Drunken McGuinness "Chill THE FUCK OUT!!!"
maybe. we'll see.
Drunken McGuinness "Chill THE FUCK OUT!!!"
And for a May release – anytime in May - they wouldn’t be making any noise about it right now anyway. We would be in that calm before the storm phase, which perhaps, if we’re lucky, might be broken by some cock up leak of information. But… the formal storm isn’t due yet.
The reason I believe there will be no album isn't because we haven't heard an announcement yet... it's because there's no chatter. It's been dead silent for a long time now. Nothing. Not a peep.
Zero hyperbole from bono? No slips from major, respected journalists? No slip up from the studio? If they're releasing in may, they would have to be getting ready to press and manufacture the album fairly soon, wouldn't they? May is like 50 days away.
BVS, that might be your greatest post ever.
*IF* *IF* *IF*
It all really depends on whether it really is late May, or earlier. And whether or not they are sticking to a No Line-ish timeline, or something tighter. And what they think about the SA leg and the first single.
If it's early-mid May, they're already 'inside' the No Line timeline. We would have had the album title and release date announcement by now - only just - but not the single name/date or any other album details like tracklisting/cover art, all of that. Those wouldn't be coming till around the time they hit SA. So it is either not early-mid May, or they are tightening it up for a bigger bang. In which case, yes, you might get "New Album Called XXXXX Out in Six Weeks. New Single Called XXXXX to debut tomorrow" a few days before they hit SA. Perhaps with some kind of TV performance or other stunt tied in. There's also a 5-6 day gap smack in the middle of the SA leg that would allow for a quick promo run to LA or NYC, and possibly even a small cross-Atlantic window after the SA leg, before the Spider-man shutdown.
If it's Late May, and on the No Line timeline, then album announcement before the SA leg. Single at some point during, or just after that leg. If its a shorter timeline, then similarly, they might bunch those together, again during or just after SA. And again, there's a gap in the middle for something around the single, possible gap at the end for shooting to London, and they can handle anything US from New York while juggling Spider-man at the same time.
So I reckon we're 50/50 for another 10 days, then it plummets significantly with every day following. If they get on the plane to Santiago having given up nothing, then yeah, give up ALL hope.
Why thank you, I worked very hard on that one...
I would just like to thank Interference, those that have stuck by my side, the mods, the trolls, I would like to thank U2 for without them we wouldn't be here...
oh wait, too much?
but all the Spiderman stuff MUST STOP, because in 2 weeks the tour restarts... they HAVE to focus on U2 again, and I think they know they wont tour those songs exclusively, and want to play a few ones on the US leg, or maybe starting from SouthAmerica
I really think that on Monday March 21st we'll know something, and maybe on the 25th, we'll hear something
I almost feel like they need to release one more BOMBish album, with cockrocking anthems and WalkOns and whatnot, and have the album TANK, just so they can finally put to rest this "biggest band on earth" bullshit, come to terms with their own decreased relevance, see that NLOTH wasn't a "flop" because it was "too complex", and then finally come to that fork in the road where they can (A) pack it in....or (B) start making the music they always wanted to make.
I'm pretty confident they would choose plan B. After all, how many times can they chase Beautiful Day and Vertigo? At some point, things will have to change.
Physical retailers would absolutely have solid, confirmed info now for May releases, and would have done for some time. A whole month - not title by title - is sold in and bought up at once, and over a few phases. A kind of estimate/placeholder for planning and budgeting (on both sides), and then a locked in actual sale figure - an initial ship and sometimes agreement on a larger twelve week figure - and for May that would be completely locked in by the end of March at the latest. Its in everyones best interests for as much of that to be done as early as possible. Budgetary planning is tricky for a retailer - especially these days - and for a distributor to come in late with something, they risk not getting the kind of numbers they want. Universal would have been flagging a "possible U2 release in Q2" from the second it was half likely, and confirmed it to retailers the minute the band did to them. Particularly given that they've got GaGa that month as well.
Partly for secrecy, and partly just because U2 were probably still figuring it out, the retailers might know fuck all about the actual release (title etc) until we do. Although it would be interesting to see what kind of blind retailer confidence there is with U2 now. For someone like GaGa, that would be completely fine. The retailer would be confident in ordering up a crazy amount, completely blind to any detail, having heard nothing. For an artist Universal would have to sell to the retailer, they'll give them as much as they can (including an early listen if they can.)
For U2? Well, retailers might feel everything was a bit overboard with No Line, have gone a bit gun-shy on them, and Universal might have to give them a bit of a nudge to buy up a U2-sized amount of this. One or two key people might have heard some. But more likely than not, they've just got -U2/May 27- and they've bought against the strength of U2. Maybe just with some sale-or-return agreements
I know exactly what kind of music the band really wants to make too, for I can read minds
Very interesting. Does this mean that an album has been confirmed at this point or does the band still have the ability to change their mind and not release it? Or is it still possible that no decisions have been made either way?
I think to a certain extent, they know that already. I was actually really happy that Boots and CT didn't sell well, because for me they were incredibly safe tracks - u2 took the formula for previous hits and tried to transplant it into new songs, as opposed to writing good tunes that did well on their own merit.
Or sometimes I'm curoius for the sake of being curious...Sometimes I think you just like to argue for the sake of argument