Flying FuManchu
New Yorker
Outside of U2 fandom, is it Beyonce big?
I blame a ridiculous choice for a lead single, a horrible promotional campaign, and, honestly, an excellent album with nothing that is really very "radio friendly".
That is to say they should have consciously put at least one sure-fire hit on it to help it sell.
refreshing would be if good music would actually get played on the radio, tv etc and become part of the public consciousnessfrankly i'm happy for a u2 release where we don't have to see them goddamn everywhere.
after the way too much hype for atylcb and htudab, this is just so refreshing.
ridiculous choice for a lead single
Outside of U2 fandom, is it Beyonce big?
Beyoncé I Am... Sasha Fierce 3.679.000
U2 No Line On The Horizon 2.584.000
Best Selling Albums in 2009
U2 No Line On The Horizon 2.584.000
Lady Gaga The Fame 1.603.000
Beyoncé I Am... Sasha Fierce 1.428.000
Soundtrack Twilight 1.419.000
Kings Of Leon Only By The Night 1.413.000
Bruce Springsteen Working On A Dream 1.389.000
Taylor Swift Fearless 1.338.000
Pink Funhouse 1.087.000
Nickelback Dark Horse 1.042.000
Britney Spears Circus 998.000
Best Selling Albums Released in 2009
U2 No Line On The Horizon 2.584.000
Bruce Springsteen Working On A Dream 1.389.000
Kelly Clarkson All I Ever Wanted 853.000
Lily Allen It's Not Me, It's You 846.500
Soundtrack Hannah Montana: The Movie 813.000
The Fray The Fray 664.000
The Prodigy Invaders Must Die 588.000
Rascal Flatts Unstoppable 539.000
Franz Ferdinand Tonight: Franz Ferdinand 527.000
Les Enfoirés Les Enfoirés Font Leur Cinéma 2009 490.000
So U2 is selling well in the USA? When I say Beyonce big, I've noticed that she has a load of singles and a "definitive" or mega-hit song in that Single Ladies. Like she seems to have buzz over the past year kind of Buzz. Sort of like U2 and Vertigo. I was wondering is U2 on its way to that kind of bigness?
The question to be asked nowadays is: can any CD-release galvanize the masses anymore? Will an album (that has appeal outside of the MTV/Teen crowd) like OK, Computer or Nevermind ever exist again?
What's the use of insulting the taste of the mainstream? U2 is a big band, and they know it, and thats what they want to be. In this regard, they are absolutely failing with NLOTH.
how?
Beyoncé I Am... Sasha Fierce 3.679.000
U2 No Line On The Horizon 2.584.000
Best Selling Albums in 2009
U2 No Line On The Horizon 2.584.000
Lady Gaga The Fame 1.603.000
Beyoncé I Am... Sasha Fierce 1.428.000
Soundtrack Twilight 1.419.000
Kings Of Leon Only By The Night 1.413.000
Bruce Springsteen Working On A Dream 1.389.000
Taylor Swift Fearless 1.338.000
Pink Funhouse 1.087.000
Nickelback Dark Horse 1.042.000
Britney Spears Circus 998.000
Best Selling Albums Released in 2009
U2 No Line On The Horizon 2.584.000
Bruce Springsteen Working On A Dream 1.389.000
Kelly Clarkson All I Ever Wanted 853.000
Lily Allen It's Not Me, It's You 846.500
Soundtrack Hannah Montana: The Movie 813.000
The Fray The Fray 664.000
The Prodigy Invaders Must Die 588.000
Rascal Flatts Unstoppable 539.000
Franz Ferdinand Tonight: Franz Ferdinand 527.000
Les Enfoirés Les Enfoirés Font Leur Cinéma 2009 490.000
Outside of U2 fandom, is it Beyonce big?
Why should you or I care?
Because outselling everyone else in the world is not enough...apparently
Yep, let's face it -- U2 are now a small band.
OK Computer NEVER did this. It was a critics fave, but never even came close to galvanizing.The question to be asked nowadays is: can any CD-release galvanize the masses anymore? Will an album (that has appeal outside of the MTV/Teen crowd) like OK, Computer or Nevermind ever exist again?
When concert prices come back down to 70s/80s' levels, I will conclude that the world's lack of CD-sales and promotion is a good thing, but until then I'm starting to worry if, instead, it is forcing established artists to put all they money and energy into "big", overhyped live tours, and at the same time killing off smaller, newer, local artists.