martha
Blue Crack Supplier
Morphine.
Morphine.
Imperor said:
Reggo said:I'm going to take back some of the things I've said about you.
If you shout... said:
I have a groundless aversion to streams.
when I was less old and fat.
lazarus said:Was this supposed to be doubly self-deprecating? Because then it should read "less old and less fat". Otherwise, you're implying that you were fat when you were younger and you aren't anymore. Either way, it's confusing as to what you meant.
Someone needs to go back to grammar school.
One thing I try to stress about this project is, I love and hate this album. I listen to it and I’ll like some of the songs. But when I think about what it took to actually get the record together and everything that I went through on this record — which is something I can’t separate — I hate this album. A lot of the songs that are on the album, I’m kinda neutral to. Not that I don’t like them, or that I hate them, it’s just I know the process that went behind it. I know the sneaky business deal that went down behind this song, or the artist or singer or songwriter who wrote this hook and didn’t want to give me this song in the first place. So when I have that kind of knowledge behind it, I’m just kind of neutral to it like, ‘Another day, another dollar’. As opposed something like The Cool, which is more of my own blood, sweat, and tears, and my own control. With this record, I’m little bit more neutral as to the love for the record.
I don’t like the process behind Lasers. The music is dope but I just don’t like the process. We were literally at the point where all this music was done except for a couple songs that we did after the protest. So the bulk of the album was done. And we were talking about shelving the album and going to another label, that’s where we were like, ‘If you put the record out, put it out. Either move on to another album or can it and we’ll do other records at another label’. The business of it got solved. I’m happy for the fans, this is their album. This is the album that they fought for and that’s what made me do songs like ‘Words I Never Said’ and ‘All Black Everything’.
Solid comeback.
Thanks, and obviously I'm just kidding. My friendship with you is a giant cookie.
Not only is the music in Show Goes On similar to Float On, but the vocals in the chorus of both songs are a similar melody, too.
What's the best Modest Mouse album to start with, swooncore lovers?
Also, was anyone else aware of this re: Pride (In The Name of Cock):
The song, the record's first single, would arguably become the most enduring off the album. Chrissie Hynde of The Pretenders happened to be in town at the time, Niall Stokes says in "U2 Into the Heart," and dropped into the studio to lend her voice to the backup vocals, though she would only be credited as Mrs. Christine Kerr (at the time Hynde was married to Jim Kerr of Simple Minds) in the liner notes.
Chrissie Hynde? That's awesome.
Danny Boy said:So she couldn't be bothered to tell Boner that MLK wasn't shot in the early morning?
bono_212 said:The melody itself is exactly the same except for like the very last note. I don't know how, if you're a "fan" of the song you wouldn't notice. That part is pretty much the whole damn song.
LemonMelon said:Bono was in such a weird place lyrically back then, I'm surprised MLK didn't die of a heroin overdose in Pride.
Also, was anyone else aware of this re: Pride (In The Name of Cock):
The song, the record's first single, would arguably become the most enduring off the album. Chrissie Hynde of The Pretenders happened to be in town at the time, Niall Stokes says in "U2 Into the Heart," and dropped into the studio to lend her voice to the backup vocals, though she would only be credited as Mrs. Christine Kerr (at the time Hynde was married to Jim Kerr of Simple Minds) in the liner notes.
Chrissie Hynde? That's awesome.
The lead singer reminds me of the lead singer from Architecture in Helsinki, before they got a bit too mainstream.