cobl04
45:33
the second season of The Office is fucking brilliant.
Moonlit_Angel said:Hehe. He does indeed dress quite sharp on that show...
True story. My comment earlier doesn't say all too much considering I've wanted what he's worn pretty much every episode*. Dude can dress.
*Well, except the Rainbow Brite costume.
Angela you must have loved the billiards episode.
*Trying to think of a way to answer that question that won't get her in trouble on here*
Let's face it, those shorts WERE God-awful, after all .
(That episode is freakin' hilarious from start to finish, by the way)
Angela
"Give me my bra back, Annie."
Holy. Shit. I think the Hottest Chica part of my brain just blew a fuse.
The paintball episode oh my god
Don't fret, they basically fix all the problems with the first season finale in the second season premiere.Just watched the finale. It was great, but I felt the whole Jeff-Britta-Slater-Annie thing was a little contrived. No way Britta "loves" Jeff. Feelings for him, sure. Kissing Annie as well seemed a bit cliched. Overall it was great though and I think I'll catch up online.
"Mine and Abed's friendship is like this big cookie! Pierce! I'll move in with you!"
"That's great! Why don't you come round and I'll have one of my butlers fit you for a uniform?"
i'm a dude, but i'll admit, when i saw his bod, i was a bit
i wish i had a bod like that!
what season are you up to? 2? i might have to catch up online.
So much better than Hoda and Kathie Lee.
So do you have any others lined up at this point?
DAN HARMON: We are doing some genre experiments that I don't want to spoil, coming up down the road. One thing that I'm excited of that I think qualifies in that drawer is the episode where the group plays Dungeons & Dragons for an episode, and it's not-- there's no elements of, like, you see them in the woods, running around and swinging swords. It's-- they are sitting at a table, playing Dungeons & Dragons.
DONALD GLOVER: It's really funny.
DAN HARMON: But it's stylized to make that interesting, and therefore, it's pretty cool, and people are going to like it a lot, I think. There's-- I mean, there's-- like, I consider it special when the camera is not on Greendale's campus for an entire episode. There's an episode where Pierce is in the hospital, coming up, and the entire episode is in the hospital. And it's shot in a different way. It makes it a completely different experience from a normal episode of the show. And that stuff is coming up. I can say that.
GILLIAN JACOBS: Can I interject something?
DAN HARMON: Yeah.
GILLIAN JACOBS: I'd just like to say in terms of, like, fan response and, you know, interest in non-conceptual episodes, that I think for all of us the bottle episode was very well received, I would say, from the-- from the fan point of view. And that was something that took entirely place in the study room. And I thought that was just a really exciting episode for us as a cast to shoot. I think that, like, Yvette said, it gave everybody sort of a showcase to have both moments of drama and high comedy and absurdity. And, you know, Dan and the writers managed to pull that off without ever leaving the study room. So I think--
DAN HARMON: And don't you qualify that as a conceptual episode?
ALISON BRIE: It's true, yeah.
KEN JEONG: That in and of itself is a concept.
DAN HARMON: It's hard to know, then, to answer the question, oh, we've got to do two normals, and then we hit them--
KEN JEONG: Yeah.
DAN HARMON: -- with the space balls. You-- it's because there's-- the lines are very blurred, as they should be. It should be a different show. When they all go out, drinking with Troy on his birthday, that's a-- to me, that's a-- that's a weird episode.
JOEL McHALE: That's St. Elmo's Fire. What the--
ALISON BRIE: Really?
DAN HARMON: It sort of-- in my-- spiritually, it's my homage to Taxi, like growing up on a steady diet of Taxi. There's a darkness to that episode that--
DONALD GLOVER: Yeah.
JOEL McHALE: If you look at-- people call them "parodies," and I don't see them as parodies because that becomes a sketch, is that a lot of character stuff happens in all of those types of episodes such as Britta and Jeff sleeping together in “Modern Warfare,” in the paintball, or in chicken fingers with the thing where it's-- clearly with the freeze of Abed saying "I always wanted to be in a mafia movie," is that a lot of character stuff happens through all of those things. So it doesn't just become a parody of the genre we are doing.
DAN HARMON: Yeah.
GILLIAN JACOBS: I was just going to say also, midway through season two, we all have such a greater degree of comfort with our characters and understanding of our dynamic as a group that it doesn't feel so difficult to swing between the two, whereas, you know, when-- I've said, like, when we did the pilot, there was a moment where everyone was just supposed to start fighting and yelling at each other, and, you know, Jeff walks out, and I follow him. We didn't really know what to yell at each other. We didn't know what we would be--
DONALD GLOVER: Fighting about.
GILLIAN JACOBS: -- fighting about. It's a lot of, like, ADR of, like, "I"-- But I think, like, at this point, we could do an entire episode of improv'ed, loud argument at each other. And so when you are that much more comfortable with your dynamic as a group and your character as an individual, it's not so hard to have a really human moment in the midst of a conceptual episode.
well Angela, soon you'll be able to envision yourself in Jeff's apartment.