Walt seems awfully distressed throughout.
I'm trying to avoid Pompeii and Non-Stop due to my own malady called Crapophobia.
Have to agree with Lazzle Cakes here.
But, I am hoping that Godzilla is good. THAT IS MY HOPE.
Walt seems awfully distressed throughout.
Speaking of upcoming schlock, I have a need. A need for speed.
Night Shift is all kinds of hilarious, BTW.
After reading a couple of great interviews with Keaton in the last few months, I'm trying to hunt down some of the stuff I haven't seen.
Multiplicity is next on my list.
Night Shift is all kinds of hilarious, BTW.
When the fuck is Boyhood getting a release date? I'd been waiting for this with a growing sense of trepidation, but it's turned into unbridled enthusiasm since its premiere at Sundance (and the glowing reviews that have followed). This shit might just meet the ridiculously high expectations I've come to form of Linklater.
Night Shift is great.
It's playing at SXSW next week. IFC has the rights; my guess is a summer release.
Night Shift is all kinds of hilarious, BTW.
Hey Laz, Reds in 35mm is pretty great. Storaro is a master of light & shadow. I probably caught one of the re-release prints that you were talking about. I haven't seen a crowd of folks that enraptured by a film at this particular theater in ages.
It tends to play surprisingly well with audiences, and not that it feels like a much shorter film or anything, but I think it's very well-paced.
Watching The Wrestler. It's really good (must not be directed by the Coen brothers..!). I obviously had Mickey Rourke and Mickey Rooney confused. I've seen Rooney cop a lot of shit, and thought it was him in this, but Rourke is great.
Marisa Tomei should be in everything, ever.