I liked shots of Larry's drumkit from the air and Edge's equipment on Chicago, I also like the more democratic shots on that one, as opposed to 80+% Bono and little else style. Would be even better had he captured crowd the way he did in Slane and Milan, and tone down the fast cuts.
I think the last 3 songs and Running to stand still on Chicago DVD and I still haven't found... on Milan are beautifully shot. Also the transition Bad-40-Streets and the black and white intro in Boston.
I think the last 3 songs and Running to stand still on Chicago DVD and I still haven't found... on Milan are beautifully shot. Also the transition Bad-40-Streets and the black and white intro in Boston.