The Delgados: The Glory Of Loathe
Friday, April 25, 2003; Page C07
The Delgados' latest single may be called "All You Need Is Hate," but the Scottish band doesn't spew venom ? la Korn or Marilyn Manson, instead preferring, as the song's Beatles-centric title suggests, to meditate melodically on loathing. At the Black Cat on Wednesday night, the group played an exhilarating 90-minute show that set dark introspection against a musical backdrop of post-punk chamber music.
The Delgados are a quartet with classic Fab Four instrumentation, but their current U.S. tour lineup includes five additional players -- on viola, violin, cello, flute and electric piano -- that helped them render songs like "The Light Before We Land" and "Coming In From the Cold" with a full sonic palette.
The band owns and operates the Chemikal Underground record label and has released recordings by bands like Arab Strap and Aerogramme (the latter played an engaging opening set Wednesday) whose musical approaches were noticeable in the Delgados' work. Also evident, however, was the sound of countrymen Belle and Sebastian and the Pastels.
The Delgados' sound is centered on the singing of guitarists Emma Pollock and Alun Woodward, who traded leads and harmonized on songs like "Child Killers" and "Never Look at the Sun," which built to peaks of symphonic intensity behind massed strings and electric guitars.
The group covered nearly every song on their beautifully despondent recent album (titled "Hate," naturally), then offered up a surprisingly bubbly encore: a chugging version of ELO's "Mr. Blue Sky" that revealed some of the pop roots in the Delgados' shadowy musical garden.
-- Patrick Foster