I didn't like what I'd heard over the past two years about how they were adapting the story (this might be my favorite of the books, and the memory/backstory part has a lot to do with it) but as it turns out it didn't bother me. I'm a big fan of the books, but I'm a bigger fan of talented film-making that stands on its own. POA is my favorite film not only because its visually sophisticated, but because it was really riffing on the plot and brought heart/emotion to the acting and darkness to the proceedings earlier than the books did. Cuaron and Kloves weren't afraid to streamline the plot for fear of Pott-heads that don't know much about movie-making, and Yates did his best to be in that same vein with OOTP which I liked a lot, but here he takes that influence and with the help of Delbonnel as DP, really comes into his own as director of the series. The cast all do an exceptional job (although to be honest, I've only ever found Rupert Grint as OK, mostly because he doesn't seem to fit the character from the book at all, but that's also partly because of the way they've written him), Yates strength comes from his great work with actors and the tightness he brings to his films/series, and this is more of that. The very end is a tad rushed, but I'm talking about everything after the wands-up scene, they let it be a cliffhanger instead of tying it neatly together despite all intent to continue the way the others did, but the way the rest of the plot is condensed is just fine. I thought everything from Felix Felicis to the wand tribute was executed extremely well and a lot more emotional than I found it in the book, and I didn't miss the battle at all, we'll get enough of it in the final film, and it would have taken away from the tension the scenes in the tower had. The biggest bold move that paid off, Nicolas Hooper basically ignoring all the musical cues from the early films,
. No offense but I much prefer scores that compliment instead of draw attention, and its such an easy cop out to use old music when working in a franchise. I like Williams themes, and don't get me wrong I love his work, but film fans and film-makers alike seem to think that everything post-Star Wars needed a huge orchestral score that'll have you whistling instead of remembering what else went into the film, the more noticeable a score, the more instant-drama they add to a film, either subtracting from what was a great acting performance, or covering up lazy acting. So kudos to Hooper, I liked his work on State of Play (Yates' series, not the movie) and OOTP, but this one was excellent.
Biggest surprise? Tom Felton hitting it out of the park with more than just his usual skulking, the range he executed was killer, if he can make you feel bad for Malfoy and think, well after all that he wasn't evil, you know he's done a good job.
Here's how I would rank them:
POA, who cares if Cuaron switched up the continuity, he made it look bold and exciting the way it should have in the first place, and you can tell which director in the series knows how to work with actors, and which knows how to stage children's movies. Interesting that he and Kloves seemed to hint at Ron/Hermione before the books really made it clear.
HBP
OOTP, impressive to turn the book that has too much subplot and lagging into the most streamlined and breezy film, more in line with Cuaron's style, great effects.
GOF, from the maze scene on this film is an absolutely perfect adaptation, and Ralph Fiennes is the ultimate coup for the series, but the rest of it is hit or miss, there's a lot of bulk to the story and clearly they weren't as decisive in terms of what should stay and what should go, the result is very choppy (the disappearing World cup scene? keeping in little bits of parts in the book like the reporter character instead of fully committing to leave something in or out). I still like it a lot, but the other 3 are a ways above it for me
COS, huge improvement on the original in terms of acting and bringing the story to life, but still lifeless. I fucking love Dobby though, he's the only thing I was disappointed over getting cut in the subsequent films, the importance of which wasn't really noticeable until the last book, now they have to bring him back but his connection with Harry/the audience will be a lot weaker given his absence.
Stone, did a good job with casting, but the art direction/costumes were really uninspired, and the screenplay is just goes through the motions, I call the first two audio-books with visuals.
Can't wait to check it out in IMAX.