1. 2. 3. Lists.

The friendliest place on the web for anyone that follows U2.
If you have answers, please help by responding to the unanswered posts.
Not yet, or The Black Dahlia for that matter. Some guys at Slant were heaping praise upon Bonfire, but they're certainly in the minority.
 
Don't listen to those idiots.

And The Black Dahlia is garbage. Read the James Ellroy book instead, it's fucking phenomenal and then you can retroactively weep at David Fincher having to leave the project. I would be willing to sacrifice Zodiac to see that almost-film.
 
Now that the festival is basically over, these are my most anticipated from Cannes this year now:

1. The Tree of Life
2. Melancholia
3. We Need to Talk About Kevin
4. Once Upon A Time in Anatolia
5. The Day He Arrives
6. Sleeping Beauty
7. Le Havre
8. The Kid with the Bike
9. Tatsumi
10. Wu Xia
 
Don't listen to those idiots.

And The Black Dahlia is garbage. Read the James Ellroy book instead, it's fucking phenomenal and then you can retroactively weep at David Fincher having to leave the project. I would be willing to sacrifice Zodiac to see that almost-film.

What's your favorite out of the Ellroy series?

Zodiac can stay right where it is.

Speaking of Cannes, it's been on my radar, but the glowing reviews of Drive have bolstered my excitement.
 
Easily that one, though normally I'm partial to longer books. It's by far the most moving of all of them. It would probably make a list of 20 or so of my favorite novels of all time.

The man can do no wrong in my mind. Not only are all the L.A. Quartet books fantastic, but the Underworld USA trilogy as well, some great historical fiction/conspiracy theory there.
 
Easily that one, though normally I'm partial to longer books. It's by far the most moving of all of them. It would probably make a list of 20 or so of my favorite novels of all time.

The man can do no wrong in my mind. Not only are all the L.A. Quartet books fantastic, but the Underworld USA trilogy as well, some great historical fiction/conspiracy theory there.

Fantastic. I've got a backlog of fiction to get to after This Is Orson Welles (Fahrenheit 451, This Side of Paradise, some H.P. Lovecraft, Dune, to name a few), though I'll certainly add those to the list.

The world needs more HP Lovecraft inspired movies. Well, I do at least.

Good lord, yes. Retroactively imagining it as Carpenter's last film, which in a lot of ways, it sort of is as far as thematic elements and style are concerned, makes it a little better in my mind.

Del Toro will get his In the Mountains of Madness project off of the ground at some point. The deal with Universal, who's lost a ton of money on high-concept projects the past few years, felt too good to be true.
 
I thought I made a comment about In The Mouth of Madness in this thread already, but maybe we were also talking about it somewhere else.

Anyways, I just finished watching it, and I didn't love it, but there were certainly a great many parts of it I found terrifying, and I loved the ending.

But, what was really throwing me off, to be perfectly frank, was the way it wore its influences on its sleeve. Am I to understand that this is not an adaptation, but simply a story that wanted to be in a Lovecraftian vein? If so, that's fine, but it felt like it drew too much for both that influence and Stephen King's own Lovecraft inspired works.

Add to that the fact that Carpenter was using this as an apocalypse trilogy just as King used a trio of books to destroy his town of Castle Rock (Hobb's End) and I couldn't help but find myself drawing comparisons all over the place, and that, to an extent, took me out of the film.

Anyways, I don't mean to be such a little bitch about it, I really liked the movie, though not Sam Neill so much, I've preferred him in other roles. I found it pretty damn scary at a lot of moments and that was what I was looking for tonight.

And I only post this in here rather than Random/Review because the movie was being discussed so uh, I'll go ahead and list the Carpenter films I've seen while I'm at it (Warning: I've not seen a shit ton of ones I should have):

Love:
1) The Thing
2) Halloween
3) Big Trouble in Little China

Like:
4) In the Mouth of Madness

Enjoyed:
5) Ghosts of Mars

Haaaateeee:
6) Christine
 
1. Carlito's Way
2. Blow Out
3. Femme Fatale
4. Sisters
5. The Fury
6. Mission to Mars
7. Mission: Impossible
8. The Untouchables
9. Dressed to Kill
10. Snake Eyes
11. Carrie
12. Scarface
13. The Black Dahlia
 
1. Carlito's Way
2. Femme Fatale
3. Blow Out
4. Body Double
5. Sisters
6. Phantom of the Paradise
7. The Fury
8. Mission to Mars
9. Dressed to Kill
10. Obsession
11. Mission: Impossible
12. The Untouchables
13. Snake Eyes
14. The Black Dahlia

Took out a couple that I'm going to rewatch shortly.
 
Last 10 Movies Watched (In reverse order):

1. Wings of Desire (Wim Wenders, 1988)
2. The Driver (Walter Hill, 1978)
3. House of Wax (Andre de Toth, 1953)
4. Horrible Bosses (Seth Gordon, 2011)
5. Stop Making Sense (Jonathan Demme, 1984)
6. The Warriors (Walter Hill, 1979) *
7. Star Trek II: The Wrath of Khan (Nicholas Meyer, 1982) *
8. Spider-Man 2 (Sam Raimi, 2004) *
9. Batman Begins (Christopher Nolan, 2005) *
10. The Exterminating Angel (Luis Buñuel, 1962)

* - Denotes a rewatch
 
1. Carlito's Way
2. Femme Fatale
3. Blow Out
4. Body Double
5. Sisters
6. Phantom of the Paradise
7. The Fury
8. Mission to Mars
9. Casualties of War
10. Dressed to Kill
11. Obsession
12. Mission: Impossible
13. Carrie
14. The Untouchables
15. Snake Eyes
16. The Black Dahlia
 
Casualties is my next De Palma joint. I'm trying to screen Phantom for some friends in the near future. They need to know that I'm not a babbling phony any time I bring it up, or at least, that I'm not too much of one.
 
Netflix Physical Queue:
1. Real Life (Albert Brooks, 1979)
2. The Outlaw Josey Wales (Clint Eastwood, 1976) [BLU]
3. Sunrise (F.W. Murnau, 1927)
4. The Adventures of Baron Munchausen (Terry Gilliam, 1989) [BLU]
5. Bring Me the Head of Alfredo Garcia (Sam Peckinpah, 1974)
6. Two-Lane Blacktop (Monte Hellman, 1971)
7. 13 Assassins (Takashi Miike, 2011) [BLU]
8. Will Success Spoil Rock Hunter? (Frank Tashlin, 1957)
9. Killer of Sheep (Charles Burnett, 1977)
10. Blue Valentine (Derek Cianfrance, 2010) [BLU]

Netflix Watch Instantly Queue:
1. Performance (Nicolas Roeg, 1970)
2. The Discreet Charm of the Bourgeoisie (Luis Bunuel, 1972)
3. Last Tango in Paris (Bernardo Bertolucci, 1973)
4. The Killing (Stanley Kubrick, 1956)
5. Naked (Mike Leigh, 1993)
6. 'I Know Where I'm Going!' (Michael Powell & Emeric Pressburger, 1945)
7. Carlos (Olivier Assayas, 2010)
8. La Dolce Vita (Federico Fellini, 1960)
9. Foreign Correspondent (Alfred Hitchcock, 1940)
10. Uncle Boonmee... (Joe, 2011)
 
Favorite Working Cinematographers

10. Anthony Dod Mantle
28 Days Later, Dogville, Antichrist

28days.png


dogville-1.png


antichrist.png


9. Dion Beebe
In the Cut, Collateral, Miami Vice

Picture2-27.png


collateral-1.jpg


miamivice.jpg


8. Robert Richardson
The Aviator, Inglourious Basterds, Hugo

aviator-1.jpg


inglourious.jpg


Picture1-27.png
 
7. Robby Muller
Paris, Texas, Until the End of the World, Dead Man

paris.png


End_of_the_world2.jpg


deadman.jpg


6. Slawomir Idziak
The Double Life of Veronique, Three Colors: Blue, Black Hawk Down

veronique2.png


blue.png


blackhawk.jpg


5. Agnes Godard
Friday Night, The Intruder, 35 Shots of Rum

fridaynight2.png


lintrus7.png


35shots.jpg


4. Emmanuel Lubezki
The New World, Children of Men, The Tree of Life

newworld-1.png


900-children-of-men-blu-ray5.png


treeoflife.png
 
3. Christopher Doyle
Chungking Express, Happy Together, The Limits of Control

chungking.png


happytogeths.jpg


limits.png


2. Harris Savides
Last Days, Zodiac, Somewhere

lastdays.jpg


zodiac-1.png


somewhere.jpg


1. "Mark" Ping-Bin Lee
In The Mood for Love, Three Times, Flight of the Red Balloon

mood.jpg


Picture3-21.png


Picture5-20.png
 
Finally seen all of Aronofsky's films:

1. Black Swan
2. The Fountain
3. The Wrestler
4. Requiem
5. Pi

I just realized that was almost in reverse chronological order.
 
1. Black Swan
2. Requiem for a Dream
3. The Wrestler
4. Pi
5. The Fountain

The Fountain was not something I would watch again, whereas I enjoyed Pi but found it too derivative of early Lynch to appreciate. The rest are truly great.
 
Watched most of the Harry Potter movies in a week. Might as well rank them, with douchey P4k ratings for added fun.

1. The Prisoner of Azkaban (8.4)
2. The Deathly Hallows, Part 2 (8.1)
3. The Half-Blood Prince (7.7)
4. The Deathly Hallows, Part 1 (7.4)
5. The Goblet of Fire (7.2)
6. The Order of the Phoenix (7.1)
7. The Chamber of Secrets (6.8)
8. The Sorcerer's Stone (6.5)

Collectively, Deathly Hallows beats Azkaban, but both parts have different issues that make them individually weaker. Half-Blood Prince is the most attractive film, with gorgeous lighting and cinematography. Weak storyline though.

I haven't read the books, so I'm not sure which ones are better adaptations and don't really care.
 
And because I have read the books, Azkaban gets a big drop from me, as we've all debated more than a few times on this board.

Those viewings of Deathly Hallows were my first, so maybe my opinion is skewed a bit:

1) Deathly Hallows, Part 1
2) Goblet of Fire
3) The Order of the Phoenix
4) Deathly Hallows, Part 2 (though if you were to count 1 and 2 together as a collective, together they'd be number 1)
5) Half-Blood Prince
6) Azkaban
7) Chamber
8) Sorcerer's Stone

They definitely found themselves a great director in the end there, and it was kinda cool to see him improve with time as well. Those last four movies are ace. Goblet of Fire is kinda only in there for me as a nostalgia thing almost, because boy was that an amazing theater experience for me.
 
I've read the books and seen the films as well. The films:

1 - Azkaban
2 - Hallows 1

3 - Hallows 2


4 - Phoenix
5 - Goblet
6 - Half Blood





7 - Chamber
8 - Stone
 
Back
Top Bottom