Well, I felt at the time that Malcolm was a HUGE step forward for Lee, who went from making all very small films to a gigantic one, and one about a very polarizing figure. You have to admire that he even got the film made, and if you've read the Making Of book, it was a huge uphill battle.
I love how he portayed the vibrancy of Harlem, even during a time of struggle. And he also handed the Mecca scenes with great delicacy. Such an underrated film, even if Denzel is what propels it. Plus, that shot of the KKK guys on horses backlit by the full moon--WOW.
A River Runs Through It, is to me an American classic. It's not a very unique film, but I'm very moved by it each time I watch it. Redford never gets enough credit for what is actually a pretty diverse filmography, even if it's small. Eastwood, on the other hand, has made a lot of absolute SHIT, even after Unforgiven. And The Crying Game...well it's just one of the best screenplays ever written. Long after the shock has worn off, it's just a great character piece, with career best perfs from Stephen Rea, Miranda Richardson, and Forest Whittaker.