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A classic French film by Jean-Pierre Melville. Released in 1967 it oozes style. I believe it was a homage by Melville to American Film Noir of the 1940s. The main character, Jef Costello, a hitman played by Alain Delon, must be one of the most perfect antiheroes ever.<snip>
For the first ten minutes of the film there is not one word spoken, as we witness Jef complete a contract but being caught in the vicinity of his crime. Being the perfectionist he is, he has created an airtight alibi, and what follows is a cat and mouse chase, between the Parisian police force and Jef.
The film itself is extremely minimalist, the dialogue could probably fit onto a piece of A4 paper, but what is said needs to be said and is well considered, what use does a perfectionist hitman have for words? Delon exudes cool as Jef, only ever changing his expression once or twice, you have to work out what he is thinking and feeling all from just his eyes. For a film about a hitman there is very little action, but the shot selection by Melville is superb. The best example would be Jef being hunted by the police in the metro, the angles the camera takes and shot selection in general, makes the hunt appear very dynamic, even though most of the hunt is spent watching Jef carefully studying his surroundings for an escape route.
I'm not sure about this but i've read Melville tried to adapt the black and white noir aesthetic to colour films, by using shades of grey, white and black for everything, from Jef's beautiful suits to a very washed out, grey Paris, and quite remarkably he succeeds.
As you can tell I am quite enamoured by this film and it's complete coolness, makes we want to be French and Jef...here's to a Halloween costume no one will recognise.