Chiming back in with a general Who early Season 4 report card. I’ve been closing in on this season from both ends, having watched The Stolen Earth/Journey’s End not too long ago and just having finished Voyage of the Damned, Partners in Crime and The Fires of Pompeii tonight. Davies hasn’t had a perfect record up until now, but it feels like more and more fixable elements are slipping through the cracks.
First, Voyage of the Damned had an unusual opening that bugged me for the whole rest of the episode (it rammed the TARDIS? Punched a hole in it, and no one on board noticed?), and was saddled with the Doctor trying to rescue unlikable characters I was actively rooting for to die. And then two angels carried the Doctor skyward in a pillar of light. A Moses analogy? Space-Moses? No, wait, the name is on the tip of my tongue. Partners in Crime had a great hook to carry it through the first half, but started losing steam near the end. Malevolent women in power may still be playing against type, but for Doctor Who this is starting to become a little repetitive. (A problem that cropped up in The Rebel Flesh this last week) Luckily, PiC was rescued by the sheer absurdity/ballsiness of the premise- I want an adipose squeeze toy! Finally, I was looking forward to Fires of Pompeii for some Foxy Scot Extra Karen Gillan action and had another modest letdown. The script felt like it should have been an hour + movie to properly breathe. What we got was a first act cram packed full of exposition trying to get us caught up, and a final act that managed to turn the interior of a mountain into a series of revealingly cheap tight close ups. They really ended up hinting at spectacle rather than embracing it. Would have required a bigger budget, of course, but it’s just disappointing. It wasn’t bad overall (Latin/Celtic mixup!), but really not handled right.
And then there’s The Stolen Earth/Journey’s End. This had the improbable charm and eventual letdown of watching an 8 year old come up with a story as he played with his toys. I really didn’t mind the ridiculous scope, but the thing Davies ignored while giving himself a victory blowjob was that there needs to be a compelling reason for bringing in the Sarah Jane Adventures or Torchwood 3 or the Shadow Proclamation. What really symbolized the lumpy, misshapen script was seeing Davies get bored and give up talking about Ianto and Gwen. “cliffhanger? ….Ok….they’re in a time bubble. Completely safe!” Yes, thanks for wasting my time, then. The nadir was finally seeing the entire cast, having grown like a tumor, literally stuck jockeying for space at the end for room around the TARDIS control panel. I will remain mum on the tow cable scene.
The 10.5 Doctor is gross. Bonus points for bringing in the chopped hand as a meaningful thing, but once it crept in that 10.5 was conceived as a sex toy for Rose I just got angry.
And yet, there was a solid, stupid wavelength that this all was working on. I don't want to watch this again, but I can almost respect the audacity of it.
First, Voyage of the Damned had an unusual opening that bugged me for the whole rest of the episode (it rammed the TARDIS? Punched a hole in it, and no one on board noticed?), and was saddled with the Doctor trying to rescue unlikable characters I was actively rooting for to die. And then two angels carried the Doctor skyward in a pillar of light. A Moses analogy? Space-Moses? No, wait, the name is on the tip of my tongue. Partners in Crime had a great hook to carry it through the first half, but started losing steam near the end. Malevolent women in power may still be playing against type, but for Doctor Who this is starting to become a little repetitive. (A problem that cropped up in The Rebel Flesh this last week) Luckily, PiC was rescued by the sheer absurdity/ballsiness of the premise- I want an adipose squeeze toy! Finally, I was looking forward to Fires of Pompeii for some Foxy Scot Extra Karen Gillan action and had another modest letdown. The script felt like it should have been an hour + movie to properly breathe. What we got was a first act cram packed full of exposition trying to get us caught up, and a final act that managed to turn the interior of a mountain into a series of revealingly cheap tight close ups. They really ended up hinting at spectacle rather than embracing it. Would have required a bigger budget, of course, but it’s just disappointing. It wasn’t bad overall (Latin/Celtic mixup!), but really not handled right.
And then there’s The Stolen Earth/Journey’s End. This had the improbable charm and eventual letdown of watching an 8 year old come up with a story as he played with his toys. I really didn’t mind the ridiculous scope, but the thing Davies ignored while giving himself a victory blowjob was that there needs to be a compelling reason for bringing in the Sarah Jane Adventures or Torchwood 3 or the Shadow Proclamation. What really symbolized the lumpy, misshapen script was seeing Davies get bored and give up talking about Ianto and Gwen. “cliffhanger? ….Ok….they’re in a time bubble. Completely safe!” Yes, thanks for wasting my time, then. The nadir was finally seeing the entire cast, having grown like a tumor, literally stuck jockeying for space at the end for room around the TARDIS control panel. I will remain mum on the tow cable scene.
The 10.5 Doctor is gross. Bonus points for bringing in the chopped hand as a meaningful thing, but once it crept in that 10.5 was conceived as a sex toy for Rose I just got angry.
And yet, there was a solid, stupid wavelength that this all was working on. I don't want to watch this again, but I can almost respect the audacity of it.