Canadiens1131
ONE love, blood, life
- Joined
- Aug 18, 2004
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Did anyone else see this thread title and immediately look for Peterrrrrrrrrrr's username?
Now THAT'S a sick MLK
None of that "shleeeeeaaayyyyheeeeepppp" he does now.
This topic always kills me to no end. The few most vocal posters have never actually performed a vocal much less a Bono vocal in their lives, yet their ears are sophisticated enough to understand what is going on in a vocal performance? "We set ourselves on fire" stronger than any 80s U2 vocal? Are you serious?
Even the recent NYD...yes, it's a great version, better than many of recent years. But listen to the verses before the "we can be one" - do you recognize what he's doing there, the technique he is using? It's different than how he used to sing it. It's not just about the notes being hit at 4:55 or whatever of a song, what about the rest of the song??!
And the All I Want is You example...watch the video again. Do you hear how he scaled down alot of the parts leading up to that final "yoooouuuuu"? He spoke the preceding verse for crissakes! That's dramatically different to the way he used to sing the ENTIRE song. You "save up" your voice for the end, and he does that with alot of the older songs now. This is not "better" or "worse" singing than before per se, it's just technically a smarter way to perform live.
Your Bad example is another one - he sings the song way more controlled than he used to and he does none of the old ad libbing or running around that he used to, so of course when he gets to the final wide awake sure he can ring it out a bit better, but for frig's sake it's nowhere near as powerful as the way he used to sing it in the song's entirety. That Washington video from 92...around 3:20 or so - he hit that chorus while being carried around by someone, and at some point during it the guy put him down! That means he had little control over his feet, his diaphragm (given that he had one arm around the guy's head holding on)...in that sort of physical position that chorus would be really hard to do! And yet he hits it.
Honestly Peter, not trying to get personal here, but you've been prattling on about the voice campaign for god knows how long now, and man I've got to tell you: your examples are not realistic, and you really don't have a freaking clue what you're talking about. Sorry man.
That's not to say that Bono's crap now, he's not, he's singing great if although a bit smarter and more conservative. When he was younger I doubt he even gave tour longevity or sustainability a second thought, but now he's more mature about it. He used to pull off these moments we now go 'oooh' over during practically every song, every verse, every chorus. He used to run around the stage possessed and climb shit regularly. Now he picks his moments, and for good reason, it's a good idea.
Let me clear one thing up. I won't "not like you" for anything. We're having an intelligent discussion here and both of us are being reasonable, as is everyone else in this thread. I sometimes come off as touchy, and I'm working on that, but honestly, I appreciate the discussion!
Well, the double tracking and technology was not too advanced in the early 1980s for one, and U2 definitely got more complex in sound with AB and Zooropa. That more than anything else probably accounted for some of the double tracking and studio tricks. I will defer to people who know more than me about studios, but I don't think double tracks are all over the place on recent U2 albums. Besides, songs like Sometimes, NLOTH, MOS often improved live and there were no double tracks there.
We don't know what it changed to is exactly the point I am making.
I just feel that when we look at the eras as they have progressed, we arrive at a thick, powerful voice today. I know what you mean by thin, and I am not confused over what is thin versus what is straining.
To my ears, the "thin" argument applied during Popmart and to a much greater extent, Elevation. Not so much between 2003 and today. A lot of Bono's power has returned.
Does he sound exactly like he did in the 80s? No. In fact, though many here think I am a Bono 2010 voice nut to the exclusion of all else, there was just something to his tone that I can't really place that was unique to the mid 80s. I miss that. There was just something to his tone that I can't really place that was ENTIRELY UNIQUE to Zoo TV and I miss that too!
Is some power gone? Who knows, very well could be. I don't think there is a way to really quantify it and compare the numbers like baseball stats.
Magnificent vs Pride
Drowning Man vs Today
We don't know. Has Bono gotten into the studio and tried to replicate Pride with his 2010 voice? Drowning Man?
All I know is Bono has been singing Pride live the closest to the studio version he ever has in the last few years. Listen to the R&H version, he's not holding the chorus like he is now, and the power in the chorus that makes the studio version soar is not there.
If I am not being too much of an asshole here, which is far from my intent, I always enjoy the discussion, can you respond to a couple things if you get the chance?
1.)What do you make of tracks 1-3 on NLOTH?
No Line On The Horizon especially sounds extremely full and powerful. That one line "songs in your head.....rewiiiiiiind and replay...." especially. His voice soars on Magnificent. It has a similar anthemic, uplifting feel to Pride, but I would say that Pride is a much more difficult vocal. So its tough to say "do you see him hitting as full a note on this as Pride's studio recording?" Pride studio is easily in his Top 5 recorded vocals ever, from any era. Moment of Surrender shows off a different side of his voice, but is no less impressive. I think it has a richness not seen since the Zoo era, and he sounds pretty full when he hits the high notes.
2.)What do you make of songs like IWF, WOWY and especially NYD sounding closer and closer to how they used to sound in the 80s?
I know you talked a lot about double vocals, etc, but a similar question relates to live performances. I think Bono and everyone else have acknowledged the improvement in his voice by speeding up tracks like SBS, NYD, Pride and IWF.
To me, he still sounds powerful enough, far more powerful than from 1995-2002. And the songs I mentioned in question 2 sound closer to how they sounded in the 80s than they have since the 80s! Also, for what its worth, the way Bono belts out Glastonbury reminds me a bit of his JT era voice.
Sorry for the long post.
This topic always kills me to no end. The few most vocal posters have never actually performed a vocal much less a Bono vocal in their lives, yet their ears are sophisticated enough to understand what is going on in a vocal performance? "We set ourselves on fire" stronger than any 80s U2 vocal? Are you serious?
Even the recent NYD...yes, it's a great version, better than many of recent years. But listen to the verses before the "we can be one" - do you recognize what he's doing there, the technique he is using? It's different than how he used to sing it. It's not just about the notes being hit at 4:55 or whatever of a song, what about the rest of the song??!
And the All I Want is You example...watch the video again. Do you hear how he scaled down alot of the parts leading up to that final "yoooouuuuu"? He spoke the preceding verse for crissakes! That's dramatically different to the way he used to sing the ENTIRE song. You "save up" your voice for the end, and he does that with alot of the older songs now. This is not "better" or "worse" singing than before per se, it's just technically a smarter way to perform live.
Your Bad example is another one - he sings the song way more controlled than he used to and he does none of the old ad libbing or running around that he used to, so of course when he gets to the final wide awake sure he can ring it out a bit better, but for frig's sake it's nowhere near as powerful as the way he used to sing it in the song's entirety. That Washington video from 92...around 3:20 or so - he hit that chorus while being carried around by someone, and at some point during it the guy put him down! That means he had little control over his feet, his diaphragm (given that he had one arm around the guy's head holding on)...in that sort of physical position that chorus would be really hard to do! And yet he hits it.
Honestly Peter, not trying to get personal here, but you've been prattling on about the voice campaign for god knows how long now, and man I've got to tell you: your examples are not realistic, and you really don't have a freaking clue what you're talking about. Sorry man.
That's not to say that Bono's crap now, he's not, he's singing great if although a bit smarter and more conservative. When he was younger I doubt he even gave tour longevity or sustainability a second thought, but now he's more mature about it. He used to pull off these moments we now go 'oooh' over during practically every song, every verse, every chorus. He used to run around the stage possessed and climb shit regularly. Now he picks his moments, and for good reason, it's a good idea.
I break up the years like this:
1980-85: Baby Bono
'86-'94: The best his voice has ever, and probably ever will, be.
'95-2002: A tad hoarse
'02-present: His renaissance period. He's "singing like a bird," so to speak.
But yeah, he's singing great now
1) tracks 1-3 of NLOTH: Bono is making the most of what he has and puts a lot into these songs. By 2000s standards, not bad - maybe, and I mean maybe a bit stronger than on ATYCLB and HTDAAB but still much closer to those albums than to his 80s sound.
2) sorry, disagree. while I haven't heard too much 2010 stuff what I have heard sounds thin and worn - not really much better than from live performances earlier in the decade although he keeps perfecting his technique and learning to sing smarter and more technically correct which is probably the reason he hasn't had as many nights like '97 in Sarajevo where he has had big problems. I think him singing smarter is the reason. The analogy would be like a pitcher who has lost his fastball. At first after this happens he is lost and is no longer a good pitcher without it and gets hit hard and seems washed up. Then he learns to be a crafty pitcher and returns to winning games but NOT because he has his fastball / power back. He just learned how to pitch smarter and work better with what he has. Haven't heard Glastonbury.
I agree with this with one exception - I'd push the "best voice ever" era to include TUF and possible even the Red Rocks concert. As I listened/watched that show, it's like a transition occurred. Suddenly Bono went from a guy who sang to a true singer. His voice on songs like NYD and SBS was SO much better than on "War".
But it was with TUF that I really became a fanatic. That was the turning point for me. I wore out my TUF tape (yep, cassettes back then). Bono's powerful vocals are a major reason why.
He did drop off considerably, starting around '95. I recall seeing the Pavarottie and Friends concert with Bono and Edge. Even though "One" is meant to be a bit scratchy (fits the lyrics), Bono seemed to be in excessively poor voice - which was made all the move noticeable when compared to the great singers around him. The Bono of 1988 would have been perfect on that stage, but not of 1995.
Fortunately, as you wrote, he has come back very strong. My guess is smoking. For a singer, smoking is horrible - unless one doesn't care about one's voice. U2 songs demand a powerful voice - so Bono should be in top form. A few extra pounds might give him extra richness, so it's easy to forgive that. But smoking - bad... If he has finally quit, good. Proof is in his vocals and hopefully healthier life.
And to GVOX: I think Peterr's comments are merely meant to showcase how Bono can still sing and sing very well. But I know, based on Peterr's other posts, that even he loves the younger Bono best. He's just trying to show Bono still has it. But as a person very close to Bono's age, I can readily state that current Bono will have nowhere near the energy and power for entire shows night after night that the 1988 or even 1992 Bono had. One is comparing a 50 year old to a man almost half his age! For a 50 year old man, Bono is in fantastic voice! And that is Peterr's point. And, as I and others wrote above, this current Bono is possibly the second best I've heard him. Young Bono couldn't really sing, TUF to AB Bono showed great range (although there were the "Kermit" moments). "Pop" through ATYCLB Bono often was hoarse and scratchy (worse with ATYCLB than "Pop" era). HTDAAB Bono saw recovery and I think now he's at a level I haven't seen since the early 90's. So good job Bono!
But I know, based on Peterr's other posts, that even he loves the younger Bono best.
But I know, based on Peterr's other posts, that even he loves the younger Bono best.
Did anyone else see this thread title and immediately look for Peterrrrrrrrrrr's username?
This, this and.......this.I fear for Bono's health hearing him sing on 360 sometimes. He sounds like he's about to collapse on all the rockers, and he even talk-sings the ballads on occasion.
Y'all crazy if you think his voice is powerful because he's shrieky sometimes (EG: opening line of MOS, all of Crazy Tonight remix). Lovetown Bono would have kicked sand in 360 Bono's face.
In answer to U2 387's questions, no, I don't think there is a radical difference between the Elevation and 360 renditions of Pride, IWF, etc. Bono sounds less strained than he did ten years ago, but if we imagine a vocal spectrum bookended by Elevation and ZOO TV (and before), he's still nearer to the former than the latter. For me, the nearest he got to recapturing his old voice was on the fifth leg of Vertigo.
Well, I know you see where I am coming from and I see where you are coming from.
The only thing I really take issue with is you saying these are not much better than performances from earlier in the decade. I don't seem to see too many people here ready to even debate that Bono is much stronger on all of the warhorses now than he was in 2001.
Not trying to be a jerk, but these are the same? One of the two is not better to you?
http://www.youtube.com/watch?v=REQLm1cQ4hc
http://www.youtube.com/watch?v=mIt-oml0MLo
How about this?
http://www.youtube.com/watch?v=vm2fCn6g1wU
http://www.youtube.com/watch?v=xi6CgFBNZBg
or this?
http://www.youtube.com/watch?v=7cJuX7DtkgE
http://www.youtube.com/watch?v=3ZKg2KkZBYA
And its been noted here and not just by peterr, if you do nothing else, look up some New Year's Day performances from this leg. They are much closer to the 80s versions than any tour since.
That's not Peterrr's point. That's my big problem here. The point should be that for a 50 year old, he's doing very well. It should not compare him to 20 years ago, when he was significantly better. Peterr and others legitimately think he's better or as good as he was then, which is, for lack of better phrasing, complete bullshit.One is comparing a 50 year old to a man almost half his age! For a 50 year old man, Bono is in fantastic voice! And that is Peterr's point.
This is one of the funniest posts I've seen on this forum. Notice how PhilsFan laughs due to the humor.Notice how Philsfan says he's done instead of explaining why he chose WOWY as his example when we all agree its not very representative and better versions from 360 and recently have been pointed out to him. Notice he's done instead of addressing my points about how Bono sings Pride, IWF and NYD today.....
I rest my case.
No its not, but ok.
This is one of the funniest posts I've seen on this forum. Notice how PhilsFan laughs due to the humor.
No need to keep analyzing/arguing in circles about it, though.
Some people in this thread have pretty incredible ideas of what a "thin" voice is. And btw, "A Man And a Woman" thin? Uh, no...that's just not a thin vocal....parts may be strained, but that's not thin, and strained is not necessarily a bad thing either.
He wasn't realls singing most of the time.
I fear for Bono's health hearing him sing on 360 sometimes. He sounds like he's about to collapse on all the rockers, and he even talk-sings the ballads on occasion.
Y'all crazy if you think his voice is powerful because he's shrieky sometimes (EG: opening line of MOS, all of Crazy Tonight remix). Lovetown Bono would have kicked sand in 360 Bono's face.
ThisIf Bono was singing like he did during 1984-1995, then everyone would be freaking out jumping in joy. No one would miss his current voice.
Yes, that's a generalization.
usually in circular argument at least one party is failing logic over and over.
I mean two people can say "I prefer his 1985 voice and you prefer his current voice, it's just opinion...agree to disagree" but to then pretend as if there is a standard for what "thin" means, as if it could ever be factually denounced is ILLOGIC at it's best. It's an adjective to describe the SOUND QUALITY of the voice.
How can you measure the sound quality of a voice?
I can't wait to hear about this...we can put an end to the entire discussion once and for all if this is true. (yes, dripping sarcasm)