Random Movie Talk XV: You Asked For It, Cobbler

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"Kill Bill" is fantastic. "Reservoir Dogs" is one of the best, too. I love the song "Little Green Bag" from the soundtrack and "Stuck In The Middle". I used to love that soundtrack and listen to it on CD all the time.

Good times.
 
Anyone seen Blinded By The Light? Be curious to see the opinion of people who are likely Springsteen fans.

Just Saw The Peanut Butter Falcon. I guess that's the random movie for me this year that someone recommended me and ends up being in my top 10. Happens every year.
 
Just gonna spam this review around my various social media hangouts:

The Fantatic.

Where do I even begin?

This movie is, first and foremost, offensively terrible.

The first time Travolta opened his mouth to speak, I almost got up and walked out of the theater. I have never walked out of a movie. I’ve been saving it for something special. On any other day, this would have been the film. But alas, I will be saving that accolade for some other movie, for this time I had a friend who was eagerly anticipating me seeing this and I don’t let my friends down.

There’s nothing redeeming about this film. Not one thing. The characters are irretrievably bad. The acting is either over-the-top or sleep-walked through. The story is nonsense, the continuity: nonexistent. A character dies in the film and is apparently left in the yard of Sawa’s characters home for what appears to be days, and no one notices. Sawa makes a smoothie (poorly, for what it’s worth, put some damn water in that blender, man!), walks to the other side of the kitchen, the camera changes angles and magically the blender is now empty. Travolta enters Sawa’s house during the day and moments later it is pitch black outside. Sawa leaves his home with his son, arrives back home without him, puts on a blazer as though going out on a date or to a business dinner and returns home seemingly hours later with his son. There is nothing to tell us how much time has passed, nor to indicate why we had him enter and reenter the scene so many times, except a hackneyed attempt to build suspense.
The story-telling devices are nearly as bad as the continuity. The narration that only exists when the editors realize there isn’t enough actual movie the convincingly tell this story are one thing, but the drawings that are supposed to be some kind of artful representation of Travolta’s inner conflict are so poorly done as to, once again, be almost offensive to the viewer’s intelligence. In fact, there is a documentary about autism that uses similar drawings to convey the feelings of the central character’s emotions, but I feel like assuming Durst drew from that for inspiration is giving him far too much credit.
There are further sins in the film, some of which would ruin the experience to share now but let me make one thing clear: This movie is not a comedy. And yet, I heard more laughter at this film than most. You must laugh; I don’t know how you get through it otherwise. I saw this movie at the Arena Cinelounge in Hollywood, where they show many similarly under the radar films. As we were leaving, we were handed vouchers to a free screening on our next visit. The people leaving in front of me asked if this was a token of apology. Surely it must have been.



0/10 < and I gave Suicide Squad at least a 2/10, the film I previously referred to as the worst movie ever made. Hell, at least I get to say that I saw this in theaters when it inevitably becomes the next cult classic.
 
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But jokes aside, I've seen Fred Durst's first film and it's no where near this bad, it's pretty decent. This was shockingly terrible and I believe Travolta likely had a lot to do with it.
 
oh right, i totally forgot to come in here a couple weeks ago and say that ad astra sucks.



Yeah. My wife summarized it as “white privileged male gets a clue about toxic masculinity and doesn’t care how many die so he can have his epiphany with daddy.”

also, ain’t no coffee shop for that guy upon his return. Court martial and prison for that “unauthorized boarding of a rocket and oopsie everyone’s dead now” stunt.

Also, it felt waaaay longer than its 2hr runtime.
 
brad pitt did reasonably well with the script he was given, and the near-future-ish setting of the movie looked pretty cool.

but any film that has a gunfight with face-eating space baboons in an abandoned norwegian space station really ought not take itself so super-mega-seriously as spacepocalypse now ad astra does.
 
I agree about Pitt, he did well with what he had.

but any film that has a gunfight with face-eating space baboons in an abandoned norwegian space station really ought not take itself so super-mega-seriously as spacepocalypse now ad astra does.


It’s as if they were aware of how boring it was getting and decided it needed action, stat, no matter how far out of left field the action came.
 
I'm back again with another review, after The Fanatic scared me away from theaters for what felt like months. This time, courtousy of T-Mobile Tuesday's $4 movie ticket, via Atom. Probably the only reason I bothered to catch this one, to be perfectly honest. As there were only two other people at my screening, I decided to take notes.... By God, what have I become? After scouring them over for a good 30 seconds, I've come to the conclusion that the best way to write a review for The Addams Family is probably the most appropriate:

The Good:
Honestly, the story isn't terrible. Because it's a kids movie, they feel the need to include a moral at the end that anyone who's watched a movie ever could see coming from 500 miles away, but there were nice nuggets introduced early in the film that worked their way into the ending seemlessly, which is always a nice story-telling aspect.

The shining star of the film is the lore of the Addams Family and the way its doled out throughout the film. While the plot is razor-thin, at the very least we get some wonderful segments of the house and are briefly introduced to a fun cast of characters and traditions I would have been very happy to see more of.

Unsurprisingly from every iteration of the story ever, Lurch, Thing and Wednesday steal the show. Thing has a smart watch that gives him an eye in this!

The Bad:
While the story itself isn't bad, the writing is terrible. Stay with me here, what I mean is that this film is, as I mentioned, razor-thin. What plot there is is dealt with without any real resistance. Sure there's a climactic battle to end the film, but you are never for a moment concerned because it hardly feels important. Nothing in the movie does. The story is a vehicle to throw a bunch of morbid jokes at us. And if this was the first time the Addams Family had ever been done, they'd probably still be funny. But it's not. Uncle Fester, at one point, is just walking around with a light bulb in his mouth. We don't see him put it there, they really just assume that everyone in the audience is already intimately familiar with what's happening here, which begs the question: who was this film actually intended for? Everything got an origin story (including the Theme song, which appears in the movie, I believe, four times), but they're rushed in such a way that they just seem to trust you didn't need them to begin with. The movie is childish to the point you would think it couldn't be aimed at adults, so I don't really know if even the writers knew who they were writing for.

The supporting cast of the film is basically non-existent. There's a list of actors and actresses that are allegedly in this movie, but I couldn't tell you where for 1 million bucks... Ok, maybe I could at least guess. It all feels like the film was rushed, or that a lot was cut out. But I lean towards the former because...

The Ugly
This movie is hideous. There are parts where I literally wrote down, "is this an actually finished render?" The Emoji Movie had more complete backgrounds in parts. This city doesn't feel lived in, it's the size of a neighborhood in a video game and the scales are way way off as well, but maybe that's an aesthetic choice. I'd forgive the plastic look of the main city, since it was supposed to come across as too perfect, but the Addams house frequently had the same problems. There's a joke about the Holy Hand Grenade at one point, and instead of bothering to animate it in as a throwaway Easter egg, you're just left with this generic pile of bombs that look like a Intro to Animation cut and paste job instead. There's just not a lot of life in the background.

Nick Kroll is unforgivably terrible, and I usually like his voice acting. Every time Uncle Fester spoke, I wanted to jab out my eardrums.

The music cues were mostly ok outside of two moments: Drop It Like It's Hot when Cousin It arrives (if you saw the trailer, you saw the entirity of what Cousin had to offer to this story), not only was it too on the nose, it legitimately contained a bleep in the song. Very bizarre choice. Then, after the Addams Family theme closes the movie (as I said, I believe that's the fourth time it's played) a Migos track smash cuts into the film so audaciously my jaw actually dropped. And that was the last impression I was left with. I was waffling at a 5/10, but, no no, you convinced me. A 4 it is! One point for each time you made me listen to that song.

4/10


P. S. Some other notes I didn't have space for: A joke about New Jersey! How original. Two Guillotine jokes within two minutes. How the heck was that Snoop Dogg? This film starts with a genocide... Nice. Oh no, it's trying to be politically insightful! Great... A viagra joke.
 
Wife wants to see that, I want nothing to do with it (previews looked uninspired at best, and its already been done live action, why would I want to see an animated version, no way a cartoon is better than Raul Julia and Christina Ricci).
Maybe the times will sync up that she and the kid can see that whilst I see Joker on an adjacent screen.
 
Yeah, I mean, it just doesn't add ANYTHING new and I didn't feel like they took advantage of it being animated at all. The biggest problem is they introduced all of these extended family members and that could've been fun with animation, but they just rush through that part for the sake of a really week plot about Xenophobia.
 
Maybe the times will sync up that she and the kid can see that whilst I see Joker on an adjacent screen.

Mission accomplished.
They liked Addams Family. After seeing Joker don't think the R rated content would have been an issue for my son (wife was dead set against me taking him), but not sure he'd have enjoyed the movie, so all worked out.
 
Mission accomplished.
They liked Addams Family. After seeing Joker don't think the R rated content would have been an issue for my son (wife was dead set against me taking him), but not sure he'd have enjoyed the movie, so all worked out.

:up:

How old is your son?
 
He's 15, so the swearing and level of violence in Joker wouldn't have been an issue. Just don't think it would have held his attention necessarily, especially the first half.

Right. I haven't seen Joker yet, but possibly the "adult themes" might have bored him. I guess I was just trying to determine if your wife is an overprotective mother. Lol!

I remember taking my 12 year old niece to see Scream and we lied and said we saw Beverly Hills Ninja instead.
 
KNIVES OUT: Awesome. Supremely entertaining. Great chemistry between Daniel Craig and Ana de Armas (who will be starring in the new Bond movie together as well).

THE IRISHMAN: The performances by the three leads are as brilliant as you'd expect. I especially enjoyed Pacino as Jimmy Hoffa. And the sequence where we find out what "actually happened" to Hoffa is unforgettable. This is one of my favorites of the year.

MARRIAGE STORY: Funnier than I expected (Wallace Shawn!) and also frustrating to watch at times, when you realize how truly ugly and unnecessarily complicated the divorce process is. Also, didn't realize this is based on Noah Baumbach's own divorce from Jennifer Jason Leigh. Yikes.
 
Just got back from seeing Knives Out with my mom. It's one of those really fun, engaging movies that most demographics will really like because the ingredients for a good mystery are there and there's plenty to like in the cast. I called the twist right at the beginning and never predict endings like that, but it doesn't really matter if you can in this case because the narrative is entertaining and well-directed.
 
Seems we're in end of year list-mode, so here's my top 20 movies of 2019 in rough order*

1. La flor
2. Parasite
3. The Irishman
4. Give Me Liberty
5. House of Hummingbird
6. Dwelling in the Fuchun Mountains
7. The Cure: Anniversary 1978-2018 – Live in Hyde Park
8. Quincy
9. Marriage Story
10. It Must Be Heaven
11. Papicha
12. It Must Schwing – The Blue Note Story
13. Varda by Agnès
14. Mr Jimmy
15. The Nightingale
16. Doctor Sleep
17. Toy Story 4
18. Tower Of The Sun
19. Under the Silver Lake
20. Innocent Witness

*I included 2018 movies as per Letterboxd if to my knowledge they didn't have a local festival or general release until this year

There's always a couple of movies they hold off from local release until around Oscars time, so I don't get to see The Lighthouse until February.
 
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