scarlet october
Acrobat
I don't understand why "Miracle Drug" is rated so low. It's probably my favorite song on the album. The ending is too abrupt but its my favorite song on the album. I think it could have fit on The Joshua Tree nicely.
scarlet october said:I think it could have fit on The Joshua Tree nicely.
ponkine said:
That's the main problem with HTDAAB. It lacked huge identity, creativity, personality and originality. It sounded way too much ATYCLB (already an album trying to imitate Joshua Tree), the songs were written and performed exactly as ATYCLB, the sound and production were the same, and it had nothing really new to show us. That's the reason it was named ATYCLB II almost immediatly after leaking, even before official release and that's the main reason (IMHO) why it's forgettable:
if fans had ATYCLB already, why bother in having HTDAAB?
Too much of the same thing gets tiring
Aygo said:
I think that a unworked version of Miracle Drug could perfectily fit in ATYCLB.
Aygo said:
HTDAAB is something like a "best of" of what U2 can do... at their best. And this is an album that every song is reminiscent of any moment or any other song in their career. It think that it was intentional.
U2girl said:I would say that LAPOE sounds like nothing they've done before, maybe Fast cars too.
Zootlesque said:
Haha you make it sound like LAPOE has this revolutionary new sound! I respect your opinion but it is not even on the same page as the truly revolutionary stuff like Mofo, The Fly, Numb, Velvet Dress etc.
Fast Cars, on the other hand is great! It's a lot of fun and Bono doesn't come off as trying too hard, like in Vertigo. Just my opinion.
U2girl said:I saw this *skips U2girl's post* in the Pop review thread.
You were saying?
U2girl said:Mofo is not revolutionary, nor is Numb. A few dance beats and snazzy effects U2 weren't the first band to do it.
Zootlesque said:A few dance beats??? People who dismiss Edge's genius on Pop get on my nerves.
...Including a whole minute of blank screen in the video required balls! Something I cannot even imagine present U2 doing.
ponkine said:
That's the main problem with HTDAAB. It lacked huge identity, creativity, personality and originality. It sounded way too much ATYCLB (already an album trying to imitate Joshua Tree), the songs were written and performed exactly as ATYCLB, the sound and production were the same, and it had nothing really new to show us. That's the reason it was named ATYCLB II almost immediatly after leaking, even before official release and that's the main reason (IMHO) why it's forgettable:
if fans had ATYCLB already, why bother in having HTDAAB?
Too much of the same thing gets tiring
Salome said:I think the point isn't that U2girl doesn't get it
she just doesn't agree with you
this is harsh, but its the truth...HTDAAB stinksozeeko wrote: HTDAAB is something of a "worst of".
U2girl said:
The oldest excuse in the book whenever someone doesn't worship the feet of Pop. It's just funny how some of the loudest "don't get worked up" preachers don't practice what they preach on their own. Woo pe doo, so I skip Miami. Big deal.
Again, Mofo isn't revolutionary, and I wasn't saying LAPOE is. Zootlesque (good on him for actually making a thought on his own and not blindly high fiving others) started throwing that around.
Revolutionary = something no one else did before you.
Again, U2 didn't discover dance music or glam rock for that matter, or blues and rock and roll and country on Rattle and Hum, or pop on ATYCLB, or retro sounds on Bomb. I didn't realize Edge was producing Pop, since I never said anything on his guitars on that album.
It may be, yes, new to U2. Just don't say they invented any music genre they try. BTW I felt they did their flirtation with dance music much better on AB than Zooropa or Pop. Can I say that or will he object again?
What's so brave of showing a minute of nothing?
ponkine said:
That's the main problem with HTDAAB. It lacked huge identity, creativity, personality and originality. It sounded way too much ATYCLB (already an album trying to imitate Joshua Tree), the songs were written and performed exactly as ATYCLB, the sound and production were the same, and it had nothing really new to show us. That's the reason it was named ATYCLB II almost immediatly after leaking, even before official release and that's the main reason (IMHO) why it's forgettable:
if fans had ATYCLB already, why bother in having HTDAAB?
Too much of the same thing gets tiring
doctorwho said:I also felt this way about "Pop" and "War".
jacobus said:this is harsh, but its the truth...HTDAAB stinks
jacobus said:this is harsh, but its the truth...HTDAAB stinks
LemonMelon said:
Anyway, U2 has never been revolutionary, really. Zoo TV wasn't revolutionary in its concept, but never has there been a show quite that glamorous. Except for Popmart, which certianly was not revolutionary. The idea of bigger-is-better is age-old. U2 just took that to the extremes of the extremes and many called it revolutionary.
That's what confuses me about the Bomb criticisms...People are expecting "revolutionary" and something "original", yet U2 have never made such a thing, and probably never will. The Beatles were original, but they had that opportunity because of when they were around.
In conclusion, if you don't like the songs on Bomb, that's one thing. But if you can't except it because it sounds like something else...you need to revaluate your thoughts about U2.
ponkine said:
It's not just me but that's the fans opinion. Many fans call it ATYCLB II, even I've read many reviews saying that, "HTDAAB is the same as ATYCLB" or "HTDAAB is not different than ATYCLB".