Sleep Well Beast is my favourite of the year, which shouldn't be a surprise to anyone here. Dark Side of the Gym is definitely the best song I've heard in quite some time, and there are plenty of others on the record that are close contenders. It ends on such a strong note, and the title track represents the band at their most experimental and oddly sinister - a side of theirs I hope they explore further.
I was pleasantly surprised at how consistent and rewarding Mogwai's Every Country's Sun continues to be. Like with The National, its final four tracks represent a mighty final act to the record.
American Dream may have some of my favourite tracks of the year, such as How Do You Sleep, I Used To or Oh Baby (all being constantly on my playlist for the past few months), but it's inconsistent, oddly sequenced, and overlong, making it the weakest LCD album in my book.
As far as newer artists go, The Underside of Power by Algiers is very good. Just the amount of rebellious energy this year needs.
Nine Inch Nails had a big comeback with the two EPs (Not the Actual Events is 2016 though), which I boldly submit have some of Reznor's most fascinating work. She's Gone Away, Burning Bright and This Isn't the Place rank among some of his best tracks, and actually break some new ground for the band. The first of those belongs now to cinematic/TV history due to its placement on Twin Peaks.
Speaking of which, easily my favourite soundtrack of the year. Badalamenti's emotionally raw contributions are supported by some great work by Chromatics, Johnny Jewel, Eddie Vedder, The Veils etc.
As far as disappointments go... didn't care that much for the new QOTSA and Cut Copy records, even though they had some great individual songs.
I'm sure I'll catch up on a lot I've missed. Checking the new Big Thief and Gang of Youths albums.