LMP
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I have the acoustic version of "While My Guitar Gently Weeps" that I got from a mixtape, but no, I don't own anything besides that. I'll try and get a hold of it soon then.
It's worth a purchase, esp. if you can get it used. The booklet has a lot of info and is nicely done. Vol.2 is great as well, for obvious reasons, as it covers the Rubber Soul/Revolver/Pepper's/MMT period.
That Anthology version of "White My Guitar Gently Weeps" is awesome, but the LOVE version is the most essential of any.
This Pepper's thing is rather difficult. My first thought is that you can see the songs about the mundanity of modern living seem to be mostly on side two, with the trio of When I'm Sixty Four, Lovely Rita, and Good Morning, and it can also be argued that A Day in the Life is the culminating apocalypse of that study. The more abstract material is on side one, with the exception of She's Leaving Home.
Personally, I never liked the transition of She's Leaving Home into Mr. Kite, the most "realistic" song into the most nonsensical. Plus the former is a bit of a downer, and might be better served by being pushed further into the album where people are a bit more hooked in. In the original track order it closed out side one, coming after Getting Better which probably worked better than what they have now. I think it would be a great segue into When I'm Sixty Four, because both are really about the divide between youth and adulthood.
What I like about the original, pre-release placement of Mr. Kite (coming after With A Little Help) was that it was in keeping with the performance concept of the album. It's painful to think of moving Lucy out of the three spot, but it might work better elsewhere.
I'm also not sure about Within You Without You as an opener for side two (and we should be thinking in terms of sides, considering when the album came out). It's going to sound out of place anywhere because it's the only Eastern-flavored song on the album, but after the madness of Lucy (which also has some exotic instrumentation) it might not come off so jarring. I also think Penny Lane just has such a great hook right off the bat, it's a natural to open side two where you want to draw the listener in again after flipping the record, so to speak.
Here's my first go at a track listing:
Side One
1. Sgt. Pepper's
2. With A Little Help From My Friends
3. Being For the Benefit of Mr. Kite
4. Getting Better
5. Lucy in the Sky With Diamonds
6. Within You Without You
7. Fixing A Hole
8. It's Only A Northern Song
Side Two
9. Penny Lane
10. Strawberry Fields Forever
11. She's Leaving Home
12. When I'm Sixty-Four
13. Lovely Rita
14. Good Morning
15. Sgt. Pepper's (reprise)
16. A Day in the Life
An interesting experiment. The only problem is that all of Side Two is Paul (with the exception of co-writing from John on She's Leaving Home), and all of Side Three is John and George (with the exception of the full band credit for Flying).
I mean, if you're going to do that and include Only a Northern Song, you may as well throw in the other Yellow Submarine songs, which include It's All Too Much (recorded right after Sgt. Pepper's and originally intended for MMT), All Together Now (recorded during the MMT sessions), Hey Bulldog (which was the last of the pre-White Album songs) and fits here sonically, and All You Need Is Love, also recorded in 1967.
I thought "Not Guilty" being great was fairly common knowledge?
A lot of people don't have the Anthology albums. They came out almost 15 years ago, dude.
I'll try my hand at it:
Side 1
Sgt. Pepper's Lonely Heart's Club Band
With A Little Help From My Friends
Your Mother Should Know
You've got a point there. Are the first and second installments of Anthology worth the trouble? Three is the only one I've got.
Has anybody here ever listened in depth to the pre-Sgt. Pepper Capital U.S. albums? My gut says the only people those albums(in that form) appeal to are the boomers in the U.S. who actually grew up listening to them. But for boomers anywhere else and younger people everywhere who didn't actually grow up when the Beatles were around, the U.K. discography is the only discography. I don't really approve of how the U.S. albums came to be...Capital basically butchered the albums, cut-and-pasted tracks to make the albums they thought would sell the most, until the Beatles put a stop to it at Sgt. Pepper. I don't think anyone would disagree that the U.K. discography is the discography as the Beatles intended it. Anyway, I was just wondering if anyone's listened to any of the U.S. albums extensively, and if anyone has any thoughts on them? I think I'm going to put some playlists together in ITunes that match the U.S. albums, and give them a try. Though Revolver without "I'm Only Sleeping", "And Your Bird Can Sing", and "Dr. Robert" seems blasphemous.
As far as revisiting Sgt. Pepper's, adding Strawberry Fields Forever, Penny Lane, and Only A Northern Song certainly would have put a different twist on it. I'll have to see what I come up with; I like laz's take, although I can't bring myself to move Lucy.
I've been more obsessed lately digging into Let It Be and comparing the original album versions with alternates, single versions, and the naked album. I think the material is more than solid for a great album; just a little tweaking here and there and it would have been perfect. Let It Be...Naked was a good attempt, but some of the versions on there aren't as good, like Don't Let Me Down, and taking away the false ending in Get Back is criminal. A revisit to the track listing is in order.
I have questions for you but you are about to go to sleep so they will be tabled. Sleep well.
You live in the NE area, yes, so, I'll assume you are a Pats fan.....hopefully you are not working tomorrow night so you can watch them destroy Buffalo.
I read it all too. Great post, IWB.
First one, probably not. Though you do get Free As A Bird, which I'm convinced would be a classic had it been released during the glory days. Vol.2 is a no-brainer, really. You'll have a lot of fun with it. And you can get it used on Amazon for under $10.
A lot of people don't have the Anthology albums. They came out almost 15 years ago, dude.
Also, Lennon's missing track from The White Album was worthy of inclusion as well. How Revolution 9 got in but this didn't is rather strange, but maybe two fucked up songs was just too much for Macca.
YouTube - The Beatles "What's The New Mary Jane?" (Rare, unreleased)
Just tell me this didn't belong on the White Album. Tell me it wouldn't be one of the 5-10 best songs on there:
YouTube - The Beatles - Not Guilty
Has anybody here ever listened in depth to the pre-Sgt. Pepper Capital U.S. albums? My gut says the only people those albums(in that form) appeal to are the boomers in the U.S. who actually grew up listening to them. But for boomers anywhere else and younger people everywhere who didn't actually grow up when the Beatles were around, the U.K. discography is the only discography. I don't really approve of how the U.S. albums came to be...Capital basically butchered the albums, cut-and-pasted tracks to make the albums they thought would sell the most, until the Beatles put a stop to it at Sgt. Pepper. I don't think anyone would disagree that the U.K. discography is the discography as the Beatles intended it. Anyway, I was just wondering if anyone's listened to any of the U.S. albums extensively, and if anyone has any thoughts on them? I think I'm going to put some playlists together in ITunes that match the U.S. albums, and give them a try. Though Revolver without "I'm Only Sleeping", "And Your Bird Can Sing", and "Dr. Robert" seems blasphemous.
Great tune, but I just can't imagine it being on there. Maybe it's just because I'm so comfortable with the awkward mess the White Album is, that I don't want anyone to "clean" it up...
Some interesting expansions of the Sgt. Pepper's tracklisting there, might give some of them a whirl. Interesting to see the omission from consideration of "It's All Too Much", a cracking Harrison song, which is remarkably long. Pretty sure it was written during the Pepper sessions. Can't imagine it on the album though....maybe the exlcusion of Northern Song and All Too Much is due to some unwritten law about only allowing Harrison one tune on the album? Who knows, seems strange considering he had 3 on Revolver and Rubber Soul, maybe the others felt he was going too far with his Indian interests?
Not sure what you mean by "clean" it up; a couple of changes here and there wouldn't alter it too much.
Sgt. Pepper's Lonely Mystery Submarine updated:
I've been working on something for Let It Be, but I've gotta hear the tracks off of Anthology 3 before I can make a steady tracklist.