Brokeback Mountain

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Irvine511

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it hasn't opened yet, but it looks like this film is both setting itself up to be a big-time Oscar contender, as well as a fascinating cultural moment.

consider two postings i came across this morning during my routine trip through the blogs ...

[q]XXXXX DRUDGE REPORT XXXXX SUN NOV 06, 2005 19:28:02 ET XXXXX

HOLLYWOOD ROCKED: 'GAY COWBOY' MOVIE BECOMES AN OSCAR FRONTRUNNER

Arriving with nudity and explicit gay sex scenes between two cowboys, UNIVERSAL/FOCUS FILMS's BROKEBACK MOUNTAIN has quietly become an award season frontrunner, interviews with Academy members reveal.

"It could very well be the last film standing at this year's Oscars," a top Hollywood producer not associated with the film explained from Hollywood.

"There was not a dry eye in the house at the screening at Telluride [Film Festival in Colorado]," says the producer, who asked not to be named out of respect for the cast and crew of the producer's own Oscar contender. "Watch it come out of the gate at the Golden Globes with super controversy."

NEW YORK DAILY NEWS critic Jack Mathews predicts the gay cowboy movie, which takes place in Wyoming, may be "too much for red-state audiences, but it gives the liberal-leaning Academy a great chance to stick its thumb in conservatives' eyes."

Director Ang Lee's movie starring Jake Gyllenhaal and Heath Ledger won the Golden Lion, the top prize at the Venice Film Festival earlier this fall.

But will a movie even Madonna calls "shocking" sit with the heartland?

Playwright and lifelong Wyomingite tells the STAR-TRIBUNE of Casper this week that she has never encountered a gay cowboy, and doesn't think it's right for Hollywood to portray Wyoming as a state with gay cowboys.

Her message to the writers of BROKEBACK MOUNTAIN: “Don't try and take what we had, which was wonderful -- the cowboys that settled the state and made it what it was -- don't ruin that image... There's nothing better than plain old cowboys and the plain old history without embellishing it to suit everyone."

Meanwhile, Michell Howard of the state's Travel and Tourism Division says her agency is already hearing a buzz that people in other countries are expressing interest in visiting Wyoming because of the film.

“It's gotten rave reviews from the international community,” she said. “I don't know if they're more tolerant or something, but they're viewing it as a great Western movie.”

Developing...

http://www.drudgereport.com/flash3bm.htm

[/q]



[q]END OF GAY CULTURE WATCH: The movie, "Brokeback Mountain," looks set to be a fascinating cultural moment. What's interesting to me is that it takes the question of same-sex love and places it firmly in the center of American folklore, especially the cowboy West. Now, of course gay cowboys existed and exist. But that two very hot Hollywood leading men would be prepared to take on these roles, that a director as accomplished as Ang Lee would direct the movie, and that a studio as mainstream as Universal would produce it strikes me as a significant development. A few years back, it would have been unthinkable for bankable, heterosexual stars like Ledger and Gyllenhaal to have embraced such a venture. But they are of the generation that is mercifully over the bigotries of old Hollywood. Think of the greatest actor of his generation, Philip Seymour Hoffman. Three of his most powerful, accomplished, career-making performances - in "Boogie Nights," "Flawless," and "Capote," - are of gay men, each very different, each very human, each poignantly and brilliantly brought to life. In his case, taking on homosexual roles has helped Hoffman reach the career heights he now commands. Ledger and Gyllenhal take this to a new level, because, unlike Hoffman, they are handsome beyond measure, and have played macho heterosexuals for years. Now they get to play macho homosexuals - itself an inversion and abolition of a certain stereotype. I have yet to see the movie, so I cannot judge it on its merits. But so far, its potential cultural impact looks riveting. If it wins a wide audience, it will be one more sign that the old cliches of "gay culture" are indeed dying fast. I think Red State America is less fearful of the truth than its political representatives. But we'll see, I guess.

http://www.andrewsullivan.com/

[/q]

[q]MADONNA HAILS 'BRAVE' GYLLENHAAL AND LEDGER


Also see:
MADONNA
JAKE GYLLENHAAL
HEATH LEDGER


Superstar MADONNA has hailed "brave" Hollywood hunks JAKE GYLLENHAAL and HEATH LEDGER for portraying gay cowboys in their forthcoming movie BROKEBACK MOUNTAIN.

Madonna was treated to an early screening of the ANG LEE-directed movie, by one of the movie's producers, and is delighted the actors have taken on such controversial roles.

The MATERIAL GIRL enthuses to British gay magazine Attitude, "I loved it. Shocking. Surprising. The guy who financed my movie did that too. He's a very mild mannered chap from Minnesota and we'd just screened the latest cut of my film and he asked if I wanted to see it.

"I was thinking, 'OK, this really square, straight guy,' and he showed me this movie. It's amazing.

"They're really good those boys and they did a great job. It's very brave of them."

http://www.contactmusic.com/new/xmlfeed.nsf/mndwebpages/madonna hails brave gyllenhaal and ledger

[/q]

and here are some early reviews: http://www.rottentomatoes.com/m/brokeback_mountain/



what's going on here? is homophobia, the last legislated prejudice, finally going to die?

and, once again, can we credit Hollywood -- that oft-bashed by the Right community -- for leading the way with a provocative film? for all that it does wrong, Hollywood has produced movies that have sparked conversations and might be credited for forcing people to talk about things such as race (Guess Who's Coming to Dinner), AIDS (Philadelphia), American genocide (Dances With Wolves), and rape (The Accused) long, long before Washington is able to do so.
 
I'm a bit sceptical of films that use explicit sex scenes to make a point to be honest.

My Own Private Idaho was an example of a film that showed a gay relationship without needing to show explicit sex. Or to take another example the British television series 'Brideshead Revisited' where there was an obvious subtext that the two main characters were at times a little more than just friends.
 
financeguy said:
I'm a bit sceptical of films that use explicit sex scenes to make a point to be honest.

My Own Private Idaho was an example of a film that showed a gay relationship without needing to show explicit sex. Or to take another example the British television series 'Brideshead Revisited' where there was an obvious subtext that the two main characters were at times a little more than just friends.



i think this is interesting ... i was originally going to ask if a graphic heterosexual sex scene would cause the same degree of skepticism in you, but then i thought that, well, yes, a graphic gay sex scene is by definition shocking since it really hasn't been done before in mainstream hollywood movies (no, "showgirls" doesn't count) nor by genuine hollywood stars.

i don't think either of us has seen the movie, so i don't think we can say whether or not the "graphic" (keep it mind, it is Drudge) sex scene is appropriate or gratuitious, but i would argue that there might actually be a point to simply having a gay sex scene as graphic as a hetereosexual sex scene, and to have male nudity in the way that we often have female nudity.

since identity for a homosexual person is ultimately predicated upon being attracted -- physically and emotionally -- to a member of the same gender, and it seems as if the vast majority of the film focuses on their emotional relationship, it might give me pause for there not to be a sex scene --- akin to how gay men and women are now allowed to be characters on sitcoms and in dramas, but they are not allowed to have fully fleshed out emotional and sexual lives in the same way that a typical straight character is allowed to.
 
They're damned if they do and damned if they don't with the gay sex scene. I frankly would be irritated if it wasn't there.
 
i :heart: Wonkette:

[q]A reader was struck, as were we, by the appearance of "Brokeback Mountain" scuttlebutt (heh) amid the usual talk of severe weather and bad liberals on The Drudge Report. It seems out of place... or is it? Also, If "Love is a force of nature," hot gay naked cowboy action is a category seven![/q]
 
Irvine511 said:
...i would argue that there might actually be a point to simply having a gay sex scene as graphic as a hetereosexual sex scene, and to have male nudity in the way that we often have female nudity.

since identity for a homosexual person is ultimately predicated upon being attracted -- physically and emotionally -- to a member of the same gender, and it seems as if the vast majority of the film focuses on their emotional relationship, it might give me pause for there not to be a sex scene --- akin to how gay men and women are now allowed to be characters on sitcoms and in dramas, but they are not allowed to have fully fleshed out emotional and sexual lives in the same way that a typical straight character is allowed to.

:up: Yup. If you can't handle it, then no need to get worked up; just don't go see it. (*not aimed at anyone in particular*)

And although I realize there are additional prejudices involved here, I can't help being reminded (i.e. by the likely prospect of widespread straight male revulsion) of how a similar reaction tends to occur when heterosexual sex scenes feature male nudity in anything beyond the most brief and glancing way. "Ugh gross, I don't want to see some other guy's..." as if heterosexual women's appreciation of male bodies is not also a cameraworthy perspective.
 
Jake Gyllenhaal was Donnie Darko, wasn't he?

Would I be grossly misinterpreted/misunderstood if I said I had as much interest in this as I do in typical Meg Ryan-esque romances based on heterosexual relationships - which is slightly below zero? There's no doubt a need for movies like this to be made, to attempt to assuage the "anti" sentiment, but I am quite frankly never going to be ready to jump on some novelty bandwagon of support for something I deem no more important or interesting or worthy than another of equal value.
 
I think when I talked about his movie here before I found an article that said the relationship is handled in a mature, beautiful way..that it focuses on the fact that they have a real love relationship first and foremost. It's based on a book so I assume they try to be faithful to the book.

I have no issue w/ watching a sex scene, no more than I would one between a man and a woman on film. Any sex scene that's not tastefully done and is more porn than erotic just isn't attractive to me. That would make me uncomfortable, not the fact that it is two men.

I think in the trailer it appears they are in bed and kissing.

Oh and for shame, gay cowboys :rolleyes: yeah, I bet no single cowboy in Wyoming is gay..
 
I wont be watching this movie, I stay away from all movies with any kind of sex scenes, and nudity etc.. I dont understand why they have to show this in the majority of movies, can someone please explain this to me.
 
Angela Harlem said:
Jake Gyllenhaal was Donnie Darko, wasn't he?

Would I be grossly misinterpreted/misunderstood if I said I had as much interest in this as I do in typical Meg Ryan-esque romances based on heterosexual relationships - which is slightly below zero? There's no doubt a need for movies like this to be made, to attempt to assuage the "anti" sentiment, but I am quite frankly never going to be ready to jump on some novelty bandwagon of support for something I deem no more important or interesting or worthy than another of equal value.



it's supposed to be a magnificent film. the director is Ang Lee. if it were about straight people, i'd want to see it because of all the buzz it's getting as some kind of cinematic masterpiece.

but if you have no interest, then you have no interest. i don't take that as being homophobic.

it's all about taste.

yes, Jake Gywyulwjelrkw;eojkrpqoj was Donnie Darko.

fucked-up film, that.
 
macphisto23 said:
I wont be watching this movie, I stay away from all movies with any kind of sex scenes, and nudity etc.. I dont understand why they have to show this in the majority of movies, can someone please explain this to me.


Simple answer = $$$

Artistic answer = sex/nudity exist in real life


How sex & nudity are used will vary depending on the strength of the script, ability of the actors and the confidence of the director.
 
Anu said:
Some women actually get hot watching two men.

Really? Why I never..I have no earthly idea what you mean :wink:

Seriously that is a good point..I think it's "funny", and maybe telling, that some men think lesbianism is so "hot" yet they are seemingly so threatened somehow by the idea of two men, watching two men in a movie sex scene, whatever
 
nbcrusader said:
How sex & nudity are used will vary depending on the strength of the script, ability of the actors and the confidence of the director.



i agree.

can you think of an example where you thought a reasonably graphic sex scene was artistically appropriate?
 
Irvine511 said:




it's supposed to be a magnificent film. the director is Ang Lee. if it were about straight people, i'd want to see it because of all the buzz it's getting as some kind of cinematic masterpiece.

but if you have no interest, then you have no interest. i don't take that as being homophobic.

it's all about taste.

yes, Jake Gywyulwjelrkw;eojkrpqoj was Donnie Darko.

fucked-up film, that.

it was fucked up, eh :lol:

im asking now out of ignorance, but what is magnificent about this? is it the portrayal of their relationship? that as a genre is what im not interested in, if that's the case. i dont distinguish between hetero relationships and any other. they're all relationships and as for themes in movies, i prefer something less 'every day', does that make sense? as for this being about 2 men and showing scenes, that's good. if a man and woman can be shown, then so can 2 men. it's all equality, baby!

im not really contributing to this thread, huh? :wink:
 
Irvine511 said:
can you think of an example where you thought a reasonably graphic sex scene was artistically appropriate?

Let me think about that one. The number of movies I make time to see is low nowadays.
 
Angela Harlem said:
im asking now out of ignorance, but what is magnificent about this? is it the portrayal of their relationship? that as a genre is what im not interested in, if that's the case. i dont distinguish between hetero relationships and any other. they're all relationships and as for themes in movies, i prefer something less 'every day', does that make sense? as for this being about 2 men and showing scenes, that's good. if a man and woman can be shown, then so can 2 men. it's all equality, baby!

im not really contributing to this thread, huh? :wink:



yer countryman Heath is getting great reviews, many smell Oscar nod.

here's a quote from an early review:

[q]Brokeback Mountain


By Ray Bennett




Bottom line: Epic story about two men in love with the West, and each other.


Screened at the Venice International Film Festival

VENICE, Italy -- Everything you ever imagined about the characters of John Wayne and Montgomery Clift in "Red River" or Joel McCrea and Randolph Scott in "Ride the High Country" is revealed candidly in Ang Lee's "Brokeback Mountain," an epic Western about forbidden love.

Anne Proulx's 1997 short story in the New Yorker has been masterfully expanded by screenwriters Larry McMurtry and Diana Ossana to provide director Lee with his best movie since "Sense and Sensibility" in 1995.

Featuring scenes filmed in the fabulous Canadian Rockies of Alberta and boasting a fine cast topped by Heath Ledger and Jake Gyllenhaal, "Brokeback Mountain" will appeal to moviegoers who enjoy grand filmmaking and poignant love stories, whether gay, hetero or otherwise.

[/q]
 
Normally, I would agree with people who say that using graphic sex to keep a movie going is bad, mainly because it has been overdone ad hominem.

However, in film history, homosexuals were normally portrayed as menacing, homicidal, suicidal, and, above all, sexless. Actaully acknowledging that homosexuals can make love in a Hollywood film is actually a step forward ideologically.

Melon
 
this is an interesting article..

http://www.msnbc.msn.com/id/10017716/site/newsweek/

"Yes, they get asked about the sex a lot. "I'm amazed, really," Gyllenhaal says, laughing. "Everybody is soooo interested in it." And their conversations with journalists have given them fresh insight into straight-male psychology. After seeing the movie, Gyllenhaal says, male reporters will enter a room to interview him and almost always follow the same routine. "They come in and they're all, like, 'I just want you to know I'm straight'," he says, and laughs. If they've been moved by the film, he says, they often rationalize it by saying things like "Well, it's really more of a friendship." No, it isn't. "It's a love story," Gyllenhaal says. "They're two men having sex. There's nothing hidden there." Ledger has a theory about why the movie makes some men uncomfortable. "I suspect it's a fear that they are going to enjoy it," he says. "They don't understand that you are not going to become sexually attracted to men by recognizing the beauty of a love story between two men."


"In an early meeting, Schamus told Lee that, from a marketing standpoint, they were making this film for one core audience. "Yes, of course," Lee said. "The gay audience." No, Schamus said. "Women."
 
MrsSpringsteen said:
this is an interesting article..

http://www.msnbc.msn.com/id/10017716/site/newsweek/

"It's a love story," Gyllenhaal says. "They're two men having sex. There's nothing hidden there." Ledger has a theory about why the movie makes some men uncomfortable. "I suspect it's a fear that they are going to enjoy it," he says. "They don't understand that you are not going to become sexually attracted to men by recognizing the beauty of a love story between two men."

:love: Straight guys who aren't afraid of gay guys. :love:
 
Anu said:
Looking forward to this.

Will heterosexual women *love* this like they loved My Own Private Idaho. Why do stereotypes only focus on men who like to watch lesbians? Some women actually get hot watching two men.

Ooh, yes. Anyone see, "The Velocity of Gary?" The make out scenes between Vincent D'Onofrio (Swoon. Thud.) and Thomas Jane are unbelievably hot.

I'm really looking forward to "Brokeback Mountain" and not just for the hot boy on boy action.
 
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[Jake G. was on Conan and said he was really excited at a U2 show when Bono sang "Send in the Clowns" (cuz he's a theater buff or something...)]


The first thing I thought when I heard about this "gay cowboys" movie: South Park


do they eat pudding in it???



[anybody know what i'm talking about??]
 
chiso said:
The first thing I thought when I heard about this "gay cowboys" movie: South Park

do they eat pudding in it???

[anybody know what i'm talking about??]

Yes, I think all "South Park" fans immediately picked up on this. This movie is also brought up often in interviews with the creators of "South Park" lately, and everyone has a good laugh at it.

Melon
 
Irvine511 said:




i agree.

can you think of an example where you thought a reasonably graphic sex scene was artistically appropriate?

Hetero: Betty Blue (Beatrice Dalle :drool: )

Gay: My Beautiful Laundrette (Daniel Day Lewis :drool: )


My, I do tend to :drool: a lot :shifty:
 
i would say that one of the most graphic, and appropriate, sex scenes i can think of was in "monster's ball."

why?

because that movie was about, essentially, how interracial sexual attraction might posit an end of, or at least a way through, the black/white racial divide in the US, especially in the South. the metaphor of a white spoon and chocolate ice cream is certainly clear, and the graphic sex does two things:

1. we all know about the whole white master/slave mistress dichotomy -- a hugely inequal, generally exploitative relationship that has existed since Jefferson all the way to Strom Thurmond. however, in this sex scene, the racial "progress," so to speak, is demonstrated in Halle Berry's character's equal participation -- it is not a rape scene, it is not a scene of sexual coercion, it is not a "slave" servicing a "master" -- it's a scene of consensual sex brought about by mutual sexual desire, and Billy Bob has just as much nudity as Halle does. it's the equality in the graphic depictions that justifies the explicitness -- it's essentially social commentary.

2. the fact that it is a white man and a black woman -- that black men have traditionally been depicted as virile sex machines, instiable, etc. there's also long been the fear (just one of many historical myths held by racist whites) of black men preying upon white women, of white women being rendered powerless by the virility of a black man, etc. what this has done is render the sexuality of black women invisible, whereas "monster's ball" makes this sexuality -- which is also to say one's humanity -- very visible.

the fact that the film ends on a generally positive note, the two of them eating chocolate ice cream and looking up at the sky after Billy Bob has essentially renounced his racist father does, i think, lend credence to the original premise -- that interracial attraction becomes a means of seeing first the sexuality and then the humanity of a racialized Other.
 
I'm all for this movie, Heath Ledger is hot! :combust:


:shifty:


ahem



/reverts to more adult-like 19 year old self.



It sounds like it should be an excellent movie, I'm looking forward to seeing it. :up:
 
They showed the trailer before Walk The Line when I saw that, there was nothing explicit in the trailer.

It was mostly an older audience for Walk the Line and you could hear some people buzzing, muttering..whatever the word is about the trailer - the much older ones were just sitting there not knowing quite what to think

Time has an early review

Sunday, Nov. 20, 2005
A Tender Cowpoke Love Story
By RICHARD SCHICKEL

Talk about revisionist westerns! Brokeback Mountain is, as far as one can tell, the first movie to trace the course of a homosexual relationship between a pair of saddle tramps, doing so in considerable--if discreetly visualized--detail, from first idyllic rapture to angry rupture some 20 years later.

Ennis Del Mar (Heath Ledger) and Jack Twist (Jake Gyllenhaal) meet in the summer of 1963 when they sign on to tend a herd of sheep on the eponymous peak, which director Ang Lee locates high in ravishing Marlboro Country. Ennis is a slow-drawling man's man, a simple soul content to live out a life of low-paying odd jobs. Jack is more restless--a not very successful rodeo rider when the spirit moves him but also a man for other, upwardly mobile opportunities. He's the one who initiates their first sexual encounter, although in the act itself he plays the passive role while Ennis is the aggressor. On the other hand (and that ambiguity is one of the film's strengths), in the rest of their relationship Ennis plays the elusive, more feminine role, and Jack is his determined pursuer.

That first time is supposed to be a one-off arrangement; neither one wants or expects to fall in love with another man. And indeed, after their summer together, each gets married: Ennis to the sweet Alma (Michelle Williams), with whom he has two children, Jack to Lureen (Anne Hathaway), daughter of a prosperous farm-equipment dealer. Four years pass before Jack returns to Ennis and they begin taking "fishing trips" together--even though Jack is becoming something of a yearning prairie cruiser in the interim.

The movie becomes more and more episodic as the years wear on, losing intensity and conviction in the process and betraying the passionate romanticism of its beginnings. Since it was written (from a story by Annie Proulx) by Larry McMurtry and his partner, Diana Ossana, it focuses, as some of his fiction does, on the modern, anti-romantic West, a place of trailer parks and honky-tonks, of small, thwarted hopes, wrangling wranglers and sweet dreams betrayed by raw reality. That sense of place is true to life, one imagines, but it has a dwindling effect on this well-acted and well-made movie. For all its brave beginnings and real achievements--its assault on western mythology, its discovery of a subversive sexual honesty in an unexpected locale--Brokeback Mountain finally fails to fully engage our emotions.
 
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