You've heard GET ON YOUR BOOTS? - Post all thoughts, reviews, discussion HERE Part 4

The friendliest place on the web for anyone that follows U2.
If you have answers, please help by responding to the unanswered posts.
Status
Not open for further replies.
Just listened to the song twice. I kinda agree with the comments a few pages back that Bono's voice doesn't really suit the "speaking" style he does on verses. And I'm not sure that the "let me in the sound" bit gels with the rest of the song. But otherwise I think it's groovetastic, :up: For some strange reason it made me think of Pulp Fiction's "Misirlou".
 
I don't know how you don't turn this up, U2 fan, or not when it comes on the radio.

From the layman's perspective this is a very FUN song.

It's Gwen Stefani + Elvis Costello + Pop = WTF this is.

Note: I love Pop and this doesn't rank anywhere close to Discotheque, I'm not sure how a 3.5 minute song could to be fair.
 
Because, like, noone ever had any music forum pages open all day and minimised behind spreadsheets and Word documents and stuff, and would pretend to work while occasionally checking threads on the Blue Crack, oops :shifty:

Busted! :lmao:
 
Indra, your experience in these forums means nothing to me. I've been a U2 fan for years too (although not as long as you).

I disagree with everything you said.

Just my two cents...

Yeah, how dare she contextualise a well thought-out review. What an awful thing for her to do.
 
Probably the most spot on Review of what I think U2's full intent was with this song & release date

Snap Judgment: U2's new single, 'Get on Your Boots' | Pop & Hiss | Los Angeles Times

Snap Judgment: U2's new single, 'Get on Your Boots'
01:12 PM PT, Jan 19 2009

Bono and his band of merry men are not ones to miss a window of hope. And so on the eve of Barack Obama's inauguration -- just hours after the Irish rock ambassadors entertained the president-elect with their MLK Day anthem and their unofficial post-9/11 elegy at the Lincoln Memorial -- U2 unveiled a new single. Way to claim your spot on the "Yes, We Can" caravan, boys!

"Get on Your Boots" is a first taste from the band's new long-player, "No Line on the Horizon," which hits the global marketplace Feb. 15. Hear "Get on Your Boots" and read details about the album here. (Most exciting tidbit: The digipak edition will include a film "companion to the album" by Anton Corbjin.)

Initial thoughts on the band's newest inspirational booty-shaker after the jump.

Pundits are already splitting hairs about "GOYB" -- does it sound like Elvis Costello circa "Pump It Up" or the Temptations classic "Ball of Confusion"? Both connections are plausible, and there's also a fuzzy Stooges-style guitar riff that would have made Ron Asheton chuckle. But the fusion "GOYB" represents is hardly new for U2 or longtime producers Brian Eno and Daniel Lanois.

U2 got its mojo back with "Achtung Baby" 15 years ago by realizing that as white guys, they had to loosen up and get a little dirty if they wanted to explore black-invented sounds. Since then, one of its many missions has been to meld rock and soul in a way that doesn't feel retro and honors both traditions.

"GOYB" is sharper-edged than "Mysterious Ways," faster than "Elevation" and more non-linear than "Vertigo." It's dance-rock with a few small, tricky changes: a very Eno-esque bridge to nowhere, based on the phrase "you don't know how beautiful you are" that drags out the beat like Silly Putty, and a break near the end that has Bono rapping "let me in the sound" over a muscular Larry Mullen Jr. drumbeat that yells "I love rock and roll!"

As usual, modern rock's beloved grand uncles have been absorbing the lessons taught by their progeny. "Get on Your Boots" is quick and multi-layered, more like the dance rock preferred by kids who grew up on electronic music than a baby-boomer boogie fest.

Though it's tempting to stir up a rivalry between the alt-rock era's most beloved British band and its iPod-era successor, "Get on Your Boots" sounds nothing like Radiohead. MGMT seems like a more relevant influence. This is happy stuff, almost hedonistic, with not a whiff of anxiety or paranoia or even sexual tension. "Get on Your Boots" is a song about letting loose and letting go.

And moving toward a brighter future. Bono's musings here do not read well on the page (peruse them here, if you must), with Bono cutting up phrases he's used before and free-associating like he's had a couple of pink cocktails. But the underlying message is relevant.

So what is sexy about donning boots, in a song whose cheerful tone and other lyrics about forming community and growing up hardly suggest a pair of stilettos? To turn a phrase that once belonged to the increasingly irrelevant Paris Hilton, it's hot right now to ponder cleaning up a mess. And that's what "Get on Your Boots" means to inspire us to do. This is U2's celebratory announcement of a new historical moment, one in which America and the world confront the catastrophes of the recent past and bust out some elbow grease to make things better.

It's not quite time for a new anthem, this song seems to say, though titles from "No Line on the Horizon," like "Cedars of Lebanon" and "White as Snow," suggest those are coming. It's time to get to work. In its playful way, "Get on Your Boots" is a work song, a little jolt for those ready to rise up together toward change. Let me in the sound, indeed.

-- Ann Powers
 
What I like is that according to the beach clips, this song was the one I liked the least.... and now that it's out there, I like it.

I guess the album will be great! :hyper:

Now then, THAT sounds like good news! I havent heard ANY of the Beach Clips, so I'll take your word for it!

For me, on this track, The Edge is on fire... The base distortion is brilliant, and the song is catchy, and that's enough to get me excited about the album :hyper:
 
Probably the most spot on Review of what I think U2's full intent was with this song & release date

Snap Judgment: U2's new single, 'Get on Your Boots' | Pop & Hiss | Los Angeles Times

Snap Judgment: U2's new single, 'Get on Your Boots'
01:12 PM PT, Jan 19 2009

Bono and his band of merry men are not ones to miss a window of hope. And so on the eve of Barack Obama's inauguration -- just hours after the Irish rock ambassadors entertained the president-elect with their MLK Day anthem and their unofficial post-9/11 elegy at the Lincoln Memorial -- U2 unveiled a new single. Way to claim your spot on the "Yes, We Can" caravan, boys!

"Get on Your Boots" is a first taste from the band's new long-player, "No Line on the Horizon," which hits the global marketplace Feb. 15. Hear "Get on Your Boots" and read details about the album here. (Most exciting tidbit: The digipak edition will include a film "companion to the album" by Anton Corbjin.)

Initial thoughts on the band's newest inspirational booty-shaker after the jump.

Pundits are already splitting hairs about "GOYB" -- does it sound like Elvis Costello circa "Pump It Up" or the Temptations classic "Ball of Confusion"? Both connections are plausible, and there's also a fuzzy Stooges-style guitar riff that would have made Ron Asheton chuckle. But the fusion "GOYB" represents is hardly new for U2 or longtime producers Brian Eno and Daniel Lanois.

U2 got its mojo back with "Achtung Baby" 15 years ago by realizing that as white guys, they had to loosen up and get a little dirty if they wanted to explore black-invented sounds. Since then, one of its many missions has been to meld rock and soul in a way that doesn't feel retro and honors both traditions.

"GOYB" is sharper-edged than "Mysterious Ways," faster than "Elevation" and more non-linear than "Vertigo." It's dance-rock with a few small, tricky changes: a very Eno-esque bridge to nowhere, based on the phrase "you don't know how beautiful you are" that drags out the beat like Silly Putty, and a break near the end that has Bono rapping "let me in the sound" over a muscular Larry Mullen Jr. drumbeat that yells "I love rock and roll!"

As usual, modern rock's beloved grand uncles have been absorbing the lessons taught by their progeny. "Get on Your Boots" is quick and multi-layered, more like the dance rock preferred by kids who grew up on electronic music than a baby-boomer boogie fest.

Though it's tempting to stir up a rivalry between the alt-rock era's most beloved British band and its iPod-era successor, "Get on Your Boots" sounds nothing like Radiohead. MGMT seems like a more relevant influence. This is happy stuff, almost hedonistic, with not a whiff of anxiety or paranoia or even sexual tension. "Get on Your Boots" is a song about letting loose and letting go.

And moving toward a brighter future. Bono's musings here do not read well on the page (peruse them here, if you must), with Bono cutting up phrases he's used before and free-associating like he's had a couple of pink cocktails. But the underlying message is relevant.

So what is sexy about donning boots, in a song whose cheerful tone and other lyrics about forming community and growing up hardly suggest a pair of stilettos? To turn a phrase that once belonged to the increasingly irrelevant Paris Hilton, it's hot right now to ponder cleaning up a mess. And that's what "Get on Your Boots" means to inspire us to do. This is U2's celebratory announcement of a new historical moment, one in which America and the world confront the catastrophes of the recent past and bust out some elbow grease to make things better.

It's not quite time for a new anthem, this song seems to say, though titles from "No Line on the Horizon," like "Cedars of Lebanon" and "White as Snow," suggest those are coming. It's time to get to work. In its playful way, "Get on Your Boots" is a work song, a little jolt for those ready to rise up together toward change. Let me in the sound, indeed.

-- Ann Powers

Great review :up:
 
First post since the vertigo tour - wow - this blue screen brings back some memories. Just my two cents - sounds like the Beatles 2009. Could be a Lennon/McCartney song.

Missed the fighting :hmm:
 
Great review indeed. That's why the lovely Ann Powers works for the LA times and isn't as untalented as some on this forum who wrote uninspiring pulp just to show how crap they think the new U2 single is. By the way, did I tell you how great Boots is:drool:.
 
I played GOYB last night about 3 times in the car for my wife. She requested the song to be played 2 more times. While she enjoys U2 she was blown away by this song. I still can't get over how different it is, pretty awesome.
 
So being the blind U2-loving Sheep that I am I'm not up to speed, am I supposed to love this song or hate it?

Please someone tell me what to do! :scream:

If you are a real fan you will love every single song they have ever made and ever will make. :yes:
 
Just had a thought - I can't see it discussed anywhere else - could the album mix of GOYB be different?

It happens a lot to singles - e.g. they shorten them, have a slightly different mix here and there - thoughts?
 
Just had a thought - I can't see it discussed anywhere else - could the album mix of GOYB be different?

It happens a lot to singles - e.g. they shorten them, have a slightly different mix here and there - thoughts?

I mentioned in another thread that I think they are identical because some people have the album pre-order version and haven't noticed any differences
 
The original excitement of hearing a new U2 track has worn off after 1 day

after over 100 listens i think the track is slightly better than average say 6.5/10
Yesterday i gave it an 8/10

Poorest comeback song in ages

Its very short and WTF is Let me in the Sound? Must have written this track in the studio in 10 mins and then thought "hey why not?"

and it is being slated on youtube like crazy

Still hope the album is a belter
 
The original excitement of hearing a new U2 track has worn off after 1 day

after over 100 listens i think the track is slightly better than average say 6.5/10
Yesterday i gave it an 8/10

Poorest comeback song in ages

Its very short and WTF is Let me in the Sound? Must have written this track in the studio in 10 mins and then thought "hey why not?"

and it is being slated on youtube like crazy

Still hope the album is a belter

you crack me up, how old are you?
 
The original excitement of hearing a new U2 track has worn off after 1 day

after over 100 listens i think the track is slightly better than average say 6.5/10
Yesterday i gave it an 8/10

and it is being slated on youtube like crazy

You don't think you might have overplayed it slightly?

Plus, when has youtube ever been relevant? Those dicks hate everything.

That is the problem with the internet - it gives the moronic, a voice. :down:
 
You don't think you might have overplayed it slightly?

Plus, when has youtube ever been relevant? Those dicks hate everything.

That is the problem with the internet - it gives the moronic, a voice. :down:


True i have overplayed it a lot

I'll give a few hours break but still - i was crazy over Vertigo from day 1 till now - its my ringtone!
 
Status
Not open for further replies.
Back
Top Bottom