Zooropa man
Refugee
oooppsss.... Sorry....
beam me up Scottie... (close thread)
beam me up Scottie... (close thread)
Why does everyone keep bashing A Man And A Woman? On an album full of 'trying-too-hard-to-be-big-singles while also going back to our roots' songs, A Man And A Woman is one of the few actually natural-sounding songs with a beautiful, natural-sounding melody, great lyrics, and an atmospheric feeling that harkins back to their UF days, or even their MDH tracks(The Ground Beneath Her Feet, Stateless, Falling At Your Feet).
It's one of the top two or three tracks on Bomb, imo.
do we seriously have to talk about Coldplay again in this forum??
Why does everyone keep bashing A Man And A Woman? On an album full of 'trying-too-hard-to-be-big-singles while also going back to our roots' songs, A Man And A Woman is one of the few actually natural-sounding songs with a beautiful, natural-sounding melody, great lyrics, and an atmospheric feeling that harkins back to their UF days, or even their MDH tracks(The Ground Beneath Her Feet, Stateless, Falling At Your Feet).
It's one of the top two or three tracks on Bomb, imo.
Am I "everyone". I know I put on a few pounds, but "everyone"? Wow.
I've disliked that song the moment I heard it. I find it unmelodic, boring, uninspiring and trivial. It's like a forced way of writing a love song. U2 have written haunting and powerful love songs before - this is not one of them. To me, AMAAW pales in comparison to the UF-AB era where U2 had some great love songs (WOWY, AIWIY, "One").
Regardless, I feel "Mercy" was a far better song and AMAAW could have been a nice b-side. HTDAAB would have been better served by the inclusion of "Mercy" and the removal of AMAAW. But that's my view. Clearly you disagree. And it could be this very type of disagreement that is causing this split thinking in the band right now.
Why does everyone keep bashing A Man And A Woman? On an album full of 'trying-too-hard-to-be-big-singles while also going back to our roots' songs, A Man And A Woman is one of the few actually natural-sounding songs with a beautiful, natural-sounding melody, great lyrics, and an atmospheric feeling that harkins back to their UF days, or even their MDH tracks(The Ground Beneath Her Feet, Stateless, Falling At Your Feet).
It's one of the top two or three tracks on Bomb, imo.
Why does everyone keep bashing A Man And A Woman? On an album full of 'trying-too-hard-to-be-big-singles while also going back to our roots' songs, A Man And A Woman is one of the few actually natural-sounding songs with a beautiful, natural-sounding melody, great lyrics, and an atmospheric feeling that harkins back to their UF days, or even their MDH tracks(The Ground Beneath Her Feet, Stateless, Falling At Your Feet).
It's one of the top two or three tracks on Bomb, imo.
how insightful.
Why does everyone keep bashing A Man And A Woman? On an album full of 'trying-too-hard-to-be-big-singles while also going back to our roots' songs, A Man And A Woman is one of the few actually natural-sounding songs with a beautiful, natural-sounding melody, great lyrics, and an atmospheric feeling that harkins back to their UF days, or even their MDH tracks(The Ground Beneath Her Feet, Stateless, Falling At Your Feet).
It's one of the top two or three tracks on Bomb, imo.
I think I'd really like AMAAW if there was more to it. It is just so simple and uninteresting. It would make for a great early demo but not a finished product.
Don't you love the early demos though?
Why does everyone keep bashing A Man And A Woman? On an album full of 'trying-too-hard-to-be-big-singles while also going back to our roots' songs, A Man And A Woman is one of the few actually natural-sounding songs with a beautiful, natural-sounding melody, great lyrics, and an atmospheric feeling that harkins back to their UF days, or even their MDH tracks(The Ground Beneath Her Feet, Stateless, Falling At Your Feet).
It's one of the top two or three tracks on Bomb, imo.
I used to listen to the "elders" in my local record store bash U2 endlessly to the point that I had to sneak my CDs to the counter to buy them.
Now I get to listen to fellow U2 fans bash coldplay.
It is immature, senseless and insecure.
More than that, it is embarrassing.
If you really think U2 don't sound like anyone else, you are fooling yourself.
Bono would you rip you 7 ways from Sunday if you brought this argument up to him.
Let it rest already.
Amen!
I'd rather it came later and was finished properly.
We have had too many unfinished albums over the journey.
I think we have had too many polished albums in recent memory. Too much time to dwell is a bad thing.
You got to understand that there was a lot of hype made by Chris Martin that they were going to take on U2. I was hoping they could because U2 won't be there forever, but unfortunately Coldplay doesn't work as hard as U2.
Another thing you should consider. There is a difference between inspiration and ripping off people. U2 takes "inspiration" from other bands but moves it to the next level so it's uniquely U2. The Beatles took from Elvis but took it in their own direction. Coldplay WANTS to do that but they don't work as hard so it stays in limbo and the result is the music fizzles just beyond a few listens. The only real songs from that album that I hunger for are Cemetaries in London, Viva La Vida, and especially Strawberry Swing. Otherwise the depth of Coldplay albums aren't up to snuff to really compete with any U2 albums. Not even Zooropa. I want them to make a great album like Joshua Tree or Achtung Baby. I even like much of their songs but I was disappointed with the new album. I was hoping for greatness. My thought was "is that all they can do?" Where is this competition Chris Martin was talking about? U2's new beach clips sound better already. The end of the album was like some wanna be Dark side of the moon sound without the quality.
U2 is going to take some influence from Morocco but ultimately it's going to sound like a U2 record, and not a "cut and paste" generation Y wank fest.
Maybe people are gathering around Coldplay because they are "cool" and "young", and even more depressing, there's nothing else to listen to because rock bands SUCK today. Most bands are even worse than Coldplay. Even more depressing than that is maybe so many bands have done so many permutations of melodies and guitar riffs that they are running out of things to do that haven't been done. Even Shoe-gazing music addressed some of that crisis so you can't go there either.
It reminds me of that movie Ray where one of the guys on the mixing desk kept telling Ray that he sounds like Nat King Cole. "Nobody wants another Nat King Cole, if you don't have your own sound you've got nothing."
Look at classical music and how it fizzled in the beginning of the twentieth century and music became more atonal in an attempt to be original. Look at painting or fashion. I just watched a fashion show on TV with chocolatiers making chocolate clothing for the runway. What?!
Bob Dylan was right. U2 makes songs that nobody else can play. If I was a new band I would steer clear of U2's signature Anthem style and ringing guitar sound. When you go in that direction but don't take it to another personal level then you get mediocre stuff. This happened with Depeche Mode when they were competing against U2. Watch the DVD version of Songs of Faith and Devotion remastered album and look at the extras. You can see how Flood tried to work with them a la Achtung Baby. One of the tech guys in an interview talks about Flood and how he just came from "another one of those U2 records." You could see the envy and anger on his face. It wasn't just "another one of those records" but Achtung Baby.
Ambition bites the nails of SUCCESS!!!! You need more than Ambition.
When Zooropa came out people in my high school gave up on them and said that Pearl Jam was going to beat them. Nope. Nirvana was going to beat them. Nope. Radiohead, and REM just didn't want to go there so, nope. I guess Coldplay is next. If at first you dont succeed then try and try again.
Dammit! I want a new awesome band. So far I think Arcade Fire and Doves take the U2 thing and go in their own direction in a fantastic way. You can include Radiohead as well.
Doesn't anybody know of any other bands that can make 10 - 12 good songs per album? Please let me know.
I think we have had too many polished albums in recent memory. Too much time to dwell is a bad thing.
Doesn't anybody know of any other bands that can make 10 - 12 good songs per album? Please let me know.
Agreed. When we got the "rare and unreleased" outtakes from HTDAAB, I was halfway disappointed that we didn't get some of the first versions (musically and/or lyrically). If the guys have a sense that they need to seriously revise some elements of the current songs, I have no problem waiting. But if they're agonizing over subtle background elements in the music or lyrics, then I wish they'd just release what they have. In fact, if they worry about anything, I wish it'd be the quality of the mixes. On ATYCLB and HTDAAB, some of Bono's lyrics are so loud that they block the amps on my stereo; and some of the musical elements are muddy. Just give us some great songs with some classic Bono lyrics and great music, recorded crisply and cleanly. (Sorry - I'm growing really impatient, and many of us agree that overproduction on some of the last albums just wasn't worth it!).
no one plays or sounds like the Edge