Good golly, I love this guy:
Even though you see the death of culture all around you, you also want to raise whatever it is you do to a higher plane, yet there is no one, it seems, who can inch the Morrissey thing forwards. As we all now know, the world of music is purely market-driven – not even youth-driven anymore. Talent or merit or songs do not enter the equation for a split second; the campaign is the thing, the campaign is what is discussed amongst the public, the campaign is what impresses the press, and the songs are never a factor. The labels will only push the "artists" that they themselves have discovered, and have no interest in the self-made, blah, blah. But my parting with Universal is not a negative. I am sorry that "Swords" was such a meek disaster. It was proposed and accepted as a budget-priced CD, yet emerged everywhere as the most expensive CD in the racks. It was poorly distributed and didn't stand a chance, and ranks as the lowest chart position I've ever encountered. I remain steadfastly proud of "Years of refusal", which along with "You are the quarry" and "Ringleader of the tormentors" are my life's peaks. These three will allow me to die in peace. I am no longer in the thrall of anything that preceded them; the past is not me.
I was delighted at the radio airplay in England for "I'm throwing my arms around Paris", which seemed to match both "Suedehead" and "That's how people grow up" singles for rotation.
However, "I'm throwing my arms around Paris" did not chart in France! ... but everything has its time and place...
What does the future hold? What does the next minute hold? It all rests as ever on determination – that which springs from somewhere deeper than the body. Record label interest is zero, but the sun will creep back into the room one way or another. It always does.
Small and bowed, I offer you my eternal thanks, and my hopes for a steady 2010, full of good grace and no darkness.
MORRISSEY
London, December 2009.
Pitchfork: Morrissey Apologizes for Swords "Disaster", Disses Back Catalogue
Even though you see the death of culture all around you, you also want to raise whatever it is you do to a higher plane, yet there is no one, it seems, who can inch the Morrissey thing forwards. As we all now know, the world of music is purely market-driven – not even youth-driven anymore. Talent or merit or songs do not enter the equation for a split second; the campaign is the thing, the campaign is what is discussed amongst the public, the campaign is what impresses the press, and the songs are never a factor. The labels will only push the "artists" that they themselves have discovered, and have no interest in the self-made, blah, blah. But my parting with Universal is not a negative. I am sorry that "Swords" was such a meek disaster. It was proposed and accepted as a budget-priced CD, yet emerged everywhere as the most expensive CD in the racks. It was poorly distributed and didn't stand a chance, and ranks as the lowest chart position I've ever encountered. I remain steadfastly proud of "Years of refusal", which along with "You are the quarry" and "Ringleader of the tormentors" are my life's peaks. These three will allow me to die in peace. I am no longer in the thrall of anything that preceded them; the past is not me.
I was delighted at the radio airplay in England for "I'm throwing my arms around Paris", which seemed to match both "Suedehead" and "That's how people grow up" singles for rotation.
However, "I'm throwing my arms around Paris" did not chart in France! ... but everything has its time and place...
What does the future hold? What does the next minute hold? It all rests as ever on determination – that which springs from somewhere deeper than the body. Record label interest is zero, but the sun will creep back into the room one way or another. It always does.
Small and bowed, I offer you my eternal thanks, and my hopes for a steady 2010, full of good grace and no darkness.
MORRISSEY
London, December 2009.
Pitchfork: Morrissey Apologizes for Swords "Disaster", Disses Back Catalogue