Pan's Labyrinth

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AOD, your sig looks like a puppy uprising. Especially with the one the 3rd from the right.

And that EyeHandMonster Thing scared the shit out of me.
 
Yeah, the one reason I wished there was far more fantasy in the movie is because the fantasy creation in the film were so amazing-looking and well-brought-to-life. It's a true breath of fresh air to see such elaborite and beautiful creatures created with classic make-up techniques.

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LemonMacPhisto said:
AOD, your sig looks like a puppy uprising. Especially with the one the 3rd from the right.

And that EyeHandMonster Thing scared the shit out of me.

It's a Puprising!. Maybe that's what we'll call U2Man's return :wink:

Lancemc said:

He reminds me of my grandfather at the dinner table after he had a stroke :(

Awesome special effects, though. You could tell a lot of thought went into them. They weren't over-the-top, just nuanced perfectly, with even simple things like the forest creatures/insects having a unique quality. How about root baby? He was pretty great, himself! Cute and disturbing, all in one.
 
angelordevil said:
I don't know about changing the captain, however. He played the power-hungry, war-loving archetype perfectly...and maybe for good reason. I had the impression that he embodied the ruthlessness of crazed military men all throughout history...right up to present day global leaders. His increasing madness and hate represent a direct contrast to Ophelia's quest for magic and hope in the midst of chaos.

:up:

In some ways, I compared him to Ralph Fiennes' character, Amon Goeth, in Schindler's List. Here was a man so deplorable, with nothing redeeming in his life that you actually cheered when he died. You get the same reaction with El Capitan. The movie was a fairy tale. All fairy tales have villains with non-redeeming qualities so that you can see the clear distinction between good and evil. It's what makes Ofelia a stronger character and in turn, her innocence makes him a complete monster.

Ying and Yang. :drool:
 
Now that you say it, he does remind me a lot of Goeth, especially in the scene where he beats the shit out of the rabbit hunter's son with the empty bottle.

I was wrong about what I said earlier. Him believing he's doing the right thing makes him the monster that he is.
 
Lancemc said:
... tended to direct certain scenes too...obviously? If that makes sense. Sort of like "Look at this, and now you should feel this way about this situation," or that certain character's motivations were simply spelt out in some scenes, instead of suggested.

But that's how Fairy Tales are written. They leave no room for wondering who is good or bad, or what action is taking place, or the virtue (or lack thereof) of the action. The driving force behind fairy tales is that the actions of the hero isalways good, virtuous and clear. The beauty of Pan's Labyrinth is that even though it is clearly for adults, it is still written as if it is for children. You know who is who and what is what. I noticed I expected the frog and the Pale Man to be good guys at first, but clearly I was incorrect. The Pale Man ate the goddamn fairies for Christ's sake! How badass was that?

Fairy Tales are fucking scary, man. Go back and read some. For us not so much cause we get picture books and Disney cartoons, but the actual texts are freaky. I think Pan's Labyrinth is just a Fairy Tale told as it's written. And most are given historical backdrops as well. The fantasy elements are what we remember most, but they generally aren't the majority of the story.
 
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LemonMacPhisto said:
Him believing he's doing the right thing makes him the monster that he is.

:hug:
You get it! There's a fine line between a sinner and a monster. A sinner can kill a man and be remorseful about it later. A monster believes that person never had a right to live in the first place. This is absolutely what makes "a villain that you love to hate."
 
I wish I could put Darth Vader in that category, but Episodes I-III and VI killed that for me. :sad:
 
Well what do you expect, Mother? I'm half machine!

I don't remember much of part VI, but I'm curious as to why you'd think Darth was ever remorseful about what he did. He killed the padawans! I guess you kinda grow up with Anakin, and you begin to like the character for who he is. And then there's a 180 thanks to some other Sith Lord (lol, can you tell how well I know these movies?). It can get confusing. I think in this situation you can classify Anakin as the sinner role and Darth as the monster role. Anakin was good until he chose to go bad, in doing so, he became a monster.

I'm sure if they had shown you El Capitan's/Amon Goeth's younger days you would have had some sympathy with him. Here's a young lad swept up in politics, fighting for a better country and somewhere along the way he picks up power and becomes evil. :blahblah:
It's the same story told a million times over.
 
Look at the groundwork Episodes IV and V and even the beginning of VI laid out:

Vader "killed" Anakin
"He's more machine now than man - twisted and evil"
"Once you start down the dark path, forever will it dominate your destiny"

The end battle between Luke and Vader betrays everything that has been set up about Vader in the other movies, and even Luke. Luke needs to kill Vader not only because he's going to kill him, but because it's his final step to finally growing up and maturing. Vader's last second turn against The Emperor would've been great if they had set up that Anakin can in fact be redeemed.

Using that logic, that makes the prequel trilogy completely unnecessary for the same reasons Pla mentioned about Goeth and the Captain.

Feel free to disagree with me about this, but I truly feel that Vader had to die as a villain, albeit tragic, but still a villain.
 
Yeah, your villain seems to lose credibility when you make them human. I think that's why I like the Harry Potter books so much. Voldemort was an asshole from the start. :up:
 
Great film.

I probably should've brushed up on my Spanish Civil war history. Although the captain was clearly evil, not everyone in the outpost was. I thought the maid was a bit of a traitor for endangering the others.
 
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UberBeaver said:
allrighty then. you're looking at it as a film, I'm looking at it as a story. :shrug:

Fair enough I suppose. But if I'm looking for just a great story I'll read one. :wink: But seriously, I honestly understant the fair-tale approach Del Toro took, but I think he might have taken the concept just a bit too literally. I believe he could have accomplished the same goal and came out with a product a little more friendly to the film medium as well, if that makes sense. If nothing else though (even though I do love a ton about this movie), I do appreciate his ambition. :up:
 
Now folks.

Seriously.

There's just one more thing this film was missing that would have guarenteed this film a spot in my top 20.

And that of course would be:



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blank space? :wink:

PlaTheGreat said:
Yeah, your villain seems to lose credibility when you make them human. I think that's why I like the Harry Potter books so much. Voldemort was an asshole from the start. :up:

Definitely, it also doesn't hurt that it's Ralph Fiennes either. :up::up::up:

Perfect casting much?
 
LemonMacPhisto said:

Definitely, it also doesn't hurt that it's Ralph Fiennes either. :up::up::up:

Perfect casting much?

Ralph Fiennes :combust:

I'm absolutely convinced that he's the best actor of our time. He makes you hate him in so many roles and then you take a look at The Constant Gardner and watch him cry softly after his wife has died and feel for him so much. The man can play any role to a T.

Enough thread derail:
Pan's Labyrinth was awesome and stuff. :heart:
My friend wants a Pale Man costume for Halloween. Keep your eyes peeled for one.

GET IT? HAHAHAHA. :sexywink:
 
I love dark fairy tales and really looked forward to this film but in the end wasn't nearly as captivated by it as many people clearly were. The cinematography and visual design were outstanding and the whole Pale Man sequence was absolutely brilliant stuff of nightmares. But on the whole the film felt kinda underwhelming and the maid, Mercedes, was the only character who truly engaged me. Yeah, Ofelia is good and innocent and her predicament is sad but she's just not a terribly interesting character IMO and neither was the captain.
 
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