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--The Edge of Destruction--

U2 guitarist's plan for his 1,000 acres in Malibu is infuriating some of his neighbors

March 19, 2009


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Craig Stephens



Irish supergroup U2 has long been acknowledged for its altruism, for using its fame to spotlight global issues like poverty, the AIDS crisis and the environment. But while music critics and fans are focused on the band's spirit and energy, which is readily apparent on U2's new album, No Line on the Horizon, the band's guitarist, David Evans, a.k.a. the Edge, has been drawing a less-welcome sort of attention from his Malibu neighbors, who accuse him of hypocrisy in how he's developing two huge properties there.

Residents in the Coral and Latigo canyon areas of the Malibu hills are in an uproar over the Edge's plan to build five homes across a proposed area of nearly 1,000 acres on two key sites, one bordered by the spectacular Latigo Canyon and the other at Serra Retreat.

In the three years he's owned the properties, the litany of complaints hurled at the Edge include, among other things: his eviction of a long-standing archery club; his plans to level a mountain on the property, which would cause destructive water runoff and land erosion; wildlife endangerment; and potential obstruction of existing views. If his plans become real, decry neighbors, there may be one less lovely line on Malibu's horizon.

Among those most frustrated by the Edge's plans is Candace Brown, a resident and longtime partner of Malibu mayoral candidate Councilman Jefferson Wagner. She accuses the U2 guitarist of spearheading an overly ostentatious and self-serving development that will upset the ecosystem and create an eyesore of, in her words, oversized "McMansions."

"They evicted the archery club, which was an institution in Malibu," says an exasperated Brown of the Edge and his project partners. She says that they also dug a 15-foot trench "the size of three football fields," and that eyewitnesses have reported seeing wildlife, including deer and fox, trapped in the trench.

But critics say that the digging is a minor issue compared to the overall consequences of the project. One disgruntled neighbor, Jim Smith, a building contractor who has looked at the Edge's plans, estimates that the proposed construction would affect the community for years to come. Smith says that an existing mountain on the property will, in effect, disappear, and that approximately 5,000 truckloads of earth removed from the site would be transported along a road not nearly large enough to handle the load.

Resident Scott Wilder has watched the ongoing development unfold over the past two years, and has seen the Edge walking around the property and discussing plans with engineers. According to Wilder, "the sheer size of this project will have a detrimental effect."

Like many archetypical rock stars, the Edge has had an ongoing romance with L.A., with repeated visits and tours since the band's rise in the '80s. He was based in Malibu for a couple of years in the early '00s, after marrying a backup dancer from U2's Zoo tour, Morleigh Steinberg, in 2002, and sending his three kids to an area school. Bandmate Bono explained the Edge's affection for L.A. at a press conference last week at Capitol Studios in Hollywood: "Edge has a soft spot for L.A., seeing as though he fell in love with a California girl." The singer was no doubt referring to Steinberg, who was born and raised in Santa Monica.

In addition to the Malibu development, the Edge's real estate portfolio includes a $5 million loft in NYC's Tribeca neighborhood, a villa on the French Riviera and a house in South Dublin County, Ireland. The Edge and U2 also poured millions of dollars into the development of the industrial wasteland of Dublin's docklands area, including a proposed tower that stands to be Ireland's tallest building, housing a recording studio and luxury apartments. The credit crunch has stalled the project at the excavation stage.

The Edge bought the two Malibu sites in November 2006. Though neighbors all say he's been sociable in his encounters with them, and all of his projects have been granted full legal permits, residents feel they've been misled by his stated intention to build so many homes on the land. As well, he seems to be contradicting his band's purported commitment to environmentalism.

Take, for example, the trench, which neighbor Wilder believes was created with a very specific intention. "The land formed a ridge line that prior to the trench being dug would have made it an unfit building surface," he says. "The developers have subsequently filled in the trench, and there is no more ridge line. By filling it in, they’ve flattened the ridge and created a building pad."

Malibu developer Don Schmitz has been hired by the Edge to oversee the development. A longtime resident, Schmitz has acted as a middleman for various building projects in Malibu for the past two decades with his company, Don Schmitz and Associates. When asked about the project, Schmitz declined to comment, or to even acknowledge his client. (The Edge declined to comment on this story.)

An authorization document signed by the Edge and submitted to the California Coastal Commission, the body that processes development applications, confirms that he has authorized Schmitz to oversee the massive project. When asked about the trench on the Latigo Canyon site, Schmitz denied it was leveled for purposes of creating a building pad. He says that the excavation to date is "purely for geological purposes."

In addition to the carving up of portions of the mountain, neighbors say that the Edge's proposed new homes will destroy their views. "I can presently see a view from my home, called the 'Queen's Necklace,'" explains Wilder, "which shows areas of L.A. from Santa Monica to LAX. The development will directly impede residents' existing views and impact the scenic drive through Latigo Canyon for the general public."

For Wilder, the U2 glam factor isn't an issue, but he does fear that the Edge's stature could fast-track the development. Wilder's a professional stuntman, so the prospect of celeb-spotting or party invites doesn’t really faze him. He says that a specific interaction was notable, however. "There was one occasion when his enormous tour bus stopped dead on the road to my house, blocking it. Myself and several other cars had to wait behind it for some time until I became annoyed and approached the window of the bus. I asked the driver to move, though he said I'd have to wait, as he didn't want to interrupt the Edge and Axl Rose [a fellow Malibu resident], who were in an intense discussion at the back of the bus."

Another gripe of the residents' is the eviction by the Edge and his developers of the Malibu Mountain Archery Club, an institution located on the Latigo Canyon site since 1938. Club treasurer Sharon Prey, also a resident, laments its loss, and says that it raised money to benefit local charities. The club was steeped in history, as well. "After Errol Flynn made archery popular in his films," Prey explains, "it was very fashionable. I've got photographs of everyone from Shirley Temple and Bob Hope to James Garner at the old range." It has also served as an Olympic venue and a set for countless movies. When the Edge bought that land, the club was forced to shutter.

A resident of the Serra Retreat area, Jim Smith has been vocal in his disapproval of the Edge's development. His key issue is what he sees as the destruction of an entire mountain.

"Two years ago he pulled up outside my house and mentioned he was going to be my new neighbor," recalls Smith. "He was friendly and charismatic. I was happy knowing he was buying the land, as I assumed he would be sensitive to the environment -- though that's not the case."

Smith says that in addition to a site for the Edge's own house, plans call for five more parcels of land to host additional spec homes. Smith claims that, as the mountain is excavated, a man-made slope will span the height of a 20-story building and carve the mountain until it is unrecognizable.

Explains a frustrated Smith: "When I expressed my concerns about the development, he told me he was sympathetic to my concerns, though he's done nothing. He's not walking the walk of an environmentalist."
 
Saturday, March 21, 2009
164,000 ticket sales in just 90 minutes keep U2 No 1 live act





U2 MAY have suffered the indignity of having their new album No Line on the Horizon knocked off the top of the charts after just one week but they remain incomparably the biggest draw in live music.

All 164,000 tickets for their first two shows at Croke Park sold out yesterday morning in under two hours.

Pairs of tickets were gone within 51 minutes of going on sale at 8am, single tickets by 9.30am and the sold-out sign on the Ticketmaster website was displayed by 10am.

Given U2’s reputation as a live act, sell-outs for the U2360 concerts on Friday, July 24th, and Saturday, July 25th, were seen as dead certs, but it still came as a relief to lead singer Bono.

“As my friend Gavin Friday says, ‘insecurity is your best security’,” he told RTÉ Radio 2FM’s Gerry Ryan Show yesterday morning.

“That’s just the way we are. We don’t take anything for granted. The album went to No 1 in 31 countries. We had a big celebration. Then we discovered it had not gone to No 1 in Finland and we were depressed.

“That’s the kind of band we are,” he said, speaking from Morocco where he is on a video shoot for their new single Magnificent .

The sold-out shows now means that a third concert date on Monday, July 27th, is increasingly likely.

Croke Park has planning permission for three events and U2’s tour schedule could accommodate it.

First in the queue at the Ticketmaster outlet yesterday morning were U2 fans Martin Shanahan and Vincent Kearns, who surely own the franchise as the band’s most dedicated fans.

They purchased six tickets each, but noted that the queues for this year’s tour dates were not what they were in the past.

“The queues for Vertigo were much larger. I reckon there was between 1,500 and 2,000 fans then.

“I’m hoping it is a case of it being a younger audience and four years later they being a lot more cool with the internet,” said Martin, who sported a ginger beard having camped outside Ticketmaster since last Sunday.

While fans clamoured and queued for tickets for the band’s forthcoming U2360 tour in the round, they have been decidedly lukewarm about the new album.

No Line on the Horizon , which has received mixed reviews from both fans and critics, dropped down to No 2 in the Irish charts after just a week at the top, and replaced by Lady GaGa.

In the US Billboard charts it dropped from No 1 to No 3, having sold 484,000 copies in the first week.

Its predecessor How to Dismantle an Atomic Bomb sold 840,000 copies in its first week of release.
 
Photographer Sugimoto strikes a Stone Age deal with U2

By EDAN CORKILL


Staff writer
Just two minutes into an interview with artist Hiroshi Sugimoto, it became clear why the famously discreet 61-year-old had agreed to talk about rock band U2's use of one of his photographs on the cover of their latest album, "No Line on the Horizon."




The first thing I want you to let people know," he said, seated in an office at Ginza's Gallery Koyanagi, "is there is no commercial aspect to my relation with U2. No cash is involved."

No cash? Sugimoto's 1993 image of the Boden Sea at Uttwil adorns not only the cover of the album that debuted this month at No. 1 in almost 30 countries, but is also plastered over buses, taxis and TV ads worldwide as part of a multimillion dollar advertising blitz. The commercial connection had seemed so obvious that many assumed Sugimoto had sold out.

"People thought that I was in some sort of financial trouble," chuckled Sugimoto, who has always had a reputation for refusing requests to use his work in merchandise or advertising.

Others suggested he'd been corrupted by the megarich U2. According to The Guardian's Web site, electronic-music artist Taylor Deupree, who created a CD with Richard Chartier for a Sugimoto retrospective at the Hirshhorn Museum in Washington, D.C. in 2006, dismissed the U2 cover saying that for Bono and crew, "it's simply a phone call and a check."

Deupree also accused the band of copying the design of their album. Both covers use the same "Boden Sea" image (which was actually taken at Lake Constance in Switzerland and is just one of over 200 photographs that make up the artist's "Seascapes" series).

Apparently Deupree is wrong on both counts. Noting that the choice of the same photograph was just a "coincidence," Sugimoto explained that he was first introduced to Bono during a visit with an art collector in France about four years ago.

"I was taken by private jet to this beautiful villa in Nice," he explained. "When we got there, this guy, rather short — OK, my size — was welcoming me. I thought, 'He looks familiar.' " Although not impartial to rock music, Sugimoto wasn't really familiar with U2's work. "I was part of the Beatles generation," he said. "I still have Pink Floyd's 'The Dark Side of the Moon' playing in my car!"

Bono confessed that he loved Sugimoto's seascape photographs and began quizzing the artist about the work.

"He started taking notes as I talked," Sugimoto recalled. Those notes became the foundation for the new album's title track. Last year, during a visit to Dublin, Sugimoto heard the first demo tape, and a few months later was told by Bono that U2 wanted to use the Boden Sea image on the album jacket.

"I said, 'Are you sure? If you use it you won't be able to put anything on top of it, not even the U2 name," the artist remembered.

He was surprised when Bono strongly agreed. Rolling Stone is now calling the text-free jacket "an early front runner for album cover of the year." (The cover also features an equal sign, but it is attached to the plastic wrapper, so it disappears once opened it.) Then came talk of money.

"I gave myself just a second to think about it," Sugimoto recalled, "and I said 'How about a Stone Age deal — no cash?' "

Bono agreed on an "artist-to-artist" barter whereby Sugimoto could use the "No Line on the Horizon" song in any project he wanted in the future. Sugimoto says he still hasn't made up his mind about how to use the song — which he says he likes, but liked even better in its "more hard rock" demo stage.

"Maybe I'll use it in some video-art project, or charity project," he said. Is he happy with the way the album cover looks? "The boxed editions of the album are printed well," he noted. But, he was resigned to the impossibility of proper quality control when they "print them all over the world."

Still, Sugimoto is satisfied that his photographs have struck a chord with so many people.

"That's the effect of seascapes," he said, before explaining that a view of a boatless ocean is one of the only things left in the world that we can experience in the same way that our primitive ancestors would have experienced millenniums ago. "The works are really connected to the very deep roots of the human mind," he said. "Even to the minds of musicians who have reached the pinnacle of success."

The Japan Times: Friday, March 20, 2009
 
Ooh cool! I downloaded the first one but this one I can't get... can anyone else? I know there is another way I can get it, but I can't get it the easy way!
 
EcoChic Trend Alert! EDUN Pop-Up Store at Clary Sage: March 26 - April 9, San Francisco
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Join the Pacific Heights eco-luxe shop, Clary Sage as they welcome spring and embrace fairtrade in fashion with a 2 week pop-up shop featuring the EDUN and Nude’s Spring/Summer 2009 collection.

Fairtrade in the Spring Pop-up Shop
March 26th - April 9th, 2009
Clary Sage Organics
2241 Fillmore St, San Francisco
(between Clay St & Sacramento St)

Don't miss this noteworthy eco-chic event as the EDUN pop-up shop will be on display for a only two short weeks. Stop by to experience fashion and beauty that is good for the environment, you'll instantly generate a day's worth of good karma. If you haven't heard, EDUN is a socially conscious clothing company founded by Bono and his wife, Ali Hewson. EDUN's vision is to create beautiful clothing while supporting sustainable employment in sub-Saharan Africa. The collection includes all of the eco-luxe and socially conscious basics to outfit your entire wardrobe. For all of you green minded multi-taskers out there - now you can look great, nourish your soul and save the world all in one visit to Clary Sage!
 
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