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#1 |
Refugee
Join Date: Mar 2005
Posts: 1,700
Local Time: 01:07 AM
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What we really do know about NLOTH ...
It's time for a new perspective on the new album's tracks, I guess. I will try an analytical summary of NLOTH from the journalist's view, with the tunes in a casual running-order:
__________________- First the Q-source from November visiting the Olympic Studios and a private session with Bono ... - Second the Q-magazine snippets, that might capture nearly the same period than the first source and might have the same roots as controbution for Q's special ... - Third the RS-review of the tracks from early December (with the wrong date, 22nd January, but claiming to be part of the 7th January issue!!!) ... enjoy! 1. "Magnificence" (- Q-source: "classic U2-isms"; "echoes TUF's opening track A Sort Of Homecoming in its atmospheric sweep" - Q-magazine: "slow building anthem with the ambience of TUF and laced with the wide eyed wonder of U2's earlier albums. Edge here is at his most dynamic. Features the line:"Only love can reset your mind"" - RS-source: ""Only love can leave such a mark," Bono roars on what sounds like an instant U2 anthem. Will.i.am has already done what Bono calls "the most extraordinary" remix of the tune") 2. "Crazy Tonight" (- Q-source: "straight up pop"; "the track Will.I.Am was taking a pass at" - Q-magazine: "upbeat pop track with distinct echoes of 60's era Phil Spector, particularly the moment when its chorus disappears into a wash of reverb. Centres around the line: "I'll go crazy If I dont go crazy tonight"" - RS-source: "It's kind of like this album's 'Beautiful Day' — it has that kind of joy to it," Bono says. With the refrain "I know I'll go crazy/If I don't go crazy tonight," it's the band's most unabashed pop tune since "Sweetest Thing"") 3. "Stand Up" (- Q-source: "swaggering"; "wherein U2 get in touch with their, hitherto unheard, funky selves - albeit propelled by some coruscating Edge guitar work, a signature feature of a number of the tracks"; "home to the knowing Bono lyric, "Stand up to rock stars/Napoleon is in high heels/Be careful of small men with big ideas."" - Q-magazine: "rousing groove-based rocker with shades of Led Zep and Cream. Edge mentions that they're trying to keep Stand Up in a rough state and not overproduce it by putting it through Pro-Tools which cleans up imperfections" - RS-source: "Stand Up Comedy"; "another hard rock tune, powered by an unexpectedly slinky groove and a riff that lands between the Beatles' "Come Together" and Led Zep's "Heartbreaker." Edge recently hung out with Jimmy Page and Jack White for the upcoming documentary It Might Get Loud, and their penchant for blues-based rock rubbed off: "I was just fascinated with seeing how Jimmy played those riffs so simply, and with Jack as well," he says") 4. "Get Your Boots On" (- Q-source: "among other instantly striking tracks"; "a heaving electro-rocker that may mark the destination point the band had been seeking on POP" - Q-magazine: "formerly titled "Sexy Boots", this demented electro grunge employs a proto-rockn'roll riff, but propelled into the future, with a hip-hop twist in the middle. Features Bono in flirtacious, self depreciating mode: "I dont wanna talk about wars between nations"" -RS-source: "the likely first single, this blazing, fuzzed-out rocker picks up where "Vertigo" left off. "It started just with me playing and Larry drumming," the Edge recalls. "And we took it from there"") 5. "Winter" (- Q-source: "featuring a fine Bono lyric about a soldier in an unspecified war zone, surrounded by a deceptively simple rhythm track and an evocative string arrangement courtesy of Eno" - Q-magazine: "6 minute ballad. Echoes of Simon & Garfunkel in this poignant, acoustic string laden ballad about a soldier in the snow of Afghanistan. Will appear in the new film 'Brothers' starring Tobey Maguire about the emotional fallout of the war. Edge on backing vocals with Bono for Winter"") 6. "Unknown Caller" (- Q-source: "stately"; "was recorded in Fez and opens with the sounds of birdsong taped by Eno during a Moroccan dawn" (- Q-magazine: "opens with the sound of birdsong recorded live in Fez. A middle eastern flavoured percussion loop drives this tale about a man"at the end of his rope" whose phone bizarrely begins texting him random instructions: "Reboot yourself","Password, enter here","You're free to go". Dallas Schoo describes the song as "one of Edge's major solos in his life - you wont hear better than that on any other song"" - RS-source: "this midtempo track could have fit on ATYCLB. "The idea is that the narrator is in an altered state, and his phone starts talking to him," says the Edge") 7. "Moment Of Surrender" (- Q-source: "particular excitement was reserved for"; "a strident seven-minute epic recorded in a single take"; "sounds like a great U2 moment in the spirit of "One"" - Q-magazine: "georgiously melodic 7 minute song that already has the air of the U2 classic about it, with lyrics about dark stars and existential crises:"I did not notice the passers-by/And they did not notice me". Recorded in one take. This album's "One"" - RS-source: "this seven-minute-long track is one of the album's most ambitious, merging a TJT-style gospel feel with a hypnotically loping bass line and a syncopated beat"") 8. "Breathe" (- Q-source: "particular excitement was reserved for"; "still a work in progress"; "Eno suggests, this is potentially both the best song the band had written and that he had worked on" - Q-magazine: "Arabic cello gives way to joyful chorus. Brian Eno says this is U2's best ever song. It's 8pm and Eno, Bono and Will.i.am are on Olympic Studio 1 writing a cello part for a song called Breathe that U2 - a touch ambitiously - are only beginning to record in ths final fortnight, never mind mix – the singer belts out a rollicking vocal featuring door-to-door salesman, a cockatoo and a chorus that begins "Step out into the street, sing your heart out"") 9. "No Line On The Horizon" (- Q-source: "further unfinished"; "two versions were extant: the first is another TUF-esque slow burner that builds to a euphoric coda, the second a punky Pixies/Buzzcocks homage that proceeds at a breathless pace", "Bono very excited about the second version" (- Q-magazine: "began life as a slow paced Eno-esque ambient treatment, before being dramatically reworked in the Olympic Sessions into an abrasive punk-rock tune akin to Vertigo, with its "No! Line!" chorus chant" - RS-source: "the title track's relentless groove began as a group improvisation. "It's very raw and very to the point," says the Edge. "It's like rock & roll 2009"") 10. "Every Breaking Wave" (- Q-source: "further unfininished"; "emotive Bono vocal and an appropriately grand swell of a climax"; "something special" - Q-magazine: "Lillywhite cues up the track, a slow burning track called "Every Breaking Wave" that gradually builds to a climax brimming with passion and intensity. Bono begins to sing rocking forward and backwards on his studio chair – he performs a note perfect vocal that employs the movement of the ocean as a metaphor for the human struggle, before building to the plaintive line "I dont know if I'm that strong". Two takes and 10 minutes later its done. Key line "Every Sailor knows that the Sea/Is a friend made enemy"" - RS-source: "a swelling soul-pop song, with bright synth sounds influenced by OMD and, Bono says, "early electronica." "You don't hear indie bands doing blue-eyed soul [like this]," he adds") 11. "Cedars Of Lebanon" (- Q-source: not mentioned ... - Q-magazine: "Daniel Lanois instigated closer that finds Bono imagining himself as a weary, lovelorn war correspondent "squeezing complicated lives into a simple headline". Ends with the possibly telling line "Choose your enemies carefully cos they will define you"" - RS-source: ""On this album, you can feel what is going on in the world at the window, scratching at the windowpane," says Bono, who sings this atmospheric ballad from the point of view of a war correspondent") 12. "Tripoli" (- Q-source: not mentioned ... - Q-magazine: "Bono talks about a song called "Tripoli", which is a guy on a motorcycle, a Moraccan french cop, whos going AWOL. He drives though France and Spain down to this village outside of Cadiz where you can actually see the fires of Africa burning" - RS-source: "this strikingly experimental song lurches between disparate styles, including near-operatic choral music, ZOOROPA-style electronics, and churning arena rock") |
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#2 |
Rock n' Roll Doggie
ALL ACCESS Join Date: Oct 2007
Location: in the enchanted forest of dreams and wonderment...or else at my computer.
Posts: 7,213
Local Time: 05:07 PM
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Great consolidation. Thanks mate.
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#3 |
Rock n' Roll Doggie
VIP PASS Join Date: Sep 2002
Location: The Apartment of Surrender...
Posts: 5,629
Local Time: 08:07 PM
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And here's the bit from the Q article that everyone seems to be missing:
Bono interview snippets - - Bono on Tour plans. "Well, I can't say too much because the LiveNation people would die. But think its fair to say that what we've planned for outdoors has never been done before and that we've been working on it for a long time. It's a feat of engineering genius." "- Bono talks about a song called Tripoli which is a guy on a motorcycle, a Moraccan french cop, whos going AWOL. He drives though France and Spain down to this village outside of Cadiz where you can actually see the fires of Africa burning. After the interview Bono drove Paul Rees (Q Editor) around Shepards Bush and played two other songs not named." 14 tracks minimum! |
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#4 |
Blue Crack Addict
Join Date: Jul 2008
Posts: 28,387
Local Time: 10:37 AM
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Great job.
![]() We've summed everything up now. |
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#5 |
Rock n' Roll Doggie
Join Date: Jul 2004
Location: Washington State
Posts: 3,861
Local Time: 12:07 AM
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The lyrics they've mentioned so far sound kind of bad.
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#6 |
Blue Crack Addict
Join Date: Nov 2000
Location: Black Lodge
Posts: 28,292
Local Time: 07:07 PM
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#7 |
ONE
love, blood, life Join Date: Nov 2004
Location: Canberra, Australia
Posts: 13,976
Local Time: 11:07 AM
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B did say the album was really long...
14 track at 4:30 is 63. Plus we know winter is 6 mins, and MOS is 7, so that makes 67 minutes |
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#8 | |
Refugee
Join Date: Mar 2005
Posts: 1,700
Local Time: 01:07 AM
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Quote:
So, there are still 12 tracks here, not 14 ... ![]() |
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#9 |
Blue Crack Supplier
Join Date: Nov 2004
Location: Los Angeles, California
Posts: 42,084
Local Time: 05:07 PM
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We already have a thread compiling the official information thanks to Sicy. Is this really necessary? Are people too lazy to scroll down one thread?
Un-fucking-believable. |
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#10 |
Rock n' Roll Doggie
VIP PASS Join Date: Sep 2002
Location: The Apartment of Surrender...
Posts: 5,629
Local Time: 08:07 PM
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Hmm.... It really depends on the bit; "Two versions of the title track were extant:" Is that supposed to refer to the 2 unnamed songs in the previous sentence, or is it meant to be the start of another topic? I read it as being another topic?
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#11 |
ONE
love, blood, life Join Date: Nov 2004
Location: Canberra, Australia
Posts: 13,976
Local Time: 11:07 AM
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^ while i agree with the sentiment, I dont see a problem with a thread that is a collation of all the info we have about the songs.
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#12 |
War Child
Join Date: Jun 2007
Location: The Space Moon™
Posts: 869
Local Time: 07:07 PM
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#13 |
Rock n' Roll Doggie
VIP PASS Join Date: Sep 2002
Location: The Apartment of Surrender...
Posts: 5,629
Local Time: 08:07 PM
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I'm always stunned at how rude and what OCD fascists people can sometimes be on this board! That one is a locked thread and perhaps this one is a big more of a conversation?
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#14 |
Blue Crack Addict
Join Date: Jul 2008
Posts: 28,387
Local Time: 10:37 AM
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#15 | |
ONE
love, blood, life Join Date: Nov 2004
Location: Canberra, Australia
Posts: 13,976
Local Time: 11:07 AM
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Mercy...
![]() sorry, had to do it :P Quote:
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#16 |
Refugee
Join Date: Mar 2005
Posts: 1,700
Local Time: 01:07 AM
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#17 | |
Refugee
Join Date: Jul 2004
Posts: 1,068
Local Time: 12:07 AM
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Quote:
Glad I don't have O.C.D. |
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#18 | |
Refugee
Join Date: Mar 2005
Posts: 1,700
Local Time: 01:07 AM
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Quote:
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#19 |
Refugee
Join Date: Jul 2004
Posts: 1,068
Local Time: 12:07 AM
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It's convenient considering there were about 20 people last night saying "Hey, I haven't checked here in 3 weeks, any news?"
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#20 | |
Rock n' Roll Doggie
VIP PASS Join Date: Sep 2002
Location: The Apartment of Surrender...
Posts: 5,629
Local Time: 08:07 PM
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Quote:
Let him dream! As I explained above, I'm reading those lines differently than you. You may be right....but I don't think so! Why would the writer intend to call two songs "unnamed" if he knew their names? Maybe poor writing? I don't know, but the simplest explanation seems to be 14 tracks! |
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nloth, no line on the horizon |
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