My take on the whole idea of people criticizing Larry's drum parts as being simple is that they are more interested in making the individual instrument some kind of star of the track. Like the whole guitar hero thing. I personally have always found it extremely annoying to have a song interupted or derailed by some egotistical instrument part whether it be guitar, drums or what not. Most drumming annoys the crap out of me when the fills and flourishes overpower the song and the same goes for the guitar solos. I can appreciate the virtuosity of the musician but I want to hear the song not some competition to see which member of the band is the biggest virtuoso. I love the way that the instruments and voice in U2 songs don't ride roughshod over each other and they compliment and support each other. Larry's goal is to serve the song not be a star drummer. Kind of like character actors in movies. They'll never be leading man or woman but the films wouldn't be the same without them and they are usually better actors than the stars. Larry doesn't aspire to be the best drummer in the world, just the best drummer for U2 which is more about teamwork than about being a show off. After all he still doesn't even call himself a professional drummer as evidenced by several interviews during this last tour. He just hits things for a living.
Dana
Yeah, but due to either physical issues or just sheer laziness, even Larry doesn't play his own songs like he used to. Watch the drumming on With or Without You on R+H and compare to how it is drummed in recent years. Big difference, and those extra "fills and flourishes" on the 1987 version do complement the song.
His drumming has been extremely unimaginative and ordinary in recen tyears, compare Pop, AB or even October to what he's doing now, it's just not as interesting, and the songs suffer because of it.
Yet another U2/Band member bashing thread, now that unimaginative
Yet another U2/Band member bashing thread, now that unimaginative
Did you actually want to discuss Larry's drumming or no ?
there's nothing all that special about Larry's drumming at Achtung Baby
they added a lot of percussion to enhance the rhythm section quite successfully though
Larry's drumming on October is in the foreground
but again he plays nothing beyond basic
he does play louder though
Pop: basically the same as with Achtung Baby but added loops and samples instead of percussion
sure I like Larry's drumming more on some albums than on others (Unforgettable Fire: I dig) but it's a bit silly to make out that on the other albums he's lazy, unimaginative or an invalid
I think Larry took quite a conscious decision to change his approach on With and Without You
the drum is more in the background now which he probably feels suits the song
now, I don't necessarely agree
but I also don't know why it would be bad
meh the only drum parts of Larry that immediately come to my mind are Sunday Bloody Sunday, I threw a brick ..., A sort of homecoming, Hawkmoon 269 and Desire
A sort of homecoming being the only one that I would call imaginative, though I would call Sunday Bloody Sunday inspired
the rest probably stand out for being as basic as they come
I don't see how added production touches and percussion reflects on Larry's drumming
I actually do really like his drumming on Crumbs ...
U2's music doesn't really fit crazy ass drumming like some of you are probably used to seeing from bands like Rush....U2 music just doesn't fit there...
Larry's not a terrible drummer, just nothing special. Occasional moments of doing something interesting, but generally just bland. Compared to most drummers, he's average. I've talked to fellow U2 fans as well as a U2 fan drummer, and most people agree he's nothing special.
He and Adam both fall into a category of "not bad, occasionally interesting, for the most part average."
Larry's not a terrible drummer, just nothing special. Occasional moments of doing something interesting, but generally just bland. Compared to most drummers, he's average. I've talked to fellow U2 fans as well as a U2 fan drummer, and most people agree he's nothing special.
He and Adam both fall into a category of "not bad, occasionally interesting, for the most part average."
Edge has said repeatedly that his style wouldn't exist if it weren't for the way Larry and Adam play. It is really meaningless to try to separate a particular intrument in a U2 song for critique because they write so interdependantly.