lazarus said:
I didn't say it would have made as much as Pixar's most successful films. But could it have done Wall-E money? Sure.
The most successful foreign language film of all time, Crouching Tiger Hidden Dragon (200+ mil), made half as much as Wall-E (managing a paltry 500+ mil). No, a Miyazaki film is highly unlikely to make as much as even the most esoteric Pixar film stateside. That's just the way it is. And I don't think powerhour is being "dismissive" of Ghibli films for stating this. It's not as if we're talking about quality here anyway, just marketing appeal. Sure, Totoro is cute, but cultural barriers limit the immediacy on occasion, and I find that the English translation of films like Ponyo tends to water down the surreal quality of those films, so to a degree they're a compromised product anyway. Japanese children's films cannot and will not have commercial dominance in an American market, and that's really quite alright. Anyone with the inclination can find them if they so desire, and those who are too lazy to provide their children with higher quality entertainment than Dreamworks fare probably wouldn't appreciate them in the first place.
For the record, I do adore Pixar and I feel that those panicking or gloating over the shittiness of Cars 2 are acting rashly. While it does appear that Pixar's creativity is trending downwards with 3 sequels scheduled in the span of 4 films, one of them happened to be very strong (not Spirited Away strong, but I pity those who give a fuck), and I have enough faith in the quality of Monsters Inc's characters to expect an alright film to result from the sequel. And, since their last three original ideas all resulted in extremely good films, arguably the most creative run in their entire filmography, I have no reason to expect less of Brave. This is a really shitty period for Pixar, relatively speaking, and the result will be a solid year of iconoclastic backlash. Once the hits and critical fellation resume, however, it will be as difficult/irrational to fault them as ever for doing what they do well, even if it is more limited than American critics like to believe.
Looking through their output to date, I like just about every one of their films, and see legitimate artistry in several. That's the best I can reasonably expect from a studio of their commercial standing, so I have little room to complain. My expectations from Ghibli are considerably different, and they have also delivered.