U2 now: Dare to read! And respond! (part 2)
Well, first off I would like to state that my review/comment is NOT a "copy and paste"-thing from other reviews. It's my opinion..
But I agree: I sometimes sound a little ambivalent and yes, my feelings are mixed about this album and U2 right now..!!! But like I said before: that's because I care so much and I want to get some things of my chest...!
But that doesn't take away from the fact that I am utterly suprised about the intolerance around here of some fans!!! Things like: "if you don't like it find another band!" and it's all "complaining"... Well, sorry to say but: I like to stay objective about my most favourite band EVER! I am not the kind of guy who cheers and yells "halleluja" if U2 would decide to record some farts and Bono says again "it's they're best ever!" (Not that I mean this about HTDAAB!!) (Before I get scalped again by some "blind-U2-follower(s)")
Anyway, like it or don't: here's part 2:
(try to comment on what I say about the songs, please)
Love And Peace Or Else
+: Heavy! But also with a little wink. The song bursts open with a very cool metalish sound. (…”lay down your treasure”) Maybe thanks to Flood? Anyway, the most appealing to my ears was the driving guitar part in the end! Now, that’s how I like Edge! Tempting, chasing..! A bit like the intro of Wire. Or moments in Bullet.
Although I know it has a war anthem enclosed, it’s a perfect song for a beautiful girl to strip to!! No, it’s not my dirty mind…U2 did put a fair amount of sexiness in this song..! A little bit like the bombast of “Hey Big Spender”. So don’t blame me…!
-: Although I like this song very much, this kind of “heaviness” in a song I’ve heard before from the boys: Zoo Station, Bullet, New York. But, no problem, actually!
Conclusion: A big one! Great track. Great singing from Bono!
City Of Blinding Lights
+: The part ..”and I miss you when your not around” I like very much. The verses and bridges are O.K. But that’s about it.
-: As Eno would put it: “this song has quite a few problems”. Well, to my opinion the whole song is a problem! I know I’m offending a lot of people now and that’s not my intention, but as a longtime fan, it’s just how I hear the song.
First of: The piano intro. I understand U2 decided they wanted a simple piano riff. But this riff is so slow, predictable that a toddler would come up with something more original. But one of the biggest problems is about to come: The “slaaiiiide-guitaaahhr!!!” Yugh!!
This is the most WHINING, ANNOYING, MOANING guitar slide-riff Edge ever produced!! He must have had a very uninspired, bad day otherwise he would never come up with such a boring, whining slide-riff. He seeks a certain emotion, I hear that, but instead he takes a wrong turn and it gets enormously cheesy, I’m sorry.. I can’t believe, he himself, and the other members of the band let him get away with it. get away with it.
Then you get the high ooooh, ooooh’s together with Adam’s pumping bass which sounded pretty good to me on first listen. I remember getting a little pumped up the first time I heard this part. This sounded very promising for the BIG chorus to come…
So I held on tight and then…: “oh…you…look…so…..biejooedifohohol…tonaaaiit………..” What??????? That’s it? Just a stupid yell over the same chord-sequence as the “ooooh, oooooh’s?? I couldn’t believe my ears!! And like it still wasn’t enough, that annoying “slaaaaiide-guitar” again. And although I heard the song for the first time I knew Bono was about to sing:…”in the city of blinding lahaits..” And he did!! How predictable…
Man, I could not believe how much of a caricature U2 themselves were making of this song. The chorus should have gone in a whole new direction so that one really could go: WOW!!! What a great surprising chorus!!! That would have saved the song (from mainly the intro!)
O.K. back to the song: Then you get a bridge and Bono start whining like he wants ice-cream: ..”tssaaahm, tssaaahm, tssaaahm, won’t leave me as I am” to wreck again my nerves with: “oh…you…look…so…biejooedifohohol…tonaaaiit………..” on repeat. And this supposed to be the climax!! Truly this is the worst chorus I have heard from this band in 20 years. Then it fades with the same dull piano…
I can’t believe they want to display so much recklessness and laziness regarding the chorus of this song and the cheesiness of Edge’s guitar. I can’t believe they skipped a song like “Mercy” for this track. Already in demo-form this song grabs your hand and flies off with you. Much more passion and drive!
Conclusion: They should have left City Of…on the shelves and rework it later to a really good song with more inspiration. And give more effort to get the cheesiness out. In this form it’s U2 unworthy. U2 are know for their superb intro’s but this one is so thin, vague, whiney. Like I said: The song is a caricature. Live it sounds a little better though. I’m sorry if I hurt somebody’s feelings about this song.
All Because Of You
+: One can hear they really worked on this song and put a lot of time in it. Probably because it’s been around for years and years (“She’s Gonna Blow Your House Down”) and never got a good molding into a real song. They kind of pulled it off now. Edge’s guitar solo in the end is very cool and Bono’s chanting …”I’m alive, etc..” brings back good old memories of the “raw” Rattle And Hum-era. Live this song would blend perfectly with All Along The Watchtower. Nice intro.
-: Again, like in City Of Blinding Lights, the chorus is a major problem: “…all because of you, …aaaaaaaaaaaaaall because of you..” Come on, which of you here were happy when they heard this out-of-tune yell? Bono or no Bono: this is not singing, this is putting the listeners ears to the test how much he/she can take! It really sounds like: “I need something here (a melody/phrase) and this will do..” In many occasions on this album it really shows that Bono was just around ‘part-time’ in the studio to contribute his singing-parts on this album. One can really hear that Bono did not (or was not able) to take time to use his creativity to the fullest. That results in numerous weak spots on the album. The band (and the songs) really need him to push songs in a new direction and inspire mainly himself.
Conclusion: They tried but again didn’t nail it.
(More to come...)