BluRmGrl
Rock n' Roll Doggie ALL ACCESS
Found this little article about inovative artist in the Sept 4th issue of Time magazine last week while I passed the time in an airport. 
I hadn't seen anyone else post or mention it, so here you are. 
Willie Williams never intended to change the way people watch rock concerts. Growing up in the late '70s, all he really wanted was to get out of Sheffield, England. "So I ran away to London to join the circus," says Williams, "and the circus at that time was punk rock." Punk rock had a visual aesthetic, but it started and ended with the pierceable parts of its' players bodies. At 19, Williams, whose love of music trumped his aptitude for it, cozied up to his favorite band, Stiff Little Fingers, and talked the group into letting him design its stage show. Whe the Fingers broke up in 1982, he called his new favorite band. "They happened to be named U2."
Ever since, Williams, 46, has moved with U2 from clubs to arenas to stadiums, revolutionizing concert visuals at every step. From the seven Trabants (compact cars built in East Germany) he hung from the rafters of U2's early '90s Zoo TV tour to the giant beaded LED curtains of the recent Vertigo shows, he has turned concrete caverns into spaces that drip with mood. And when the music starts, Williams, who pioneered the integration of video and light into a single element, turns the sets into an extravaganza that enhances but never competes with the sound.
In addition to his rock work, Williams has taken on the Kronos Quartet ("The equipment can't be merely quiet, it has to be silent") and is brainstorming ways to light the revitalized South Bank Centre on the Thames. But he still gets his greatest thrill watching people watch his work. When Williams went to a Vertigo concert with artist Julian Opie, who minimalist figures were incorporated into the show's visuals, Opie couldn't disguise his envy. "No one," he said, "ever applauds at an art gallery." -- By Josh Tyrangiel
I hadn't seen anyone else post or mention it, so here you are. Willie Williams never intended to change the way people watch rock concerts. Growing up in the late '70s, all he really wanted was to get out of Sheffield, England. "So I ran away to London to join the circus," says Williams, "and the circus at that time was punk rock." Punk rock had a visual aesthetic, but it started and ended with the pierceable parts of its' players bodies. At 19, Williams, whose love of music trumped his aptitude for it, cozied up to his favorite band, Stiff Little Fingers, and talked the group into letting him design its stage show. Whe the Fingers broke up in 1982, he called his new favorite band. "They happened to be named U2."
Ever since, Williams, 46, has moved with U2 from clubs to arenas to stadiums, revolutionizing concert visuals at every step. From the seven Trabants (compact cars built in East Germany) he hung from the rafters of U2's early '90s Zoo TV tour to the giant beaded LED curtains of the recent Vertigo shows, he has turned concrete caverns into spaces that drip with mood. And when the music starts, Williams, who pioneered the integration of video and light into a single element, turns the sets into an extravaganza that enhances but never competes with the sound.
In addition to his rock work, Williams has taken on the Kronos Quartet ("The equipment can't be merely quiet, it has to be silent") and is brainstorming ways to light the revitalized South Bank Centre on the Thames. But he still gets his greatest thrill watching people watch his work. When Williams went to a Vertigo concert with artist Julian Opie, who minimalist figures were incorporated into the show's visuals, Opie couldn't disguise his envy. "No one," he said, "ever applauds at an art gallery." -- By Josh Tyrangiel
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