UnforgettableLemon
Rock n' Roll Doggie ALL ACCESS
This is a wonderful album. Fans of the first two Flogging Molly albums may be taken aback at first. It is very much the same style as the first two albums, but the nuances have gone far beyond simply Irish and punk. There are elements of appalachian and cajun music here, and they work incredibly well. The singalong are still big but not overwrought, and the uptempo songs are nicely balanced with the ballads they've come to master.
My irish/punk spectrum has always gone from The Pogues to Dropkick Murhpys, the former of course being the most folk, the latter the most punk. Flogging Molly always provided a nice balance (and Dave King is better vocalist than Shane McGowan, though not a better lyricist. And while I love the Murphys, Al Barr, Ken Casey and Mike McCulgan have NOTHING on Dave King in regards to music or lyrics). But now it seems as if they've begun leading more towards the Pogues. I know it is unfair in the eyes of some to simply reduce the band to Pogues mach 2, but that's not really what I'm saying. The spirit of the Pogues, the traditional Irish music with the attitude, intelligence, and spirit of punk lives on in the music of Flogging Molly, but the songs are all their own. And you have to love the dedication to Johnny Cash and Joe Strummer. Johnny Strummed his Tommy Gun.
Fans of earlier albums will also note the clarity in the production. This is a large band, and every tin whistle, bazouki, mandolin, and accordian can now be heard along with the ripping electric guitars and gorgeous fiddling. They've never played this well, and they have definitely done justice to the quality of production.
Highlights of the album include "Screaming at the Wailing Wall," "The Seven Deadly Sins," "Factory Girls," "To Youth (My Sweet Roisin Dubh)," "The Light of a Fading Star," "Tomorrow Comes a Day too Soon," and "Within a Mile of Home."
"Screaming..." is an indictment of a certain US President's war and his implicit religious justifications. "Seven Deadly Sins" is for fans of "Salty Dog" with it's breakneck speed and pirate feel. "Factory Girls" is a folky duet with Lucinda Williams, and "To Youth"(my favorite track) is an ode to days long gone in Dave's Homeland (Roisin Dubh is Irish for the Black Rose, a traditional name for Eire). "Fading Star" is an anthemic song about the person that pushes too hard, that has that glow, but goes unnoticed until it has almost burned out. "Tomorrow Comes a Day too Soon" is the cajun number, and the title track, in grand fashion of another Irish band, grows from a whisper to a scream as the resounding chorus swells and swells.
Fans of punk, folk, Irish music, and anything well-written need give this album a listen.
Five out of Five stars. Album of the year, thusfar.
Jason Cash
My irish/punk spectrum has always gone from The Pogues to Dropkick Murhpys, the former of course being the most folk, the latter the most punk. Flogging Molly always provided a nice balance (and Dave King is better vocalist than Shane McGowan, though not a better lyricist. And while I love the Murphys, Al Barr, Ken Casey and Mike McCulgan have NOTHING on Dave King in regards to music or lyrics). But now it seems as if they've begun leading more towards the Pogues. I know it is unfair in the eyes of some to simply reduce the band to Pogues mach 2, but that's not really what I'm saying. The spirit of the Pogues, the traditional Irish music with the attitude, intelligence, and spirit of punk lives on in the music of Flogging Molly, but the songs are all their own. And you have to love the dedication to Johnny Cash and Joe Strummer. Johnny Strummed his Tommy Gun.
Fans of earlier albums will also note the clarity in the production. This is a large band, and every tin whistle, bazouki, mandolin, and accordian can now be heard along with the ripping electric guitars and gorgeous fiddling. They've never played this well, and they have definitely done justice to the quality of production.
Highlights of the album include "Screaming at the Wailing Wall," "The Seven Deadly Sins," "Factory Girls," "To Youth (My Sweet Roisin Dubh)," "The Light of a Fading Star," "Tomorrow Comes a Day too Soon," and "Within a Mile of Home."
"Screaming..." is an indictment of a certain US President's war and his implicit religious justifications. "Seven Deadly Sins" is for fans of "Salty Dog" with it's breakneck speed and pirate feel. "Factory Girls" is a folky duet with Lucinda Williams, and "To Youth"(my favorite track) is an ode to days long gone in Dave's Homeland (Roisin Dubh is Irish for the Black Rose, a traditional name for Eire). "Fading Star" is an anthemic song about the person that pushes too hard, that has that glow, but goes unnoticed until it has almost burned out. "Tomorrow Comes a Day too Soon" is the cajun number, and the title track, in grand fashion of another Irish band, grows from a whisper to a scream as the resounding chorus swells and swells.
Fans of punk, folk, Irish music, and anything well-written need give this album a listen.
Five out of Five stars. Album of the year, thusfar.
Jason Cash