hibricc
Refugee
Close study of these new Tempe videos is quite interesting. The earlier versions (from page 1 in this thread) were 4:3 ratio with the ownership watermark near the bottom. These were probably edited proof sequences from the original footage, that were rejected for inclusion in the film.
The versions posted within the last few weeks are widescreen 16:9, with the bottom graphic cropped out. Now it COULD be that the entire movie was 'mastered' in this manner, since the original camera negatives were 35mm (Tempe & Denver concerts) and 16mm (everything else) - both with aspect ratios that are more like old-school 4:3 TV than today's cinema-like 16:9.
JUSTin, can you provide more info on your source? When I first saw your videos popping up on YouTube, I was hopeful that perhaps someone at Paramount was testing the waters for a possible box set remaster - but now I'm thinking instead that a resourceful fan did an admittedly great job cropping and color grading previously rare-but-available footage....
The versions posted within the last few weeks are widescreen 16:9, with the bottom graphic cropped out. Now it COULD be that the entire movie was 'mastered' in this manner, since the original camera negatives were 35mm (Tempe & Denver concerts) and 16mm (everything else) - both with aspect ratios that are more like old-school 4:3 TV than today's cinema-like 16:9.
JUSTin, can you provide more info on your source? When I first saw your videos popping up on YouTube, I was hopeful that perhaps someone at Paramount was testing the waters for a possible box set remaster - but now I'm thinking instead that a resourceful fan did an admittedly great job cropping and color grading previously rare-but-available footage....