-2016, 12:34 AM   #211
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The only line on the entire POP album that I really take issue with is 'the blind leading the blonde' but as it's also from the weakest song on the album, I tune it out anyway. S'all good.
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Old 07-13-2016, 03:28 AM   #212
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WUDM was written from a humble, childlike vantage point. I interpret it as simplistic, not lazy.

A child that says "fucked up", apparently.
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Old 07-13-2016, 03:34 AM   #213
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Shuttlecock XIII - Super Deluxe Edition with T-Shirt

Childlike.

Christians pray from a child-to-parent perspective and that's what Bono was going for. No reason for him to be verbose.
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Old 07-13-2016, 08:23 AM   #214
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I'll throw out an unpopular opinion: Crazy Tonight would be a perfectly OK song if it weren't for that falsetto Bono attempts in the verses.

What in the fuck was he thinking with that?
Funny you say that. I decided to give NLOTH a listen last night and I thought the same thing. Subtle tweaks could have made the song decent. The "Baby baby baby" part just seems so out of place too. The whole song is basically the sound of a band trying to manufacture a radio hit instead of just letting the music come to them.
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Old 07-13-2016, 10:20 AM   #215
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That part you singled out is so unbelievably lame just hearing it mentioned is a trigger for me.

Awful choices.
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Old 07-13-2016, 01:40 PM   #216
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Certain little things they do just boggle the mind. Take the lyric "Sexy Boots" out of GOYB and it likely wouldn't get anywhere near the derision it gets.
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Old 07-13-2016, 03:06 PM   #217
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Old 07-13-2016, 03:09 PM   #218
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Live version:

"I don't want to talk about wars.......


.......

(wait for it)

........

Between the Nations!


OOOOHHHHHHHH HEYO!
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Old 07-13-2016, 05:10 PM   #219
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The video is still the most cringe-worthy thing about that song for me.

And y'all know me, I'm all PLEBA for Bono, but shirtless and the sunglasses and the rosary ...

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Old 07-13-2016, 05:37 PM   #220
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The video is still the most cringe-worthy thing about that song for me.

And y'all know me, I'm all PLEBA for Bono, but shirtless and the sunglasses and the rosary ...


I forgot he was shirtless so I went and checked it out, first time in years I've gave it a listen or watch. Truth is, like the album, this song had potential. A better lyric and it would have gone a whole different direction. That "beautiful you are" part and the "let me in the sound" are brilliant.


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