It's in my top four or five. I dig the production and the conscious effort to avoid the typical Edge stuff. Great drums and a noble effort to sound a little funky, regardless of the outcome. In context, it is a very cool record for 1983.
I think it also sags a little toward the end, a phenomenon that U2 fans have become a bit familiar with since then.
I think it also sags a little toward the end, a phenomenon that U2 fans have become a bit familiar with since then.
