coolian2
Blue Crack Supplier
Can the prosecution and defence rest? This has too much risk of becoming Everything You Know Is Wrong.
But some of those songs were only played for a brief period and none of them were anywhere near definitive versions. Tough to be a particularly memorable tour when the performances themselves are consistently sub-par. Bullet with Johnny Comes Marching Home, Elevation with the endless intro, Streets with the stupid flag lights, really dreary versions of WOWY, etc.
Plus, they were supporting one of their worst albums, so you got the occasional Original of the Species instead of the occasional Who's Gonna Ride Your Wild Horses.
Case re-opened.
So I was in a Starbucks today for maybe 45 minutes to an hour, and it was Shuttlecock playing there the whole time.
When I first went in, Tryin To Throw Your Arms Around The World was playing. I thought this was weird, because I assumed it was a radio station and what radio station plays that? But then Ultraviolet started playing, so I figured somebody was playing AB straight through. But that wasn't the case either because Acrobat didn't follow. Here's what was played:
TTTYAATW
Ultraviolet
Angel Of Harlem
Love Rescue Me
All I Want Is You
Stay
BD
Grace
White As Snow
Song For Someone
By the end I just figured somebody plugged their phone in with U2 on shuffle or something. Just weird hearing some of that stuff in public - TTTYAATW? Love Rescue Me? Grace? White As Snow?
I'm sure I'll say more later, but it was awesome. Hearing side B of Joshua Tree live was incredible. We were extremely close, maybe 10 to 12 yards from the main stage, and about the same from the second stage. Great time, great show.
But Ian's right
I'd have left during Love Rescue Me, under the assumption nothing good is going to show up.
I'd then miss AIWIY and Stay, so the joke would be on me.
Regarding the missing song. There are NO bootlegs uploaded right now of night one at the Rose Bowl. I'm beginning to question whether or not I actually really even heard it...
This tour is The Cock at both their most magical and most frustrating.
The setlist is a mess. The opening mini-suite doesn't work at all and takes the punch out of Streets for me. It's supposed to be the most cathartic moment of the show, and I think having it anywhere but late in the set or as the opener lessens its impact substantially. I'd love it if they just opened with JT and did a second set afterwards. Punch us in the mouth with Streets and the red screen to start, right? Setlist sequencing is really my only nitpick. though. I'm not going to complain about a setlist in which I get to hear Exit and OTH.
The good, however, was very good. The photography and imagery with the JT set is immaculate for me (other than 1/8 of the screen briefly going out during MOTD in Houston), and that 11 song stretch is a concert experience I'll treasure for the rest of my life. Side Two alone made driving all over Texas this week worth it.
Long and short of it: I had a blast at both shows, Dallas was probably the better show, and if they get the setlist sequencing figured out on the second leg, this tour could be just about perfect.
Now spoilery shit if you guys are still doing this:
UV is my favorite song of all time and it becoming at setlist staple over the course of the past eight years makes me really happy. I will never get sick of it.
Getting Bad both nights obviously thrilled me as they didn't play it either of the previous times I'd seen them. It's perfect and always will be, but having it as the third song in the set last night killed my vibe. No way it should be played that early.
They closed with IWF last night instead of the new song, maybe the first time they've done that this tour? I haven't looked at many setlists, so what do I know? But I hope they took notes from it, because it seemed like a spontaneous decision and it certainly paid dividends. Everyone was losing their minds all around the stadium and there were no screen visuals for it, just the band doing their thing in the middle of the main stage with pretty rudimentary lighting. Obsessives like us going as crazy as the folks I saw looking at their phones during Red Hill but going nuts during Elevation. I feel like that was the best moment that struck a balance between pleasing all the casuals (probably the majority of the audience, let's be honest) and the Cock Force.
I mention that just because I realize we probably go to these shows for different reasons than the layman, the band has a job to do in pleasing both of us, but I definitely think they've got it in them to achieve something that's perfect for everyone. IWF made me feel that way. I'm rambling, whatever. I don't post here a lot anymore and wanted to get all my thoughts down.
Last thing: I'm not talking about The Missing Song, but I was fucking devastated.
ZooTV also had Ultra Violet and TTTYAATW nearly every fucking night, so let's not play the OOTS game.
Hope so. Listening to the boot for night two is giving me chills.I'm sure a bootleg for every show will come along eventually.
It only happened once so it's silly to compare...Vertigo take of Love is Blindness? When have they played LIB anywhere other than 92/93?
That remains my favorite tour era, static sets and all. I just fucking love it.