A track-by-track, first impression review:
The Birds - Towering and curiously constructed, but not a moment of it stuck in my head. It's so damn epic though, I was probably just overwhelmed on first listen. It was certainly awesome, but not exactly catchy. I'll like it more once I have time to parse it out.
Lippy Kids - Horribly, horribly repetitive, and I don't care for the lyrics. I hate that album title more than ever. The piano hook is strong, however, and the vocals are, as always, fucking good. Threatens to really take off, but it never quite does. Would be an inspirational 2 minute interlude, but instead it's 6 minutes and a bit bloated.
With Love - Awesome; this is one of those really refreshing mid-album tracks that reminds you of the importance of great hooks, except it's placed really early, which makes it feel a bit slight, especially after the epic opening duo. The production really kicks.
Neat Little Rows - Also reminds you of the importance of hooks: there isn't one here. Not exactly awful, but the din behind the track reminds you that not much is happening in the front to distract you from it. Decent chorus. Not sure why this was the lead single.
Jesus Is A Rochdale Girl - Something vaguely avant garde about the keyboard noodling. It doesn't add all that much, but it keeps me listening. This is a relaxing track that I could see slipping past someone, but the album is jumpy enough so far that the individual tracks are certainly being emphasized over the whole. I don't love this one, but it's pretty.
The Night Will Always Win - I dig their keyboard sound on this record. Reminds me of that sound your car makes when you leave the door open. If Elbow ever starts their own country, this could be the national anthem; it has a certain dignified pomp and circumstance about it.
High Ideals - Great percussion, great horns. This is the shock the album needed. Or at least it should certainly be. The problem is that the track is all buildup, never capitalizing with a terrific chorus, or even a bridge that deviates from the pattern. Decent background music, a passable jam, but not exactly a standout.
The River - Reminds me of Pyramid Song a bit. Beautifully layered vocals. Once again, it fails to break out or exceed sketch status as a song, but it's a worthy late-album track. It'll probably sound great under the right circumstances.
Open Arms - And this one reminds me of the more jubilant moments of another Interference favorite, Sigur Ros. It's brilliant; a head-swimming, choir-propelled trek to the heavens.
The Birds (Reprise) - Uh.
Dear Friends - Hopefully not about their fanbase. I love the guitar tone. Very pretty but, once again, it never really takes off. I love the vocals, I love the production, I love the horns at the end, but it sounds closer to credit sequence fare than epic closer.
In short: This album doesn't really sound finished to me. Most of the tracks seem to be enjoyable scribbles, but none of them feel circular or truly fleshed out, and the ones that do don't stick the way their past singles have. They could all be interlude tracks, as far as I'm concerned, outside of the first few. I agree with Peef that the bookends have the best stuff while the stretch in the middle is pretty flat. Hopefully, this album grows on me; I love these guys, but the songwriting just isn't there.