“The Miracle (Of Joey Ramone)“: In the chorus, where Bono sings, “I woke up at the moment when the miracle occurred,” the interval relationship between the bottom note (Edge’s guitar) and the top note (Bono’s voice) has no parallel 8ths or parallel 5ths. Bach would commend them for obeying that rule of counterpoint — although it does go from a perfect 8th to a perfect 5th, which is a voice leading no-no, but The Edge instinctively feels it and changes the note almost as soon as he hits it.
In plain English? They’re writing melodies that don’t feel clunky, top-heavy, or heavy-footed to the brain when the sound waves hit the ear drums. From the brain’s perspective, good voice leading feels like a suave, smooth dancer gliding across the floor. Songs of Innocence has some serious moves.