What a difference a day makes
What a show. In many ways, it's not even fair to compare tonight to last night. At least in my book, tonight gets compared to the best U2 shows I've seen, and the very best concerts I've seen period.
Tonight's was one of those shows where you simply remember why you go through it all -- the lines, the ticketmaster crap, all of it, just hoping you'll catch a big fish. The kind where you're wishing, as it's happening, that every U2 fan could be in the building.
First, they fixed the sound problems. It was all much better tonight. Second, although I significantly prefer Love and Peace or Else to City of Blinding Lights on the record, City is a dramatically better show opener. The first six songs tonight were as tight and strong as any stretch I've seen in my now 22 years of attending U2 concerts through 6 tours. LAPOE is also a way better intro in Sunday Bloody Sunday. The pacing differences between tonight and last night were night and day. Third, the crowd was way better tonight, and that's not a knock on last night's crowd either. I'd add that for those thinking that a strong crowd response at the end of 40 may create another encore, if it didn't tonight, I just don't see it happening in the absence of extraordinary circumstances. It was as strong a 40 crowd participation tonight as you'd have seen in 1987.
The most noticeable thing about tonight was how stripped down the main set (pre encore) was. There was virtually no shtick at all. No crowd surfing by Bono. Very very limited fly shades (they may not have come out at all) and posing. Virtually zero playing to the back of the crowd. The ellipse was hardly used at all, except briefly for the standard numbers (Sometimes You Can't, e.g.). Only one brief instance of taking anything from the crowd, and very little hand shaking with the crowd. No hanging of necklaces on the mic stand, or pope stories, or even stories at all. Even the One public service part of the show was exceptionally brief; much shorter than last night (which is the only other show of the tour I have to compare to). Other than a couple of forays onto the ellipse, Bono pretty much stuck to his spot -- no accompanying the Edge over to the piano for New Year's day or hamming with Adam.
It was simply all about the music tonight in the main set, just a very hard driving hour and forty five minutes of technically perfect and high intensity music. One thing I was watching in particular was the Edge's guitar changes. He called a few off and just stuck with the guitar he was playing. The main set was virtually an all Fender affair -- much of it was played with the standard telecaster, which I think last night might have been around for one song. He had a new stratocaster that I didn't see last night -- It looked like a Pewter or Black Clapton custom shop model, and he also played the sunburst strat. The point is that there was virtually zero wasted motion tonight -- just song into song with quick guitar changes. One short interlude about Phoenix -- the cities and buildings of glass and steel rising from the beautiful desert. But other than that it was all about the music tonight; even the snippets were brief.
The encore was a little disappointing. It almost seemed like they just wanted to blow through it. They definitely called off some song in an audible at the beginning of the encore (Zoo Station seems most likely given prior setlists). They huddled before Yahweh and clearly made the decision not to leave the stage, whith the Edge calling for the accoustic very quickly, and they pushed through it fast. The Fly was extremely tight, though -- much better than last night and maybe the best Fly I've seen. Even during the encore, the shtick was to a minimum. No goose stepping, or audience surfing. Bono pulled up one woman from the ellipse and danced with her during mysterious ways around the ellipse. Maybe she's a regular. It was refreshing to actually see a person of color in the arena -- at one point when the house lights were on, I looked around and simply could not see any nonwhite person. Such is Phoenix, I guess.
Anyway, an extraordinary show. If it's a blue print for second nights in multiple city stands, I think people are going to be very happy.
Slightly funny story -- as we're going home, I ask Mrs. Regularguy what she thought before I told her what I thought. (Although I'm sure it was obvious from how much I enjoyed myself.) She was quiet for a long time -- as I learned later making it seem like she was thinking about the question while in fact she was thinking up something funny to say. Her comment -- "Was it really necessary to have TWO heroin songs?" Not funny you say? Well, I guess you had to be there.