What we really do know about NLOTH ...

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why do I keep imagining a blue/black color scheme for NLOTH? That's pretty much the first thing that enters my mind when I think of the updated U2.com :hmm:

anyone else?
 
...according to Alan Cross, in Get your boots on

Bono rhymes "submarine" with "gasoline."
 
so now that U2 have fully explored the airplane with ATYCLB, it appears they are now going to delve into the world of submarines....maybe the new single will have U2 playing underwater with a submarine storming by underneath them....

ok I'm pretty bored tonight :sigh:
 
That would be a great idea, except Edge would lose his fire. :sigh:

And they would drown.
 
Maybe Edge's third...y'know...can be used as a source of oxygen for a few minutes.
Just don't ask me how the other three will get that oxygen







Okay, we're bored. :wink:
 
They should make an animated feature that's exactly the same as Yellow Submarine, but different.
 
Actually I think U2 should go totally hydro with this new record....

The new image would be brilliant, and very flexible...

Bono's stage image:

giant flippers
goggles with the snorkel
nut huggers
a rash guard
and maybe a Scuba tank on his back in case he needs to check on his submarine in the middle of a show or some shit
 
Actually I think U2 should go totally hydro with this new record....

The new image would be brilliant, and very flexible...

Bono's stage image:

giant flippers
goggles with the snorkel
nut huggers
a rash guard
and maybe a Scuba tank on his back in case he needs to check on his submarine in the middle of a show or some shit

They can have gills too.
 
UPDATE (01/10/2009)!
It's time for a new perspective on the new album's tracks, I guess. I will try an analytical summary of NLOTH from the journalist's view, with the tunes in a casual running-order:
- First the Q-source from November visiting the Olympic Studios and a private session with Bono ...
- Second the Q-magazine snippets, that might capture nearly the same period than the first source and might have the same roots as controbution for Q's special ...
- Third the RS-review of the tracks from early December (with the wrong date, 22nd January, but claiming to be part of the 7th January issue!!!)
-Fourth the current RS-article (01/07/2009), that was obviosuly written on the same occasion as the RS-review. This article confirms our impression here in the forum, that the time, Q and RS visited U2, the work was far from finished. One consequence: At least in parts the known album tracks are 'only' working titles; to create a tracklist for NLOTH out of this, is pure speculation. "We're at the point where half the album is done, and half the album is in a state where anything can happen — and probably will" – says the Edge and thus, this is all we know here on the board regarding the different tunes...
-Fourth the brief (and officially by the mangement allowed?) Alan Cross statements and impressions on the new single "Get On Your Boots", who's yet to be the first known to us journalist, who obviously has listened to the track or – IMO more probable– only a short part of it ...

... enjoy and thanx for keeping this 'analytical' thread alive!

1. "Magnificence"
(- Q-source: "classic U2-isms"; "echoes TUF's opening track A Sort Of Homecoming in its atmospheric sweep"
- Q-magazine: "slow building anthem with the ambience of TUF and laced with the wide eyed wonder of U2's earlier albums. Edge here is at his most dynamic. Features the line:"Only love can reset your mind""
- RS-source: ""Only love can leave such a mark," Bono roars on what sounds like an instant U2 anthem. Will.i.am has already done what Bono calls "the most extraordinary" remix of the tune"
- RS-article: "familiarly chiming U2 anthem")

2. "Crazy Tonight"
(- Q-source: "straight up pop"; "the track Will.I.Am was taking a pass at"
- Q-magazine: "upbeat pop track with distinct echoes of 60's era Phil Spector, particularly the moment when its chorus disappears into a wash of reverb. Centres around the line: "I'll go crazy If I dont go crazy tonight""
- RS-source: "It's kind of like this album's 'Beautiful Day' — it has that kind of joy to it," Bono says. With the refrain "I know I'll go crazy/If I don't go crazy tonight," it's the band's most unabashed pop tune since "Sweetest Thing"
-RS-article: not mentioned)

3. "Stand Up"
(- Q-source: "swaggering"; "wherein U2 get in touch with their, hitherto unheard, funky selves - albeit propelled by some coruscating Edge guitar work, a signature feature of a number of the tracks"; "home to the knowing Bono lyric, "Stand up to rock stars/Napoleon is in high heels/Be careful of small men with big ideas.""
- Q-magazine: "rousing groove-based rocker with shades of Led Zep and Cream. Edge mentions that they're trying to keep Stand Up in a rough state and not overproduce it by putting it through Pro-Tools which cleans up imperfections"
- RS-source: "Stand Up Comedy"; "another hard rock tune, powered by an unexpectedly slinky groove and a riff that lands between the Beatles' "Come Together" and Led Zep's "Heartbreaker." Edge recently hung out with Jimmy Page and Jack White for the upcoming documentary It Might Get Loud, and their penchant for blues-based rock rubbed off: "I was just fascinated with seeing how Jimmy played those riffs so simply, and with Jack as well," he says"
-RS-article: "the words, which he keeps revising, have an almost hip-hop-like cadence: "Stand up, 'cause you can't sit down... Stop helping God across the road like a little old lady... Come on, you people, stand up for your love."; "We haven't quite gotten this right, and I'm the problem", Bono says of the tune, which is called "Stand Up Comedy" — at least for the moment. Tomorrow it will have new lyrics."; "the groove is slinkier than anything U2 have done in years.")

4. "Get On Your Boots"
(- Q-source: "among other instantly striking tracks"; "a heaving electro-rocker that may mark the destination point the band had been seeking on POP"
- Q-magazine: "formerly titled "Sexy Boots", this demented electro grunge employs a proto-rockn'roll riff, but propelled into the future, with a hip-hop twist in the middle. Features Bono in flirtacious, self depreciating mode: "I dont wanna talk about wars between nations""
-RS-source: "the likely first single, this blazing, fuzzed-out rocker picks up where "Vertigo" left off. "It started just with me playing and Larry drumming," the Edge recalls. "And we took it from there""
-RS-article: "with a furry monster of a fuzz-guitar riff"; "power chords that, per Bono, echo the Damned's "New Rose"; verses that share a rhythm with "Subterranean Homesick Blues"; and a chorus that mixes whimsy and ardor: "Get on your boots/Sexy boots/You don't know how beautiful you are." "A hundred fifty beats per minute, three minutes, the fastest song we've ever played," Bono says, playing the tune at deafening volume in an airy studio lounge after dinner. "We're not really ready for adult-contemporary just yet."
-Alan Cross in his "twitter"-blog: "expected to be heard on the radio within ten days, maybe sooner"; "a lot of electronic sounds"; "Larry plays some kind of electronic drums, too"; Bono rhymes "submarine" with "gasoline"";
"the original title was "Sexy Boots, then it was "Get Your Boots On", now it's "Get On Your Boots"; "the new U2 single will be called "Get On Your Boots" (note the subtle title change)")

5. "Winter"
(- Q-source: "featuring a fine Bono lyric about a soldier in an unspecified war zone, surrounded by a deceptively simple rhythm track and an evocative string arrangement courtesy of Eno"
- Q-magazine: "6 minute ballad. Echoes of Simon & Garfunkel in this poignant, acoustic string laden ballad about a soldier in the snow of Afghanistan. Will appear in the new film 'Brothers' starring Tobey Maguire about the emotional fallout of the war. Edge on backing vocals with Bono for Winter""
-RS-source: not mentioned
-RS-article:"lovely discarded ballad")

6. "Unknown Caller"
(- Q-source: "stately"; "was recorded in Fez and opens with the sounds of birdsong taped by Eno during a Moroccan dawn"
(- Q-magazine: "opens with the sound of birdsong recorded live in Fez. A middle eastern flavoured percussion loop drives this tale about a man"at the end of his rope" whose phone bizarrely begins texting him random instructions: "Reboot yourself","Password, enter here","You're free to go".
Dallas Schoo describes the song as "one of Edge's major solos in his life - you wont hear better than that on any other song""
- RS-source: "this midtempo track could have fit on ATYCLB. "The idea is that the narrator is in an altered state, and his phone starts talking to him," says the Edge"
-RS-article: not mentioned)

7. "Moment Of Surrender"
(- Q-source: "particular excitement was reserved for"; "a strident seven-minute epic recorded in a single take"; "sounds like a great U2 moment in the spirit of "One""
- Q-magazine: "georgiously melodic 7 minute song that already has the air of the U2 classic about it, with lyrics about dark stars and existential crises:"I did not notice the passers-by/And they did not notice me". Recorded in one take. This album's "One""
- RS-source: "this seven-minute-long track is one of the album's most ambitious, merging a TJT-style gospel feel with a hypnotically loping bass line and a syncopated beat""
-RS-article: "astonishing seven-minute"; "was played just one time — the band improvised the version on the album from thin air")

8. "Breathe"
(- Q-source: "particular excitement was reserved for"; "still a work in progress"; "Eno suggests, this is potentially both the best song the band had written and that he had worked on"
- Q-magazine: "Arabic cello gives way to joyful chorus. Brian Eno says this is U2's best ever song. It's 8pm and Eno, Bono and Will.i.am are on Olympic Studio 1 writing a cello part for a song called Breathe that U2 - a touch ambitiously - are only beginning to record in ths final fortnight, never mind mix – the singer belts out a rollicking vocal featuring door-to-door salesman, a cockatoo and a chorus that begins "Step out into the street, sing your heart out""
- RS-source: not mentioned
-RS-article: "tweaks on his computer what he (The Edge) estimates to be the 80th incarnation")

9. "No Line On The Horizon"
(- Q-source: "further unfinished"; "two versions were extant: the first is another TUF-esque slow burner that builds to a euphoric coda, the second a punky Pixies/Buzzcocks homage that proceeds at a breathless pace", "Bono very excited about the second version"
(- Q-magazine: "began life as a slow paced Eno-esque ambient treatment, before being dramatically reworked in the Olympic Sessions into an abrasive punk-rock tune akin to Vertigo, with its "No! Line!" chorus chant"
- RS-source: "the title track's relentless groove began as a group improvisation. "It's very raw and very to the point," says the Edge. "It's like rock & roll 2009""
-RS-article: "churning, tribal groove and a deadpan chorus"; ""after-dark" song"; "one of those tunes, where, Bono says, "we allow our interest in electronic music, in Can, Neu! and Kraftwerk, to come out."")

10. "Every Breaking Wave"
(- Q-source: "further unfininished"; "emotive Bono vocal and an appropriately grand swell of a climax"; "something special"
- Q-magazine: "Lillywhite cues up the track, a slow burning track called "Every Breaking Wave" that gradually builds to a climax brimming with passion and intensity. Bono begins to sing rocking forward and backwards on his studio chair – he performs a note perfect vocal that employs the movement of the ocean as a metaphor for the human struggle, before building to the plaintive line "I dont know if I'm that strong". Two takes and 10 minutes later its done. Key line "Every Sailor knows that the Sea/Is a friend made enemy""
- RS-source: "a swelling soul-pop song, with bright synth sounds influenced by OMD and, Bono says, "early electronica." "You don't hear indie bands doing blue-eyed soul [like this]," he adds"
-RS-article: not mentioned)

11. "Cedars Of Lebanon"
(- Q-source: not mentioned ...
- Q-magazine: "Daniel Lanois instigated closer that finds Bono imagining himself as a weary, lovelorn war correspondent "squeezing complicated lives into a simple headline". Ends with the possibly telling line "Choose your enemies carefully cos they will define you""
- RS-source: ""On this album, you can feel what is going on in the world at the window, scratching at the windowpane," says Bono, who sings this atmospheric ballad from the point of view of a war correspondent"
-RS-article: not mentioned)

12. "Tripoli"
(- Q-source: not mentioned ...
- Q-magazine: "Bono talks about a song called "Tripoli", which is a guy on a motorcycle, a Moraccan french cop, whos going AWOL. He drives though France and Spain down to this village outside of Cadiz where you can actually see the fires of Africa burning"
- RS-source: "this strikingly experimental song lurches between disparate styles, including near-operatic choral music, ZOOROPA-style electronics, and churning arena rock"
-RS-article: "ambitious possible album opener, which violently lurches between different sections"; ""after-dark" song"; "one of those tunes, where, Bono says, "we allow our interest in electronic music, in Can, Neu! and Kraftwerk, to come out."")
 
They'll have the first underwater concert ever! except people will drown if they don't have snorkels, how can you survive without SNORKELS! :angry:
 
They'll have the first underwater concert ever! except people will drown if they don't have snorkels, how can you survive without SNORKELS! :angry:

yeah...in fact I think snorkels will be an underlying theme on the new record.....think about it...it's all making sense now

the connection between snorkels and survival...now that's epic :yes:
 
"Eno suggests, this is potentially both the best song the band had written and that he had worked on."

Isn't Breathe, according to the Edge, a f--- off live rocker and Eno hates rock music ?
 
yeah...in fact I think snorkels will be an underlying theme on the new record.....think about it...it's all making sense now

the connection between snorkels and survival...now that's epic :yes:

I knew that damn fire extinguisher meant something important! :wink:
 
"Eno suggests, this is potentially both the best song the band had written and that he had worked on."

Isn't Breathe, according to the Edge, a f--- off live rocker and Eno hates rock music ?

actually, there has been some sort of misunderstanding here....because when we first heard Eno talking like this, he was definitely talking about Moment of Surrender, not Breathe, I remember this distinctly.....and now it seems there are quotes of him speaking like this about Breathe...so I don't really know which one Eno thinks is "the best" whatever....

...maybe he can't make up his mind :shrug:


although I would not be surprised if he was misquoted or there was confusion of some sort as to which track exactly Eno is so fond of...doesn't make sense to me :scratch:
 
UPDATE (01/10/2009)!
4. "Get On Your Boots"
(- Q-source: "among other instantly striking tracks"; "a heaving electro-rocker that may mark the destination point the band had been seeking on POP"
- Q-magazine: "formerly titled "Sexy Boots", this demented electro grunge employs a proto-rockn'roll riff, but propelled into the future, with a hip-hop twist in the middle. Features Bono in flirtacious, self depreciating mode: "I dont wanna talk about wars between nations""
-RS-source: "the likely first single, this blazing, fuzzed-out rocker picks up where "Vertigo" left off. "It started just with me playing and Larry drumming," the Edge recalls. "And we took it from there""
-RS-article: "with a furry monster of a fuzz-guitar riff"; "power chords that, per Bono, echo the Damned's "New Rose"; verses that share a rhythm with "Subterranean Homesick Blues"; and a chorus that mixes whimsy and ardor: "Get on your boots/Sexy boots/You don't know how beautiful you are." "A hundred fifty beats per minute, three minutes, the fastest song we've ever played," Bono says, playing the tune at deafening volume in an airy studio lounge after dinner. "We're not really ready for adult-contemporary just yet."
-Alan Cross in his "twitter"-blog: "expected to be heard on the radio within ten days, maybe sooner"; "a lot of electronic sounds"; "Larry plays some kind of electronic drums, too"; Bono rhymes "submarine" with "gasoline"";
"the original title was "Sexy Boots, then it was "Get Your Boots On", now it's "Get On Your Boots"; "the new U2 single will be called "Get On Your Boots" (note the subtle title change)")

One gets the impression from the collected sources above now, that the tune at least some of us here identified here in its raw form with Beach Clip #3:wink: and which was described in November by Q as "electro-rocker", might be a key tune, to understand which kind of sound the band wanted to have on the album. Might be the key to Danny Lanois's word too, the album NLOTH will be "handmade and electronica": Electronic drum effects, hundred fifty beats per minutes, three minutes long, electronic sounds, hip hop twist in the middle, furry monster of a guitar riff, power chords, hopefully cool lyrics ...really can't wait to hear it, sounds really like a kind of departure, a new challenge:drool:
 
One gets the impression from the collected sources above now, that the tune at least some of us here identified here in its raw form with Beach Clip #3:wink: and which was described in November by Q as "electro-rocker", might be a key tune, to understand which kind of sound the band wanted to have on the album. Might be the key to Danny Lanois's word too, the album NLOTH will be "handmade and electronica": Electronic drum effects, hundred fifty beats per minutes, three minutes long, electronic sounds, hip hop twist in the middle, furry monster of a guitar riff, power chords, hopefully cool lyrics ...really can't wait to hear it, sounds really like a kind of departure, a new challenge:drool:

It sounds very different and exciting, imagine when we hear it we'll think "what the heck, this can't be U2". :drool:
 
hopefully cool lyrics ...really can't wait to hear it, sounds really like a kind of departure, a new challenge:drool:

yeah, hopefully so....but for some reason I'm imagining poppy, safe, commercial lyrics....I don't know why, but I just get this feeling I'm going to be let down from a lyrical perspective....I'm keeping my hopes up though, we'll see :)
 
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