Fox News rates HTDAAB #1 album of 2004...

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Zoocoustic

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I don't want this to become political, so let's just all agree for once that Fox News has hit the nail on the head when it comes to our boys...

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The Top Ten Pop/Rock Releases, 2004

Everyone's got a list, and so have we. Today, it's music.

1. "How to Dismantle an Atomic Bomb" — U2

"Original of the Species" is such a classically beautiful pop song that the rest of the album almost doesn't matter. But "Vertigo" is a deserved hit, and "City of Blinding Lights" will be next. U2 — through not just perseverance and marketing, but also great skill, timing and talent — have become the Rolling Stones of this generation. They might as well give them the Grammy now instead of waiting til 2006.
 
mikal said:
i fucking hate Republicans.:wink:

brilliant...fastest hijack of a thread ever...

...getting back to the case in point, I think the few "mixed reviews" we saw when the album came out are all pretty much a moot point after so many publications rate this in their "best of 2004" lists.

Maybe it's "growing" on the critics as well...
 
Political beliefs should have no bearing on rating music.

Good on Fox news for rating this album highly.
 
I could say some smartarse remark, but I won't.

I don't agree with Fox anyway - I don't consider HTDAAB to be the album of the year. What else was in the top ten, by the way?
 
beau2ifulday said:
I could say some smartarse remark, but I won't.

I don't agree with Fox anyway - I don't consider HTDAAB to be the album of the year. What else was in the top ten, by the way?


I for one think it is the album of the year.
 
Zoomerang96 said:
fox has always been the true pulse of the music scene.

yeah.
Some media outlets such as Entertainment Weekly are publishing such senselessly negative reviews of HTDAAB that they're making Fox News look like musical geniuses at the moment...
 
TheFirstBigW said:

Some media outlets such as Entertainment Weekly are publishing such senselessly negative reviews of HTDAAB that they're making Fox News look like musical geniuses at the moment...

I agree with this statement. I am still annoyed by EW's stupidity regarding this album.

As for Fox News naming it the #1 album, what's that saying about a blind pig finding an acorn every once in a while....:angel: This is probably the only time I've agreed with Fox News!!!
 
Fox news should go fuck themselves.................The Edge won't like it, No more Rocking The Kasbahs
 
All I can say is, Fox News mustn't have been listening to the lyrics of Crumbs from your Table very closely.
 
Here's the entire list. Thanks to those who have kept their composure through this thread, and left hate at the door.

---------------------------

The Top Ten Pop/Rock Releases, 2004

Everyone's got a list, and so have we. Today, it's music.

1. "How to Dismantle an Atomic Bomb" — U2

"Original of the Species" is such a classically beautiful pop song that the rest of the album almost doesn't matter. But "Vertigo" is a deserved hit, and "City of Blinding Lights" will be next. U2 — through not just perseverance and marketing, but also great skill, timing and talent — have become the Rolling Stones of this generation. They might as well give them the Grammy now instead of waiting til 2006.

2. "The Capitol Albums, Vol. 1" — The Beatles

The purists hate this box set, but reviving "Beatles '65" is enough for me. Yes, the artwork is cheesy, but the mono and "stereo" versions of the songs from these four albums each have their own lives and resonance. The "Rubber Soul"-"Revolution"-era Beatles is so entrenched, it's nice to see the beauty of "She's a Woman," "Till There Was You" and the underrated "I Saw Her Standing There" finally acknowledged. Now we just need the "Hey Jude" album.

3. "The Diary of Alicia Keys"

The best album released in 2004 by any individual performer. "If I Ain't Got You" is so much better than any other song released this year that if it doesn't win the Grammy, we are all in trouble. From a generation of poseurs, pretenders and just plain fakes, Keys is a shocking anomaly. Plus, she's great-looking. Cross your fingers that we'll have her for a long, long time.

4. "The Delivery Man" — Elvis Costello and the Imposters

He's a genius, but few really appreciate him. Elvis Costello is also strangely caustic no matter how friendly he tries to be, so there's no chance he'll ever be Kenny Rogers. He's an artist and he sticks to his guns. Thank goodness. "Monkey to Man" is the usual mix of glib, funny lyrics and catchy hooks, but I cannot get over the heartbreaking "There's a Story in Your Voice." But it is time for Costello to stop reissuing old albums over and over (I've bought his massive collection three times so far.)

5. "Suit" — Nelly

What is about Nelly and "Suit"? I mean, he doesn't sing, and the songs here are pastiches of old R&B glued together and then sung by others. I do mean others: Tim McGraw on "Over and Over," Teddy Pendergrass sound-alike Jaheim on "My Place," plus Anthony Hamilton and Ronald Isley. It shouldn't work, but it does. The irony is that Nelly hasn't got much to do with it. He should have just called it "Nelly Presents." He'd be the rap Sol Hurok (check the reference with your grandparents).

6. "Wildlife Dictionary" — Garland Jeffreys

This is my rediscovery album of 2004, although I never heard of it until this year. Jeffreys is a New York poet-rocker with Cuban-Puerto Rican flavorings to his rich neo-R&B sound. He had seminal hits in the late '70s, early '80s ("Wild in the Streets," "Matador"), then stepped away. Now a very youthful 61, he's only better than ever. This album, from 1997, is a joy to behold and a lost classic if ever there was one.

7. "Letters" — Butch Walker

From Atlanta, Walker fronted a group called the Marvelous 3, had a hit, disbanded and then became a hot producer for the likes of Avril Lavigne. Not exactly a hot trajectory, but at 35 he is a startlingly appealing singer-songwriter who can rock and sing like a mutha. His melodies can recall Air Supply and daytime soap themes, while his bass lines chug the whole business in new directions. "Mixtape" is the memorable single, but "Letters" is the kind of album from which new songs keeping popping up and you say, months from now, "Is that song on there? Huh!"

8. "Hopes and Fears" — Keane/"Final Straw" — Snow Patrol

No Travis or Coldplay this year, so these two bands — from England and Scotland via Ireland, respectively, will make do nicely. Keane's "Somewhere Only We Know" cements the deal with Tom Chaplin's breathy falsetto counterpointed by the sound of a child's piano-type keyboards. Very Soft Cell, Keane, and good for late nights. Snow Patrol is more manly, and ready for bar listening with "Run," a single that sounds like it might be an ode to Thunderclap Newman. I could listen to it over and over and never get tired of it.

9. "I Can't Stop" — Al Green/"Have a Little Faith" — Mavis Staples

The first marked the reunion of lazy, self-absorbed and massively talented Al with his mentor and guiding light, Willie Mitchell, and Mabon "Teenie" Hodges on guitar. Green obviously sees the value of this: His next release, in March, is with the same cast and said to even better, if possible. "My Problem Is You" is the standout, but the moral here is: Living is the best revenge. As for Mavis, just the fact that she doesn't have to sing "I'll Take You There" for the 9,000th time is news enough. Her singular voice more than makes up for some of the songs — she could sing the phone book and get ovations.

10. Guilty Pleasures: Kelly Clarkson, "Since U Been Gone"; No Doubt, "It's My Life"; Maroon 5, "She Will Be Loved"; Black Eyed Peas, "Where Is the Love?"; Babyface & All-Stars, "Wake Up Everybody"; Anita Baker, album "My Everything"; Damien Rice, album "O," including "The Blower's Daughter"; Vaneese Thomas and sister Carla Thomas, "A Woman's Love"; Ellis Hooks, "Holding Out My Love"; "The Libertines," as well as Libertine frontman Pete Doherty and a guy named Wolfman on "For Lovers," a one-off single.

11. Best unreleased record: "I've Been Thinking About You" — The Climates

What do I say about a CD that's given me so much pleasure? Will you ever hear it? Only if someone from a small, interesting label will take it on. Chili Chishilm and his pals from Memphis date back to the Sun Records era. They had a hit in 1967 called "No You for Me" b/w "Breaking Up Again" (Sun No. #404). Now they've finally made their album after 34 years, cut at Willie Mitchell's Royal Studios, and it's a "beaut." What a PR hook, too! Nonesuch, Sanctuary, Shanachie, YepRoc, Rhino, Def Soul Classics (if you exist) — here's a chance to make history.
 
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